Piano,Voice Duet Mezzo-Soprano Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.1262601 By Andrea Bocelli. By Leonard Cohen. Arranged by Mav Duo. Film/TV,Folk,Pop,Rock. 6 pages. Musicial #855617. Published by Musicial (A0.1262601). A Triumphant Harmony: A Captivating Three-Instrument Arrangement of Leonard Cohen's Hallelujah from Shrek, for Piano, Male Voice, and CelloPrepare to be swept away by a harmonious tapestry of sound as three exceptional instruments unite in a breathtaking arrangement of Leonard Cohen's iconic masterpiece, Hallelujah. This captivating rendition, made famous by its inclusion in the beloved film Shrek, combines the power of piano, the soulful resonance of a male voice, and the enchanting melodies of the cello, creating an extraordinary musical experience that will leave you spellbound.Immerse yourself in the profound beauty of Hallelujah, a composition by the legendary Leonard Cohen, as the piano sets the foundation with its evocative chords, while the male voice, with its deep and resonant timbre, breathes life into the poignant lyrics. The cello, with its rich and soul-stirring tones, adds an additional layer of emotional depth, weaving intricate melodies that echo with passion and yearning.Crafted with meticulous attention to detail, this three-instrument arrangement showcases the timeless power of Leonard Cohen's Hallelujah in a unique and mesmerizing light. The piano, male voice, and cello intertwine seamlessly, creating an exquisite harmony that embodies the profound emotions and spiritual depth of the original composition, which gained widespread recognition through its inclusion in the renowned film Shrek.Whether you are an accomplished pianist seeking an awe-inspiring collaboration, a talented male vocalist eager to showcase your vocal prowess, or a skilled cellist searching for a captivating arrangement, this three-instrument ensemble is an absolute must-have. It offers an extraordinary opportunity to delve into the rich layers of Leonard Cohen's Hallelujah and to create a performance that resonates with raw emotion and musical brilliance, while also evoking the nostalgia of its inclusion in Shrek.As the piano chords resound, the male voice weaves its own tale of longing and devotion, while the cello adds a touch of ethereal beauty. The combination of these three instruments unlocks a profound emotional journey, where each note becomes a vessel for hope, solace, and triumph, resonating with the memories and emotions associated with the beloved film Shrek.This three-instrument arrangement of Leonard Cohen's Hallelujah, famous for its inclusion in Shrek, is a testament to the timeless appeal and universal resonance of music. It invites you to experience the transformative power of this iconic composition, as the piano, male voice, and cello intertwine to create an immersive musical experience that transcends boundaries and awakens the deepest corners of the soul.Don't miss this extraordinary opportunity to own a piece of musical brilliance. Order your three-instrument arrangement of Leonard Cohen's Hallelujah today and let the triumphant harmonies fill your heart and soul. Embrace the captivating synergy of the piano, male voice, and cello, and let the music unfold, carrying you on a journey of deep introspection, spiritual awakening, and overwhelming beauty, while also invoking the nostalgia and sentimental attachment associated with its inclusion in Shrek.Keywords: three-instrument arrangement, Hallelujah, Leonard Cohen, captivating musical experience, harmonious tapestry, profound beauty, evocative chords, soulful resonance, emotional depth, unique and mesmerizing, awe-inspiring collaboration, raw emotion, musical brilliance, transformative power, universal resonance, triumphant harmonies, captivating synergy, deep introspection, spiritual awakening, overwhelming beauty, Shrek.

2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric� Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]�. She enclosed the corresponding verses with the letter and “for fun� also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment� (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.�The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.