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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.802575 Composed by Frans Joseph Haydn. Arranged by Peet du Toit. Contemporary. Score and parts. 1 pages. Peet du Toit #5802143. Published by Peet du Toit (A0.802575). The Symphony No. 6 in D major  is an early symphony written in 1761 by Joseph Haydn and the first written after Haydn had joined the Esterházy court. It is the first of three that are characterised by unusual virtuoso writing across the orchestral ensemble. It is popularly known as Le matin (Morning).Haydn wrote this, his first symphonic work for his new employer Prince Paul II Anton Esterházy, shortly after joining the court. He had signed his employment contract with him on May 1, 1761. Prince Paul gave Haydn the three times of day as a theme for composition. The minuet also contains concertante passages.Here is an extract thereof, presented as a violin solo with cello accompaniment. Enjoy!
Symphony in D, no. 6 - Le Matin / Morning_Minuet (III) - FJ Haydn (Violin & Cello)
Violon, Violoncelle (duo)

$13.00 12.38 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1139642 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Historic,Wedding. 44 pages. Jmsgu3 #739911. Published by jmsgu3 (A0.1139642). I. Adagio - Allegro II. Andante cantibile III. Thema Allegretto grazioso & 6 Variations - Allegro.Mozart wrote the Duo K. 424 in the summer of 1783 to complete Michael Haydn's set of six for Archbishop Colloredo. Michael Haydn was a close friend of Mozart and a composer he admired. When Mozart heard of Michael Haydn's plight, he quickly wrote the two delinquent duos and delivered them to the Archbishop under Haydn's name. The set of six was presented as all Haydn's, and Colloredo could not detect in them Mozart's obvious workmanship. The piece was carefully designed to complete the set by choosing two keys not already used by Haydn. Among the devices Mozart uses to camouflage his authorship are the chirping grace notes and trills in the opening movement of K. 424. The Duo K. 424 is an example of Mozart's ability to write music in the style of his contemporaries while still maintaining his unique voice.
Mozart: Duo K. 424 for Violin & Cello
Violon, Violoncelle (duo)

$32.95 31.39 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1154827 Composed by Haydn Reeder. 20th Century,Chamber,Contemporary. 6 pages. Haydn Brett Reeder #755092. Published by Haydn Brett Reeder (A0.1154827). This short piece is suitable for advanced students or professional players. All of the main characteristics of a bird are to be found in this piece. Obviously some involve translation from one sense to another, for example from the visual to the aural. Colour is represented by changes in tone-colour: there are many such permutations in the first section. Flight can be heard in a quick(er) delivery of notes across the registers. An invented, not an actual, bird call will also be played.
Bird
Violon, Violoncelle (duo)

$4.00 3.81 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488288 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 47 pages. Artaria Editions #1065176. Published by Artaria Editions (A0.1488288). Artaria Editions AE408Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyel's career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel's productivity as a composer dropped sharply and he ceased composing around 1805. Among the authentic chamber works the duos occupy a particularly interesting place. The Six Duos for Violin & Violoncello (Benton 501-506) appeared in over twenty editions in Pleyel's lifetime, the first in 1787, and in a variety of scorings. Although their unusual instrumentation undoubtedly contributed to the popularity of the Duos, their musical qualities - evidenced by the large number of contemporary arrangements - probably played a greater role. The works abound in attractive and distinctive melodic material; Pleyel writes idiomatically for both instruments and his part-writing is varied and interesting.
Three Duos for Violin & Violoncello (Benton 501-503)
Violon, Violoncelle (duo)

$53.00 50.49 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Digital Download SKU: A0.1488233 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 83 pages. Artaria Editions #1065120. Published by Artaria Editions (A0.1488233). A near contemporary and rival of Haydn, Leopold Hofmann was held in the highest regard in his native Vienna where he served as Kapellmeister at St Stephen's Cathedral, a position to which Mozart might have succeeded had he lived. Hofmann was a prolific composer of instrumental music and he wrote a good deal of chamber music although much of it has been lost. Hofmann also composed a substantial body of chamber music for strings and among the most interesting of these works are the Six Sonatas for Violin & Basso. The sonatas are as a whole more technically difficult than any of the composer's other chamber works with violin. In some respects, particularly in their extensive use of double-stopping and two-part textures in the violin part, they are more technically demanding than his violin concertos. There is no attempt, however, to involve the basso in the presentation of thematic material and in this respect the sonatas are quite unlike Hofmann's one extant Duo for Violin and Violoncello (Badley II.D2) in which the two parts are treated equally. In view of their technical difficulty and limited dissemination it is difficult to understand Hofmann's motivation for composing the sonatas. Their exploration of multiple-voicing, particularly in first and second movements, and the use of a Minuet with variations for five of the finales – all of which follow a similar pattern of technical exploitation – suggests that the sonatas may have been composed by Hofmann in the first instance as teaching pieces.
Six Sonatas for Violin & Basso
Violon, Violoncelle (duo)

$62.00 59.06 € Violon, Violoncelle (duo) PDF SheetMusicPlus






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