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Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1186629 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 9 pages. Woods Only, Arrangements #786282. Published by Woods Only, Arrangements (A0.1186629). This adaptation was intended for a small group of viola and violoncello duet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests.The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
Symphony No. 5 by Beethoven for Viola and Cello
Alto, Violoncelle (duo)

$3.99 3.42 € Alto, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1382188 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chamber,Folk,Irish,Traditional. 3 pages. Arezzo Music #966717. Published by Arezzo Music (A0.1382188). O'carolan bridget cruise easy Viola and cello sheet musicO'Carolan's Bridget Cruise shines in this accessible Viola and cello duet arrangement, providing a charming exploration of Turlough O'Carolan's Celtic musical legacy. Crafted with simplicity and expressiveness in mind, this arrangement is tailored for violists and cellists at various skill levels, making it an excellent choice for both beginners and those seeking an enjoyable yet manageable duet. The piece captures the essence of O'Carolan's distinctive style, characterized by flowing melodies and evocative phrasing. The Viola takes the lead with a graceful and lyrical melody, while the cello provides a supportive foundation, creating a harmonious interplay between the two instruments. The overall character of the piece reflects the charm and elegance that define O'Carolan's compositions, making it a delightful addition to the repertoire of duets exploring traditional Irish music. Whether you're just starting your musical journey or are an intermediate player, this easy Viola and cello duet arrangement invites you to revel in the timeless beauty of O'Carolan's Bridget Cruise.o'carolan bridget cruise easy Viola and cello sheet music
o'carolan bridget cruise easy Viola and cello sheet music
Alto, Violoncelle (duo)
Turlough O'carolan
$3.99 3.42 € Alto, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.1215699 Composed by Edvard Grieg. Arranged by César Madeira. 19th Century,20th Century,Children,Film/TV,Romantic Period. 6 pages. Sheet Music To Play Editions #812429. Published by Sheet Music To Play Editions (A0.1215699). In The Hall Of The Mountain King by Grieg. Arrangement for Viola and Violoncello. With Full Score and Individual Parts. Enjoy it!In the Hall Of The Mountain King is a piece of orchestral music composed by Edvard Grieg in 1875 as incidental music for the sixth scene of act 2 in Henrik Ibsen's 1867 play Peer Gynt. It was originally part of Opus 23 but was later extracted as the final piece of Peer Gynt, Suite No. 1, Op. 46. Its easily recognizable theme has helped it attain iconic status in popular culture, where it has been arranged by many artists.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
In The Hall Of The Mountain King - Viola and Cello (Full Score and Parts)
Alto, Violoncelle (duo)

$7.99 6.85 € Alto, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #677904. Published by jmsgu3 (A0.1073960). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
Josquin: 22 Duets for Viola and Cello
Alto, Violoncelle (duo)

$32.95 28.25 € Alto, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1189326 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #788958. Published by Woods Only, Arrangements (A0.1189326). This arrangement adapted for viola and violoncello duet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
Turkish March by Beethoven for Viola and Cello
Alto, Violoncelle (duo)

$3.99 3.42 € Alto, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1189421 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #789056. Published by Woods Only, Arrangements (A0.1189421). This arrangement adapted for viola and violoncello duet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
Symphony No. 7 by Beethoven for Viola and Cello
Alto, Violoncelle (duo)

$3.99 3.42 € Alto, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1202680 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #801444. Published by Woods Only, Arrangements (A0.1202680). This arrangement adapted for viola and violoncello duet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
Ode to Joy by Beethoven for Viola and Cello
Alto, Violoncelle (duo)

$3.99 3.42 € Alto, Violoncelle (duo) PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.869310 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Lamentoso ... Nureyev III. 14 pages. Thomas Oboe Lee #32295. Published by Thomas Oboe Lee (A0.869310). Program note:The title, Dark Angels, has a double meaning. On the one hand, it describes the low, dark, ominous, brooding sound characteristic of the viola and the cello. On the other, these are musical portraits of three charismatic dancers - Nijinsky, Nureyev, and Baryshnikov. Male danseurs in ballet must exhibit an emotional range bordering on schizophrenia. They must be strong and tender, solid and agile, energetic and graceful, raw and gentle. They must fly.  But they must land like a feather. Narcissistic to the core. In them, madness is indeed a plus. The titles of the movements are: I. Lunacy ... Nijinsky II. Lamentoso ... Nureyev III. Mad scherzo ... Baryshnikov Enjoy!!!
Dark Angels (1990, rev. 1994) for viola and cello
Alto, Violoncelle (duo)

$9.99 8.56 € Alto, Violoncelle (duo) PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.869352 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 16 pages. Thomas Oboe Lee #13495. Published by Thomas Oboe Lee (A0.869352). Program note:The title, Dark Angels, has a double meaning. On the one hand, it describes the low, dark, ominous, brooding sound characteristic of the viola and the cello. On the other, these are musical portraits of three charismatic dancers - Nijinsky, Nureyev, and Baryshnikov. Male danseurs in ballet must exhibit an emotional range bordering on schizophrenia. They must be strong and tender, solid and agile, energetic and graceful, raw and gentle. They must fly.  But they must land like a feather. Narcissistic to the core. In them, madness is indeed a plus. The titles of the movements are: I. Lunacy ... Nijinsky II. Lamentoso ... Nureyev III. Mad scherzo ... Baryshnikov Enjoy!!!
Dark Angels (1990, rev. 1994) for viola and cello
Alto, Violoncelle (duo)

$9.99 8.56 € Alto, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Viola - Level 1 - Digital Download SKU: A0.1358198 Composed by Edward Elgar. Arranged by Gispert. 20th Century,Chamber,Classical,Patriotic,Romantic Period. 4 pages. Clara lamonaca #942685. Published by clara lamonaca (A0.1358198). An arrangement of Pomp and Circumstance for viola and cello captures the grandeur of the original composition in a chamber music setting. The viola typically carries the majestic melody with its bright and soaring tones, while the cello provides a rich and supportive foundation with its deep, resonant notes.This arrangement for viola and cello allows for a more intimate rendition of the ceremonial piece, maintaining the regal character while highlighting the synergy between the two instruments. The viola's prominence in the melody adds a touch of brilliance and elegance, complemented by the cello's warm and grounding presence.With careful attention to dynamics, phrasing, and articulation, the viola and cello duo can create a compelling performance that brings out the ceremonial nature of Pomp and Circumstance. This arrangement is well-suited for various events, adding a touch of sophistication and classical charm to formal occasions.
Land of Hope and Glory (from Pomp and Circumstance, Op. 31, March No. 1) with chords
Alto, Violoncelle (duo)

$1.99 1.71 € Alto, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Viola - Level 1 - Digital Download SKU: A0.1215932 Composed by Frank Churchill and Jack Lawrence. Arranged by André Nusa. 20th Century,Chamber,Children,Film/TV. 4 pages. Andre_Nusa #812588. Published by Andre_Nusa (A0.1215932). The arrangement for viola and violoncello duo of the song Never Smile at a Crocodile from Disney's Peter Pan would feature a playful and lively interpretation of the classic tune. The viola takes the melody and the cello plays an ostinato. The interpretation might include variations in tempo and dynamics. With its catchy melody and fun character, this arrangement would be a delightful addition to any string repertoire and a sure crowd-pleaser.
Never Smile At A Crocodile
Alto, Violoncelle (duo)

$5.99 5.14 € Alto, Violoncelle (duo) PDF SheetMusicPlus






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