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Bassoon,Instrumental Duet - Level 1 - Digital Download

SKU: A0.548694

Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 pages. Jmsgu3 #3411135. Published by jmsgu3 (A0.548694).

A Bassoon Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bassoon part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first.

Schubert

Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911).

Education

Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri.

Performance

Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever.

Legacy

Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.

Schubert: Ave Maria for Bassoon & Piano
2 Bassons (duo)

$29.95 28.76 € 2 Bassons (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download

SKU: A0.548710

Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and parts. 4 pages. Jmsgu3 #3411733. Published by jmsgu3 (A0.548710).

Out of the Depths I Cry to You by Martin Luther arranged for bassoon & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score.


Out of the Depths

Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger.


Luther Background

Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music.


Influence

It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works.


Legacy

The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Luther: Out of the Depths for Bassoon & Piano
2 Bassons (duo)

$24.95 23.96 € 2 Bassons (duo) PDF SheetMusicPlus

Bassoon Solo - Level 2 - Digital Download

SKU: A0.730989

Composed by Felix Bartholdy Mendelssohn. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,Instructional. Individual part. 2 pages. Edwin Sung #3179. Published by Edwin Sung (A0.730989).

This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Chistmas ideally!

Hark! The Herald Angels Sing (for bassoon duet, suitable for grades 1-5)
2 Bassons (duo)

$3.99 3.83 € 2 Bassons (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download

SKU: A0.1135540

Composed by Edmund H. Sears and Felix Bartholdy Mendelssohn. Arranged by Cathy Stamegna. Christian,Christmas,Holiday,Praise & Worship,Traditional. Score and parts. 12 pages. Cathy Stamegna #735593. Published by Cathy Stamegna (A0.1135540).

This tranquil Christmas hymn is arranged as an unaccompanied instrumental duet. A short transition invites a meter change (from 6/8 to 4/4) where Part 1 states phrases of “Hark! The Herald Angels Sing†while Part 2 continues with “It Came Upon the Midnight Clear†(in 4/4). The first section returns to 6/8, a whole step higher, with some embellishments. Appropriate for any Christmas prelude, worship, concert, recital, or holiday setting. Score and set of Parts included. Performance Time: 3:29.

It Came Upon the Midnight Clear (Bassoon Duet)
2 Bassons (duo)

$4.99 4.79 € 2 Bassons (duo) PDF SheetMusicPlus






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