2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric� Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]�. She enclosed the corresponding verses with the letter and “for fun� also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment� (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.�The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.

Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano.  Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.â€� La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.â€� For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.1262356 Composed by John W. Fisher. Christian,Contemporary,Instructional,Jewish,Spiritual. 8 pages. John Fisher #855396. Published by John Fisher (A0.1262356). I am creating a new genre of sacred music - THE SERMON SONG. Last summer, 2022, I published Sing to the Lord which I gave to my choir director, Rev. Roger Peterson, who preached on the text of the music, and he was so impressed he had us sing it to First Presbyterian Church the next Sunday. Moses and Miriam was based on Numbers 12: 1-16 in a sermon preached by our Fort Myers Florida senior pastor Dr. Paul de Jong on June 4, 2023. It is a ballad for one or two voices with piano, or organ or guitar accompaniment. Its six verses tell the tale of what happened to Miriam, Moses' sister when she put up a great fuss when her famous brother married a black woman. It is a lesson from Bible times, that racism is unacceptable. As of July 11, 2023, three more SERMON SONGS are in the pipe line for Sheet Music Plus, Pray for the Church,  Barnabus, and Moses Slipped up.

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.955898 Composed by George Gershwin and Ira Gershwin. Arranged by Scott S. Stewart. Contemporary. 9 pages. Scott S. Stewart #6882583. Published by Scott S. Stewart (A0.955898). Aren’t You Kind of Glad We Did? is an unused George Gershwin song recycled posthumously by brother Ira for the 1947 film The Shocking Miss Pilgrim (Dick Haymes and Betty Grable) – a story about the Women’s Suffrage movement of 1874, and equality in the workplace.  The film was a disappointment. This song didn’t get radio airplay (as recorded by Dick Haymes and Judy Garland) because censors inferred it had a too suggestive meaning.    This ‘trunk tune,’ however, found its way into the Great American Songbook. This arrangement is an (interactive conversational) duet for soprano and baritone with piano accompaniment.  Performance time: 3:38+-

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.922836 Composed by Jayne Nitz. Christian,Sacred,Wedding. 6 pages. Jayne Nitz #6334333. Published by Jayne Nitz (A0.922836). This original wedding song is a duet for male and female voices. Based on Psalm 34:3 and more (see additional Bible verse references below), the lyrics draw from God’s Word to put the focus on Him, but still acknowledge the love between a husband and wife. LyricsMy gift of God, answer to my prayer, (James 1:17)This day our hearts rejoice. (Song of Songs 3:1)Two separate lives, in faith and love,Unite in a single voice. (Genesis 2:24)Chorus:Glorify the Lord with me, (Psalm 34:3a)Calling on his holy name together. (Psalm 34:3b)Glorify the Lord with me.Let us sing His praise as one. (Psalm 105:2)My gift of God, blessed beyond all words, (John 1:16)We’ll go forward as husband and wife.But better still, we’ll share the yearsAs brother and sister in Christ. (Mark 3:35)ChorusFor the joy that he brings us from here,We’ll offer our grateful song. (Psalm 28:7)In the valley of sorrow or fear, (Psalm 23:4)May the hymn of thanksgiving go on! (1 Thess. 5:18)Last Chorus:Glorify the Lord with me,Calling on his holy name together.Glorify the Lord with me.Let us sing His praise…My gift of God, blessed beyond all words,Let us sing His praise as one.Copyright © 2019 Jayne Nitz. All rights reserved.Choral series.

Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.983992 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 9 pages. Boothe Publishing #4360819. Published by Boothe Publishing (A0.983992). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.

Piano,Voice Duet Baritone Horn TC,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.1402504 By The Everly Brothers. By Boudleaux Bryant. Arranged by Rachel J T Edwards. Pop,Rock,Standards. 4 pages. Rachel J T Edwards #985722. Published by Rachel J T Edwards (A0.1402504). A lovely duet suitable for singers starting out in harmony singing.

Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1402503 By The Everly Brothers. By Boudleaux Bryant. Arranged by Rachel J T Edwards. Pop,Rock,Standards. 4 pages. Rachel J T Edwards #985721. Published by Rachel J T Edwards (A0.1402503). A lovely vocal duet suitable for young voices starting out in harmony singing.