Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 4 - Digital Download SKU: A0.926886 Composed by Darrell Wilmore. 20th Century,Instructional,Jazz,New Age. Score and parts. 3 pages. Darrell Wilmore #2966861. Published by Darrell Wilmore (A0.926886). Beggar's Waltz is a transcription for piano / organ of a guitar piece I composed in 2002 that included two guitars and bass. Written for three voices; bass and alto counterpoint w/ floating melody line. Time signature is 6/8; triplets @ 60 BPM. Critiqued as Neo-Classical w/ Jazz voicings, advanced intermediate level of difficulty. Approx. 2:38 in length. My websiteis www.jookeyman.com. BMI affiliation. Copyright 2016.

Instrumental Duet Instrumental Duet,Organ,Piano - Level 4 - Digital Download SKU: A0.809639 Composed by James McGranahan. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score and parts. 11 pages. Marilyn Thompson #6688451. Published by Marilyn Thompson (A0.809639). A flowing, expressive duo on James MCGranahan’s tune for the lyrics of Philip Bliss, of which were found in his trunk after a fatal fiery crash, killing both him and his young wife. A version for Solo Piano is also available. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP

Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.990428 Composed by Mitch Boucher. Baroque,Contemporary. Score and parts. 3 pages. Mitch Boucher #5751227. Published by Mitch Boucher (A0.990428). This prelude and fugue is fit for a funeral. The opening prelude was inspired by Chopin's famous Op. 4, no. 28, but of course I kept everything eighteenth-century. The fugue has a repeat, which is optional depending on the circumstances.

Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 5 - Digital Download SKU: A0.950793 Composed by Moshe S. Knoll. 20th Century,Contemporary,Instructional. Score and parts. 7 pages. ArtsAhimsa #3100629. Published by ArtsAhimsa (A0.950793). I believe that a classically-oriented  composer must present at least one FUGUE as a credential of credibility.Here is mine. Beyond the purely contrapuntal interest, there is some really tender and affectionate music here.