Instrumental Duet - Level 1 - Digital Download

SKU: A0.1340811

Composed by Traditional. Arranged by Cadenza Editions. Christmas. 4 pages. Cadenza Editions #926380. Published by Cadenza Editions (A0.1340811).

Instrumental Duet - Level 1 - Digital Download

SKU: A0.1340778

Composed by Traditional. Arranged by Cadenza Editions. Christmas. 4 pages. Cadenza Editions #926347. Published by Cadenza Editions (A0.1340778).

Instrumental Duet - Level 1 - Digital Download

SKU: A0.1340739

Composed by Traditional. Arranged by Cadenza Editions. Christmas. 4 pages. Cadenza Editions #926318. Published by Cadenza Editions (A0.1340739).

Instrumental Duet - Level 1 - Digital Download

SKU: A0.1340704

Composed by Traditional. Arranged by Cadenza Editions. Christmas. 4 pages. Cadenza Editions #926284. Published by Cadenza Editions (A0.1340704).

Cello,Instrumental Duet,Violin - Level 5 - Interactive Download

SKU: A0.1218740

By Roberta Flack. By Ewan MacColl. Arranged by Sarah James & Jaya Hanley of The Chapel Hill Duo. This edition: Interactive Download. Blues,Classical,Hip-Hop,Jazz,Pop,Wedding. 4 pages. Duration 234. The Chapel Hill Duo #1ZEBKsqHQi5wNwl7r5d4VN. Published by The Chapel Hill Duo (A0.1218740).

Key: C major.

Violin & Cello duet version of First Time Ever I Save Your Face by Roberta Flack, as performed by The Chapel Hill Duo. Perfect for Weddings and other performances. Advanced level suitable for professional and enthusiastic amateurs.

Cello,Instrumental Duet,Violin - Level 5 - Interactive Download

SKU: A0.1210540

By An Dha AKA The Chapel Hill Duo. By Traditional. Arranged by Sarah James & Jaya Hanley of An Dha AKA The Chapel Hill Duo. This edition: Interactive Download. Country,Folk,World. 11 pages. Duration 253. The Chapel Hill Duo #7DMWNgj4GGFF48zs1WFxh. Published by The Chapel Hill Duo (A0.1210540).

Key: A major.

Violin & Cello duet version of the Tradtional Irish Folk melody The First Month of Summer, as performed and arranged by An Dha AKA The Chapel Hill Duo. Advanced level suitable for professional and enthusiastic amateurs. Watch it played https://youtu.be/IpufNHGjLno.

Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download

SKU: A0.802591

Composed by Louis-Hector Berlioz. Arranged by Peet du Toit. Contemporary. Score and parts. 1 pages. Peet du Toit #5828393. Published by Peet du Toit (A0.802591).

Symphonie Fantastique (Fantastical Symphony: Episode in the Life of an Artist â€¦ in Five Sections) Op. 14, 
is a program symphony written by the French composer Hector Berlioz in 1830. It is an important piece of the
early Romantic period. The first performance was at the Paris Conservatoire on 5 December 1830. Franz Liszt 
made a piano transcription of the symphony in 1833 (S. 470).

Leonard Bernstein described the symphony as the first musical expedition into psychedelia because of its
hallucinatory and dream-like nature, and because history suggests Berlioz composed at least a portion under the influence of opium.

According to Bernstein, Berlioz tells it like it is. You take a trip, you wind up screaming at your own funeral.

Symphonie Fantastique is a piece of program music that tells the story of an artist gifted with a lively imagination 
who has poisoned himself with opium in the depths of despair because of hopeless, unrequited love.

The original way in which Berlioz fused all the ingredients and elements into his music with great emotional 
intensity and musical brilliance makes this symphony such a masterpiece. It was truly revolutionary in that 
nothing like it had ever been heard before.

Cello,Instrumental Duet,Violin - Digital Download

SKU: A0.1488233

Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 83 pages. Artaria Editions #1065120. Published by Artaria Editions (A0.1488233).

A near contemporary and rival of Haydn, Leopold Hofmann was held in the highest regard in his native Vienna where he served as Kapellmeister at St Stephen's Cathedral, a position to which Mozart might have succeeded had he lived. Hofmann was a prolific composer of instrumental music and he wrote a good deal of chamber music although much of it has been lost.

Hofmann also composed a substantial body of chamber music for strings and among the most interesting of these works are the Six Sonatas for Violin & Basso. The sonatas are as a whole more technically difficult than any of the composer's other chamber works with violin. In some respects, particularly in their extensive use of double-stopping and two-part textures in the violin part, they are more technically demanding than his violin concertos.

There is no attempt, however, to involve the basso in the presentation of thematic material and in this respect the sonatas are quite unlike Hofmann's one extant Duo for Violin and Violoncello (Badley II.D2) in which the two parts are treated equally. In view of their technical difficulty and limited dissemination it is difficult to understand Hofmann's motivation for composing the sonatas. Their exploration of multiple-voicing, particularly in first and second movements, and the use of a Minuet with variations for five of the finales – all of which follow a similar pattern of technical exploitation – suggests that the sonatas may have been composed by Hofmann in the first instance as teaching pieces.

Cello,Instrumental Duet,Violin - Level 3 - Digital Download

SKU: A0.1488288

Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 47 pages. Artaria Editions #1065176. Published by Artaria Editions (A0.1488288).

Artaria Editions AE408

Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America.

Pleyel's career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel's productivity as a composer dropped sharply and he ceased composing around 1805. Among the authentic chamber works the duos occupy a particularly interesting place.

The Six Duos for Violin & Violoncello (Benton 501-506) appeared in over twenty editions in Pleyel's lifetime, the first in 1787, and in a variety of scorings. Although their unusual instrumentation undoubtedly contributed to the popularity of the Duos, their musical qualities - evidenced by the large number of contemporary arrangements - probably played a greater role. The works abound in attractive and distinctive melodic material; Pleyel writes idiomatically for both instruments and his part-writing is varied and interesting.

Cello,Instrumental Duet,Violin - Level 4 - Digital Download

SKU: A0.1349553

Composed by Socrates Arvanitakis. 21st Century. 77 pages. Socrates Arvanitakis #934312. Published by Socrates Arvanitakis (A0.1349553).

GENERAL PREFACE

This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.
The total collection is centred more on the music from mainland Greece and less in that from the Islands.
The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.

TECHNICAL

Separate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.
Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.
Thematic Index with active internal links for ease of navigation have been added.
Audio file (mp3) has been added

CONTENTS

33  ΒΛΑΧΟΥΛΑ ΕΡΟΒΟΛΑΓΕ (A Little Wallachian Lass Was Rolling Down)
34  ΒΡΕ �ΙΚΟΛΟ (Hey You, Nikolo)
35  ΓΑΛΑΖΑ�Η Η (The Blue Eyed)
36  ΓΑΛΑΖΙΑ ΠΟΥ�' Η ΘΑΛΑΣΣΑ (How Blue is the Sea)
37  ΓΑΜΗΛΙΟ� 1 (Bridal 1)
38  ΓΑΜΗΛΙΟ� 2 (Bridal 2)
39  ΓΑΜΗΛΙΟ� 3 (Bridal 3)
40  ΓΑΜΗΛΙΟ� 4 (Bridal 4)
41  ΓΑΜΗΛΙΟ� 5 (Bridal 5)
42  ΓΑΜΠΡΟΥ ΤΟΥ (Of The Bridegroom)
43  ΓΑΡΓΑΛΙΑ�ΙΩΤΙΣΣΑ (The Lass From Gargaliani)
44  ΓΑΡΥΦΑΛΙΑ Η (The Carnation Bush)
45  ΓΕΡΑΚΙ�Α (Falconess)
46  ΓΙΑ ΔΕΣ ΛΕΒΕ�ΤΗΣ (Behold A Brave Man)
47  ΓΙΑ��ΑΚΗ ΑΣΗΜΑΚΗ ΤΟΥ (Of John Asimakis)
48  ΓΙΑ��ΟΥΛΑ Η (Joan).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download

SKU: A0.1409344

Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 68 pages. Socrates Arvanitakis #991969. Published by Socrates Arvanitakis (A0.1409344).

GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣ

This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.
The total collection is centred more on the music from mainland Greece and less in that from the Islands.
The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.

TECHNICAL
Separate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.
Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.
Thematic Index with active internal links for ease of navigation have been added.
Audio file (mp3) has been added

CONTENTS
210 ΡΟΪΔΩ Η (Rhoedo)
211 ΡΟΥΣΑ Η (The Red Haired One)
212 ΣΑΪ�ΤΑΓΑΣ Ο (Saidaghas)
213 ΣΑΜΑΡΙ�Α (Samarina)
214 ΣΑΜΙΩΤΙΣΣΑ - The Lass from Samos
215 ΣΑ� ΤΙ ΤΟ ΘΕΛ' Η ΜΑ�Α ΣΟΥ (What Does Your Mother Want That for)
216 ΣΑΡΑ�ΤΑ ΠΑΛΛΗΚΑΡΙΑ 1 (Forty Brave Lads 1)
217 ΣΑΡΑ�ΤΑ ΠΑΛΛΗΚΑΡΙΑ 2 (Forty Brave Lads 2)
218 ΣΑΡΑ�ΤΑΠΕ�ΤΕ ΛΕΜΟ�ΙΕΣ (Forty Five Lemon Trees)
219 ΣΓΟΥΡΟΣ ΒΑΣΙΛΙΚΟΣ (Frizzy Basil)
220 ΣΕ ΠΕΡΙΒΟΛΙ ΘΕ �Α ΜΠΩ (I Will Enter An Orchard)
221 ΣΕ ΠΕΡΙΒΟΛΙ ΜΠΑΙ�Ω 1 (I Go Into The Orchard 1)
222 ΣΕ ΠΕΡΙΒΟΛΙ ΜΠΑΙ�Ω 2 in A (I Enter the Orchard 2)
223 ΣΕ ΠΕΡΙΒΟΛΙ ΜΠΑΙ�Ω 3 in E (I Enter the Orchard 3)
224 ΣΕ ΩΡΑΙΟ ΠΕΡΙΒΟΛΙ (In A Beautiful Orchard)
225 ΣΗΜΩ ΛΥΓΕΡΗ (Simo The Graceful).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download

SKU: A0.1371768

Composed by Socrates Arvanitakis. 21st Century,Contemporary. 75 pages. Socrates Arvanitakis #955999. Published by Socrates Arvanitakis (A0.1371768).

GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣ

This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.
The total collection is centred more on the music from mainland Greece and less in that from the Islands.
The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.

TECHNICAL

Separate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.
Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.
Thematic Index with active internal links for ease of navigation have been added.
Audio file (mp3) has been added

CONTENTS

146 ΜΙΑ ΠΑΠΑΔΙΑ (A Certain Priest's Wife)
147 ΜΙΑ ΠΕΡΔΙΚΟΥΛΑ ΞΕΒΓΑΙ�Ε (A Little Partridge Was Coming Out)
148 ΜΙΑ ΣΜΥΡ�ΙΑ ΣΤΟ ΠΑΡΑΘΥΡΙ (A Lass From Smyrna In The Window)
149 ΜΙΑ ΦΟΡΑ 'ΜΟΥ�Α ΠΟΥΛΙ (Once I  Was A Bird)
150 ΜΟΙΑΖΕΙΣ (You Are Like...)
151 ΜΟΙΡΟΛΟΓΙ (Dirge)
152 ΜΟΥ ΠΑΡΗΓΓΕΙΛΕ Τ' ΑΗΔΟ�Ι (The Nightingale Messaged Me)
153 ΜΠΑΙ�Ω ΜΕΣ' Τ' ΑΜΠΕΛΙ (I enter the Vine Yard)
154 ΜΠΑΛΟΣ Ο (Balos Dance)
155 ΜΠΑΤΕ ΚΟΡΙΤΣΙΑ ΣΤΟ ΧΟΡΟ 1 (Girls, Joint The Dance 1)
156 ΜΠΑΤΕ ΚΟΡΙΤΣΙΑ ΣΤΟ ΧΟΡΟ 2 (Girls Joint The Dance 2)
157 ΜΠΕΡΔΕΥΤΗΚΕ ΜΙΑ ΛΕΪΜΟ�ΙΑ (A Lemon Tree Was Entangled)
158 �Α ΧΑΜΗΛΩ�Α� ΤΑ ΒΟΥ�Α (Let The Mountains Come Low)
159 �Α�ΟΥΡΙΣΜΑ (Lullaby)
160 �ΑΣΑ� ΤΑ �ΕΙΑΤΑ ΔΥΟ ΦΟΡΕΣ (I Wish Youth Was Twice)
161 �ΑΧΑ �ΕΡΟ 'ΠΤΟ� ΠΛΑΤΑ�Ο  (I Wish I Had Water From The Plane Tree).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download

SKU: A0.1365116

Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #949422. Published by Socrates Arvanitakis (A0.1365116).

GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣ

This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.
The total collection is centred more on the music from mainland Greece and less in that from the Islands.
The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.

TECHNICAL
Separate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.
Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.
Thematic Index with active internal links for ease of navigation have been added.
Audio file (mp3) has been added

CONTENTS
97   ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 1 (The Kleftic Lads 1)
98   ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 2 (The Klephtic Lads 2)
99   ΚΟΒΩ ΜΙΑ ΚΛΑΡΑ (I Cut One Branch)
100 ΚΟΛΟΚΟΤΡΩ�ΑΙΟΙ ΟΙ 1(The Kolokotronis Clan 1)
101 ΚΟΛΟΚΟΤΡΩ�ΑΙΟΙ ΟΙ 2 (The Kolokotronis Clan 2)
102 ΚΟΛΟΚΟΤΡΩ�ΑΙΟΙ ΟΙ 3  (The Kolokotronis Clan 3)
103 ΚΟ�ΤΟΥΛΑ ΛΕΜΟ�ΙΑ (Short Lemon Tree)
104 ΚΟΡΗ Α�ΤΡΕΙΩΜΕ�Η (Brave Maiden)
105 ΚΟΡΗ ΚΑΙ ΒΑΣΙΛΙΑΣ (Maiden and The King)
106 ΚΟΡΗ ΜΑΛΑΜΑΤΕ�ΙΑ 1 in A (Golden Maiden 1)
107 ΚΟΡΗ ΜΑΛΑΜΑΤΕ�ΙΑ 2 in E (Golden Maiden 2)
108 ΚΟΣΤΙΛΑΤΑ (Kostilata Water Springs)
109 ΚΟΥΚΟΣ Ο (The Cuckoo)
110 ΚΟΦΤΗ� ΕΛΕ�Η ΤΗ� ΕΛΗΑ (Helen, Cut Your Beauty Spot)
111 ΚΡΗΤΗ Η (Crete)
112 ΚΥΡΑ ΔΑΣΚΑΛΑ (Η)  (Mrs Teacher)
113 ΚΥΡ-Α�ΑΓ�ΩΣΤΑΙ�Α Η (Mrs Anagnostena).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download

SKU: A0.1364556

Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #948849. Published by Socrates Arvanitakis (A0.1364556).

GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣ

This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.
The total collection is centred more on the music from mainland Greece and less in that from the Islands.
The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.

TECHNICAL
Separate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.
Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.
Thematic Index with active internal links for ease of navigation have been added.
Audio file (mp3) has been added

CONTENTS
81  ΚΑΛΑΜΑΤΙΑ�Η Η (The Lass From Kalamata)
82  ΚΑ�ΑΡΙΑ ΤΑ (The Canaries)
83  ΚΑ�ΕΛΑ Η (Canella)
84  ΚΑΠΕΤΑ� ΛΟΥΚΑΣ Ο (Captain Lukas)
85  ΚΑΠΟΥΤΖΗΔΩ� (The Guards of The Seven Towers of Salonica)
86  ΚΑΡΑΓΚΟΥ�Α (Karagouna-Thessalian Lady)
87  ΚΑΡΠΑΘΙΩΤΙΚΟΣ (Dance from Karpathos)
88  ΚΙ�ΗΣΕ Ο ΡΟΒΑΣ (Rovas Moved)
89  ΚΑΣΤΟΡΙΑ�ΟΣ (ΡΟΥΣΟΥΛΕ�Α)-(Dance from Kastoria)
90  ΚΑΤΣΑ�ΤΩ�ΗΣ Ο (Katsantonis)
91  ΚΑΤΩ ΑΠ' ΤΟ ΓΕΡΟ ΠΛΑΤΑ�Ο (Under The Old Plane Tree)
92  ΚΑΤΩ ΣΤΑ ΤΣΑΚΩ�ΙΚΑ (Down In The Tsakonian Places)
93  ΚΕΡΚΥΡΑ ΚΑΙ ΚΕΦΑΛΩ�ΙΑ (Corfu and Cephalonia)
94  ΚΕΡΚΥΡΑΪΚΟΣ (Dance from Corfu)
95  ΚΕΧΑΓΙΑΔΙΚΟΣ (Kehaghiadikos Dance-Island of Lemnos)
96  ΚΛΕΦΤΙΚΗ ΖΩΗ Η (The Life of the Klefts).