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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
Hänsel und Gretel
Voix duo, Piano
the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles
$23.99 20.83 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 3 - Digital Download SKU: A0.1485457 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Religious,Sacred. 6 pages. Hélder Bento #1062514. Published by Hélder Bento (A0.1485457). Mass in G Major - Qui sedes - Duet (Soprano, Alto) - Vocal ScoreCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
Mass in G Major - Qui sedes - Duet (Soprano, Alto) - Vocal Score
Voix duo, Piano

$5.99 5.2 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.697711 Composed by W. H. Doane. Arranged by Sandy McIntire. Christian,Easter,Praise & Worship,Sacred,Traditional. 7 pages. Sandy McIntire #6480067. Published by Sandy McIntire (A0.697711). Draw Me Nearer (I Am Thine, O Lord) is a much loved American hymn with lyrics by Fanny J. Crosby and tune by W. H. Doane. Published after the Civil War, it continues to be popular with congregations today.  This arrangement is an Early Intermediate Soprano-Alto Duet with a piano accompaniment in the key of A major. Other SA Duets arranged by McIntire are In My Heart There Rings a Melody, Make Me a Blessing, and Open My Eyes that I May See, also available at this web site.
Draw Me Nearer
Voix duo, Piano

$5.50 4.78 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.631138 Composed by Traditional, John H. Hopkins Jr. Arranged by Stephen DeCesare. Christian,Christmas,Multicultural,Praise & Worship,Sacred,World. 8 pages. Exultet Music #6509249. Published by Exultet Music (A0.631138). The traditional Christmas hymn that highlights several of the most important parts of Christ’s birth; from the rejoicing of heaven and earth (with shepherds and angels), to the fulfilling of prophecies (the coming of the wise men) has been freshly arranged as a duet for a Tenor and Bass solo with Piano accompaniment. This version also incorporates other Christmas carols within the piece to help tell the story (Patapan, O Come, O Come, Emmanuel and We Three Kings). Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
Sing We Now Of Christmas (Noël Nouvelet) (Duet for Tenor and Bass solo)
Voix duo, Piano

$4.99 4.33 € Voix duo, Piano PDF SheetMusicPlus

Voice Duet Alto Voice,Soprano voice - Level 2 - Digital Download SKU: A0.1048715 Composed by William W. Bradbury. Arranged by Daniel Carter. Praise & Worship,Sacred,Traditional. 8 pages. Daniel Carter #653124. Published by Daniel Carter (A0.1048715). William B. Bradbury’s hymn tune HE LEADETH ME, with text by J. H. Gilmore arranged with a gentle, independent piano accompaniment that compliments the singers. The reassurance that we are continually led by a caring Creator through life and death makes this duet suitable for worship, farewells, funerals, devotionals, and other settings. This arrangement is also available for SAB chorus and piano at www.danielcartermusic.com.
He Leadeth Me—Medium-Range SA Vocal Duet and Piano
Voix duo, Piano

$4.99 4.33 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.984006 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Contemporary,Pop. 9 pages. Boothe Publishing #4360917. Published by Boothe Publishing (A0.984006). I love my Mother and Father.  They love me and their parents loved them. In this song, a mother who is in the hospital sees her deceased parents in her hospital room. They are there to escort her home. Mom and dad have always been there for me. I wrote this song when a teenage friend named Dustin died. Years later Dustin's mother was in the hospital. She could see three people standing in the back of her hospital room. She asked her mother, who was present, if she could see anyone standing in the back of her room. Her mother looked to where her daughter pointed, but she couldn't see anyone. She told her mother that she thought the three people that only she could see had come to take her home. She passed away later that day.  Its nice to know that we have family and friends both here and on the other side of life. 
Mama and Daddy PVG
Voix duo, Piano

$3.99 3.47 € Voix duo, Piano PDF SheetMusicPlus






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