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Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn Forché. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and I’m humbled by the writer’s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identity—self imposed and projected—on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readers’ minds on the rough truths of our shared history as Americans.
Quarry Songs
Voix duo, Piano

$51.06 44.34 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.773868 Composed by Anthony Giamanco. Pop,Praise & Worship,Sacred. 8 pages. Whole Tone Press #5996245. Published by Whole Tone Press (A0.773868). A beautiful, flowing worship song that asks God to use our hands, feet, lips, voice to spread the Gospel to all. Arranged for piano/keyboard (with chord symbols) and tenor/alto duet. Add guitar, bass, and drums for worship band presentation. Ideal for worship services and other church events. Congregations will enjoy singing this too!Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel
Take (Christian worship song)
Voix duo, Piano

$3.50 3.04 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.1318918 By Stephen DeCesare. By Stephen DeCesare. Christian,Christmas,Contemporary,Sacred,Spiritual. 7 pages. Exultet Music #907541. Published by Exultet Music (A0.1318918). Tender song for the Christmas season but especially for when the topic is about the Holy Family.  Based on Luke 2:49 Why were you looking for Me? He asked, Did you not know that I had to be in My Father’s house?.  Scored as a duet for a Tenor and Bass solo with Piano accompaniment.  Accessible and appropriate for any church or concert setting.  An accompaniment track is also available.
Our Father's Work To Do (Duet for Tenor and Bass solo)
Voix duo, Piano
Stephen DeCesare
$4.99 4.33 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.1318917 By Stephen DeCesare. By Stephen DeCesare. Christian,Christmas,Contemporary,Sacred,Spiritual. 7 pages. Exultet Music #907540. Published by Exultet Music (A0.1318917). Tender song for the Christmas season but especially for when the topic is about the Holy Family.  Based on Luke 2:49 Why were you looking for Me? He asked, Did you not know that I had to be in My Father’s house?.  Scored as a duet for a Soprano and Tenor solo with Piano accompaniment.  Accessible and appropriate for any church or concert setting.  An accompaniment track is also available.
Our Father's Work To Do (Duet for Soprano and Tenor solo)
Voix duo, Piano
Stephen DeCesare
$4.99 4.33 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1318916 By Stephen DeCesare. By Stephen DeCesare. Christian,Christmas,Contemporary,Sacred,Spiritual. 7 pages. Exultet Music #907539. Published by Exultet Music (A0.1318916). Tender song for the Christmas season but especially for when the topic is about the Holy Family.  Based on Luke 2:49 Why were you looking for Me? He asked, Did you not know that I had to be in My Father’s house?.  Scored as a duet for a Soprano and an Alto solo with Piano accompaniment.  Accessible and appropriate for any church or concert setting.  An accompaniment track is also available.
Our Father's Work To Do (Duet for Soprano and Alto solo)
Voix duo, Piano
Stephen DeCesare
$4.99 4.33 € Voix duo, Piano PDF SheetMusicPlus

2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
Hänsel und Gretel
Voix duo, Piano
the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles
$23.99 20.83 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano.  Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.†La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.†For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
Voix duo, Piano

$12.95 11.25 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.877846 Composed by Deborah Johnson. Holiday,Love,Musical/Show,Pop,Wedding. 15 pages. Deborah Johnson #6099457. Published by Deborah Johnson (A0.877846). One Night is a beautiful female/male vocal duet originally written for the musical STILTZ (http://StiltzTheMusical.com) by Deborah Johnson. 15 pages that includes full piano/vocal score and a vocal lead sheet with chords.Both vocal parts have 1 ½ octave range. Female: G below middle C to Db. Male: C - G.ONE NIGHT is a song that can easily be performed for special occasions such as Valentine's Day, weddings, anniversarys or concerts. For more songs, get the complete musical piano/vocal score for STILTZ the Musical. You will love playing and singing through all the songs!  Instrumental MP3 accompaniment track also available for performance.MUSICAL STORY: On three separate days, our damsel in distress is imprisoned in Office Number Seven by the evil Mr. Devlin and ordered to raise money to save her dad. She makes a pact with STILTZ, but may lose the man she truly loves! A modern adaptation of the wonderful tale of Rumpelstiltskin. Lacey & Hatfield are our protagonist & love interest. Full Musical available for licensing.DEBORAH JOHNSON, is a National Recording Artist, Composer, National Speaker and published Author of 4 books. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. Her music has been up for multiple Grammy Awards.  See more at https://DJWorksMusic.com and https://GoalsForYourLife.com
One Night - STILTZ the Musical
Voix duo, Piano

$8.99 7.81 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.955898 Composed by George Gershwin and Ira Gershwin. Arranged by Scott S. Stewart. Contemporary. 9 pages. Scott S. Stewart #6882583. Published by Scott S. Stewart (A0.955898). Aren’t You Kind of Glad We Did? is an unused George Gershwin song recycled posthumously by brother Ira for the 1947 film The Shocking Miss Pilgrim (Dick Haymes and Betty Grable) – a story about the Women’s Suffrage movement of 1874, and equality in the workplace.  The film was a disappointment. This song didn’t get radio airplay (as recorded by Dick Haymes and Judy Garland) because censors inferred it had a too suggestive meaning.    This ‘trunk tune,’ however, found its way into the Great American Songbook. This arrangement is an (interactive conversational) duet for soprano and baritone with piano accompaniment.  Performance time: 3:38+-
Aren't You Kind Of Glad We Did?
Voix duo, Piano

$12.99 11.28 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.877837 Composed by Deborah Johnson. Children,Contemporary,Latin,Musical/Show. 10 pages. Deborah Johnson #6099275. Published by Deborah Johnson (A0.877837). Dear Old Dad is a duet between LACEY (protagonist) and MILLER (her dad) in STILTZ the Musical. For more songs, get the complete piano/vocal score. You will love playing and singing through all the songs! 10 pgs.STORY: On three separate days, our damsel in distress is imprisoned in Office Number Seven by the evil Mr. Devlin and ordered to raise money to save her dad. She makes a pact with STILTZ, but may lose the man she truly loves! A modern adaptation of the wonderful tale of Rumpelstiltskin.  You can view all the videos and find out more at http://StiltzTheMusical.com. Music & Lyrics by Deborah Johnson. (Additional lyrics on Hacker Crew by book-writer, Paula Miller) Full Playlist: https://www.youtube.com/playlist?list=PL3067ABDF8C8ADBB5DEBORAH JOHNSON, is a National Recording Artist, Composer, National Speaker and published Author of 4 books. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. Her music has been up for multiple Grammy Awards.  See more at https://DJWorksMusic.com and https://GoalsForYourLife.com 
Dear Old Dad-STILTZ the Musical
Voix duo, Piano

$6.99 6.07 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.868044 Composed by Jennette Jay Booth. Christian,Sacred,Spiritual. 7 pages. Sound Booth #6371945. Published by Sound Booth (A0.868044). As I have watched what the youth of today are up against, I couldn't help but think of the stripling warriors described in the Book of Mormon.It struck me that even though every warrior miraculously survived the two battles they fought in, every warrior was also badly injured, many to the point of fainting from the loss of blood.And what happened next?Every able soldier worked to bind up the wounds of the injured.THIS is part of the story of their miraculous survival!This is OUR part of the story as the parents/leaders of the youth today.Who Will Bind Their Wounds? is a call to the latter-day Army of Antipus to come fight for and rescue our beloved Youth Battallion.Will you hasten to the fight like Antipus of old?Will you march with all your might to defend the stripling fold?...All profits go toward preventing child sexual abuse at BodySafetySongs.org
Who Will Bind Their Wounds?
Voix duo, Piano

$4.99 4.33 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.565135 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Praise & Worship,Sacred. 21 pages. Sharon Wilson #3465630. Published by Sharon Wilson (A0.565135). This Scripture song based on Psalm 19 verses 1-4 is formatted as a vocal duet (SOPRANO-ALTO) with piano accompaniment. This SA Duet arrangement is in the key of C with vocal ranges as follows: SOPRANO ~ D4 to D5; ALTO ~ A3 to B4. This is a straight-forward arrangement with the SOPRANO carrying the melody throughout and the ALTO adding a non-complex harmony.The purchase price includes the 11-page combined score with both vocal and piano parts on each page plus a separate VOCALS only score (5 pages) and a PIANO only score (4 pages). To purchase multiple copies for 2-part choral use, this arrangement is available separately at a reduced price. Duration 2:50To enhance the presentation of this song, a slide show featuring stars and space could be displayed during the performance. The lyrics were adapted from the World English Bible (WEB) and are printed below:Lyrics:The heavens declare the glory of God.The skies proclaim his handiwork.Day after day they pour out their speech,And night after night God’s knowledge is displayed.There is no speech, nor is there a language where their voice is not heard.Their voice has gone out through all of the earth,Their words to the end of the world.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
The Heavens Declare ~ Psalm 19 (for SA Duet with Piano accompaniment)
Voix duo, Piano
Sharon Wilson
$5.99 5.2 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.529581 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. 7 pages. Sherman Theatrical Entertainment Ltd. #117869. Published by Sherman Theatrical Entertainment Ltd. (A0.529581). The Dream I Never Dreamed is from the musical Love Birds and A Spoonful of Sherman (UK/ Ireland Tour). This song begins as a solo song sung by penguin “Puck†to macaw “Valentineâ€, but it finishes as a duet. What starts off as an exuberant expression of thanks evolves into a courageous, shared declaration of love. To Puck’s surprise, Valentine shares his vision of a time and place where parrot and penguin can be together. This song works as either a duet or as a solo piece. When printing, please scale to fit for standard US Letter or A4 size.
The Dream I Never Dreamed (E flat Major, Duet)
Voix duo, Piano

$3.99 3.47 € Voix duo, Piano PDF SheetMusicPlus






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