Instrumental Duet Instrumental Duet,Viola - Level 1 - Digital Download SKU: A0.550273 Composed by Josquin des Prez. Arranged by James M. Guthrie. Concert,Instructional,Renaissance,Sacred,Standards. Score and parts. 3 pages. Jmsgu3 #4604095. Published by jmsgu3 (A0.550273). Easy music for sightreading. Great for meditation music. Duration: ca 2:00.

Instrumental Duet Instrumental Duet,Viola,Violin - Level 1 - Digital Download SKU: A0.550254 Composed by Josquin des Prez. Arranged by James M. Guthrie. Concert,Instructional,Renaissance,Sacred,Standards. Score and parts. 3 pages. Jmsgu3 #4603887. Published by jmsgu3 (A0.550254). Easy music for sightreading. Great for meditation music. Duration: ca 2:30.

Instrumental Duet Instrumental Duet,Viola - Level 1 - Digital Download SKU: A0.550295 Composed by Josquin des Prez. Arranged by James M. Guthrie. Concert,Instructional,Renaissance,Sacred,Standards. Score and parts. 2 pages. Jmsgu3 #4604271. Published by jmsgu3 (A0.550295). Easy music for sightreading. Great for meditation music. 

Instrumental Duet Instrumental Duet,Viola,Violin - Level 1 - Digital Download SKU: A0.550293 Composed by Josquin des Prez. Arranged by James M. Guthrie. Concert,Instructional,Renaissance,Sacred,Standards. Score and parts. 2 pages. Jmsgu3 #4604265. Published by jmsgu3 (A0.550293). Easy music for sightreading. Great for meditation music. 

Instrumental Duet Instrumental Duet,Viola,Violin - Level 1 - Digital Download SKU: A0.550271 Composed by Josquin des Prez. Arranged by James M. Guthrie. Concert,Instructional,Renaissance,Sacred,Standards. Score and parts. 3 pages. Jmsgu3 #4604089. Published by jmsgu3 (A0.550271). Easy music for sightreading. Great for meditation music. Duration: ca 2:00.

Instrumental Duet Instrumental Duet,Viola,Violin - Digital Download SKU: A0.949312 Composed by Jean Ahn. Contemporary,Renaissance. Score and parts. 16 pages. Jean Ahn #6079039. Published by Jean Ahn (A0.949312). Renaissance composer Orlando Lasso was an international figure compared to other composers around his time. That is the reason he had two names, Lasso (Italian) and Lassus (German). I played with this fact and explored the possibilities of  solfege ‘La-sol’. Lasso's bicinia is paraphrased several times in the piece. There is a timbral cannon toward the end where second cello strictly follows the first cello's gesture.  It is then dissolved to an improvisatory coda to once again reveal the very theme La-Sol.