Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999558 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Russell Ward. Contemporary. Score and parts. 7 pages. Russell Ward #6047149. Published by Russell Ward (A0.999558). This is the 3rd Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. The 3rd movement here features the Rick Astley hit Never Gonna Give You Up Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au  

Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Intermediate - Digital Download SKU: A0.510120 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Andrea La Rose. Rock. Score and parts. 37 pages. Published by Andrea La Rose (A0.510120). • Melody and four-part harmony parts for Eb saxophones.• Chords included in melody part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!