SKU: A0.773338

·        Hava Nagila (Let us rejoice) was written in 1917 in Jerusalem by Avraham Zvi Idelssohn, considered to be the father of Israeli music. Idelssohn's research into the music cultures of the different Jewish communities of Jerusalem laid the foundation for the growth of a unique melding of east and west that is the Israeli musical style.

·        Hevenu Shalom Aleichem (We brought you peace) was first published in 1910 by the musicologist Franz Haverel, as a Turkish folk melody Sala'am Aleikum. It came to Palestine in the same year, as an advertisement for Turkish cigarettes; the tune was printed on the package.

·        Hayu Leilot (There were nights) was written by Mordecai Zeira in 1938 to a poem by Yaakov Orland. Though this song is little known outside of Israel today, it is one of my favorites, and I hope will become one of yours as well.

You are also welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com.  Hope you enjoy.

SKU: A0.1359309

Beethoven op.80 choral fantasy theme violin and cello for beginners

The sheet music for Beethoven's Op. 80 Choral Fantasy Theme adapted for violin and cello is a fantastic choice for beginners looking to delve into the works of this iconic composer. The Choral Fantasy is known for its grand and majestic themes, and this arrangement maintains the essence of Beethoven's composition while catering to the capabilities of violin and cello players at the beginner level. The violin carries the soaring melodies with clarity, while the cello provides a supportive foundation, creating a harmonious blend between the two instruments. This sheet music offers a gateway for beginners to explore the genius of Beethoven in a format that is approachable and enjoyable. It's an exciting introduction to one of Beethoven's compelling works, making classical music accessible to violin and cello players at the early stages of their musical journey.
 
 beethoven op.80 choral fantasy theme violin and cello for beginners
 

SKU: A0.1073996

Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.


Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.


Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon� and the more complex “strict canon.� He was also an early adopter of the “inverted canon� form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.


Contents: 

I. Duo from the Augsberger Liederbuch

II. Agnus Dei II from Missa De Beata Virgine 

III. Duo from the Hör Organ tablature

IV. Agnus Dei II from Missa Ave maris stella

V. Benedictus from Missa Gaudeamus

VI. Agnus Dei II from Missa Gaudeamus

VII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie 

VIII. Agnus Dei II from Missa La sol fa re mi 

IX. Benedictus from Missa L'homme armé super voces musicales

X. Benedictus from Missa L'homme armé Sexti Toni 

XI. Pleni sunt coeli from Missa Malheur me bat 

XII. Pleni sunt from Missa Mater patris (canon at the major second)

XIII. Benedictus from Missa Mater patris 

XIV. Agnus Dei II from Missa Mater patris (canon at the unison)

XV. Pleni sunt caeli from Missa Pange lingua 

XVI. Benedictus from Missa Pange lingua 

XVII. Agnus Dei II from Missa Pange lingua 

XVIII. Pleni sunt from Missa sine nomine 

XIX. Domine non secundum peccata nostra 

XX. Ave verum and Cuius latus 

XXI. In principio erat verbum from Motet Verbum caro factus est 

XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

SKU: A0.1358213

An arrangement of Pomp and Circumstance for violin and cello captures the grandeur of the original composition in a chamber music setting. The violin typically carries the majestic melody with its bright and soaring tones, while the cello provides a rich and supportive foundation with its deep, resonant notes.

This arrangement for violin and cello allows for a more intimate rendition of the ceremonial piece, maintaining the regal character while highlighting the synergy between the two instruments. The violin's prominence in the melody adds a touch of brilliance and elegance, complemented by the cello's warm and grounding presence.

With careful attention to dynamics, phrasing, and articulation, the violin and cello duo can create a compelling performance that brings out the ceremonial nature of Pomp and Circumstance. This arrangement is well-suited for various events, adding a touch of sophistication and classical charm to formal occasions.