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Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.1095121 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Comedy. 5 pages. RayThompsonMusic #699179. Published by RayThompsonMusic (A0.1095121). Translated as (Duet with Two Obligato Eyeglasses) often k/a The Obligato Eyeglass Duo. Originally written for viola and cello, here it is arranged for a bassoon duet. This is arrangement of ONLY the minuetto and trio This duet for viola and cello from 1796-1797 is believed to have been written for Beethoven's longtime frind, Baron Nikolaus Zmeskall. The Baron was an accomplished cellist, and Beethoven had played the viola back in Bonn. Both men wore spectacles at times, which is believed to be the genesis of the curious name. Apparently Beethoven wrote Zmeskall a letter containing these lines: Dearest Baron Garbage-truck driver, I am obliged to you for the weakness of your eyes. Perhaps Zmeskall lent Beethven his eyeglasses. Who knows? One thing is certain: the piece exudes a sense of sheer playfulness, similar in spirit (if not style) to Mozart's Duo for Violin and Viola in B-Flat. Arranged here for bassoon duet. I have changed the octaves in some cases to suit the bassoon's range, and to avoid overlap. I have obviously removed the chords in the original viola part, which is now bsn 1, and somerimes given the lower note in the chord to bsn 2 to give a better balance. It suits the bassoon duet.
Beethoven: Duet mit zwei obligaten Augengläsern WoO 32 (Eyeglass Duo) (II.Minuetto) - bassoon duet
2 Bassons (duo)

$4.95 4.24 € 2 Bassons (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.1097228 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. Score and parts. 12 pages. RayThompsonMusic #701184. Published by RayThompsonMusic (A0.1097228). Translated as (Duet with Two Obligato Eyeglasses) or k/a The Obligato/Eyeglass Duo. Originally composed for viola/cello duet it is arranged here for bassoon duet. This arrangement is of of Mvt.I Allegro ONLY Mvt II Minuetto is also available on this site. This duet for viola and cello from 1796-1797 is believed to have been written for Beethoven's longtime frind, Baron Nikolaus Zmeskall. The Baron was an accomplished cellist, and Beethoven had played the viola back in Bonn. Both men wore spectacles at times, which is believed to be the genesis of the curious name. Apparently Beethoven wrote Zmeskall a letter containing these lines: Dearest Baron Garbage-truck driver, I am obliged to you for the weakness of your eyes. Perhaps Zmeskall lent Beethven his eyeglasses. Who knows? One thing is certain: the piece exudes a sense of sheer playfulness, similar in spirit (if not style) to Mozart's Duo for Violin and Viola in B-Flat. Arranged here for bassoon duet. I have changed the octaves in both parts in certain bars to suit the bassoon's range, and to avoid overlap. I have obviously removed the chords in the original viola part, which is now bsn 1, and somtrimes given the lower note in the chord to bsn 2 to give a better balance. Bsn 1 plays top Bb once I have NOT simply lowered the viola part an Octave, which you may find elsewhere. I have also simplified the tricky semi-quaver (sixteenth notes) broken chords passages. It suits the bassoon duet.
Beethoven: Duet mit zwei obligaten Augengläsern WoO 32 (Eyeglass Duo) (I.Allegro) - bassoon duet
2 Bassons (duo)

$9.95 8.51 € 2 Bassons (duo) PDF SheetMusicPlus

Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549517 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 17 pages. Jmsgu3 #3504441. Published by jmsgu3 (A0.549517). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
Grieg: Morning Mood from Peer Gynt Suite for Bassoon & Piano
2 Bassons (duo)

$32.95 28.19 € 2 Bassons (duo) PDF SheetMusicPlus

Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1150434 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #750609. Published by Woods Only, Arrangements (A0.1150434). This arrangement adapted for bassoon duo was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
Turkish March by Beethoven for Bassoon Duet
2 Bassons (duo)

$3.99 3.41 € 2 Bassons (duo) PDF SheetMusicPlus






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