Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.786383 Composed by Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky. Arranged by Beka Wilson. Christian,Contemporary,Gospel,Romantic Period,Sacred. Score and parts. 7 pages. Beka Wilson #4632421. Published by Beka Wilson (A0.786383). Horatio Spafford’s hymn, written after the death of his four daughters in a shipwreck, has brought comfort to many in their dark times. This arrangement (in the setting of Tchaikovsky’s Swan Lake) would be great for a calm instrumental special before the sermon, or a comforting song at a funeral.7 pages (includes piano score and parts), approximately 3:14 (suggested 100bpm), intermediate levelThis arrangement is for any combination of treble clef E flat instruments, but the following instrumentation is also available on Sheet Music Plus:Flute/oboe/violin: S0.587367Trumpet/clarinet/tenor sax: S0.587389Viola: S0.587377Horn: S0. 587405Cello/bassoon/trombone: S0. 587409For custom instrumentation (for example, flute/cello or alto sax/clarinet), contact me at bekmars10@gmail.com, and I can get something posted here on Sheet Music Plus.

Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.912910 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 10 pages. Brandon Nelson #1954845. Published by Brandon Nelson (A0.912910). Commissioned to commemorate the 200th anniversary of Adophe Sax’s birth, each of the movements of this piece (beyond the expository prelude) presents miniature vignettes of music written in Belgium’s past as seen through the lens of Sax’s invention. It is, in that sense, an homage to not only the great musical minds that came before Sax, but also to his own keen inventive mind and incomparable contributions to music history. The Postlude involves a curious intersection of Sax with another brilliant musical mind: Richard Wagner. Sax was the stage director for a performance of Wagner's Tannhauser, and he put some saxophones offstage with French horns because he couldn't find enough horn players in Paris. Wagner was so angry he rescored the Shepherd's Tune from Act 3 of Tristan und Isolde from saxophone to English horn. A portion of that tune appears in the Postlude to this piece, rectifying this petty bit of vengeance for Sax. Learn more about me at: bnelsonmusic.wordpress.com.