Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.1023929

Composed by Antonio Vivaldi. Arranged by Dale Vail. Baroque. 49 pages. Dale Vail #6488477. Published by Dale Vail (A0.1023929).

Concerto for Two Cellos by Vivaldi, arranged for two Brass instruments by Dale Vail

Playing level: Grade 8

A transcription of the famous Vivaldi Concerto for Two Cellos. This version can be used for any combination of instruments in Bb or C Bass Clef. 

Parts in Treble Clef Bb, and Bass Clef in C for both parts. 

www.dalevail.com

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.693871

Composed by George Job Elvey. Arranged by B. C. Dockery. Christian,Easter,Gospel,Sacred. Score and parts. 1 pages. Ben Dockery #6267045. Published by Ben Dockery (A0.693871).

Arranged for trumpet and trombone duet. Great for preludes, offertories, postludes, lessons, and recitals. Especially well-suited for Easter services.

Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.693870

Composed by George Job Elvey. Arranged by B. C. Dockery. Christian,Easter,Gospel,Sacred. Score and parts. 2 pages. Ben Dockery #6267043. Published by Ben Dockery (A0.693870).

Arranged for trumpet and trombone duet with optional piano accompaniment. Great for preludes, offertories, postludes, lessons, and recitals. Especially well-suited for Easter services.

Includes score and parts.

Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - Digital Download

SKU: A0.1029077

Composed by Joshua Popovici. Christian,Classical,Instructional,Praise & Worship,Sacred. Score and parts. 5 pages. Joshua Popovici #4616399. Published by Joshua Popovici (A0.1029077).

Here’s the thing…

 

There’re a lot of arrangements out there. But unlike everyone else. I keep the arrangement clean and simple for you.

 

So, don’t fear! This song has been played live. And based on my 8 years of experience, it’s then tweaked to perfection. I believe you’re better off playing songs that focus on beautiful harmony. Not complexity.

 

This song is an arrangement of Blessed Assurance for a brass quartet. 2 Trumpets & 2 Trombones (or any low brass instrument). Share this link with someone who might be like this song!

 

As you play through this arrangement, you'll notice how all the parts interact with one another. Every instrument clearly cutting through. It’s a rich and satisfying arrangement. Not only will you enjoy playing this, but listeners will also experience something unforgettable.

 

Buy now. Practice Tomorrow. Preform later. And experience the joy of performing quality arrangements. Money back Guaranteed! Contact me if you need anything.

 

If you want the music arranged in differently (ex. instrumentation, keys, clefs, etc...). Just let me know! I'll respond ASAP. I'll be your free assistant :)

 

Email me at josh1pop@gmail.com. The Goal: Professional Scores. Amazing Service. Best Value!

Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download

SKU: A0.586613

Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 24 pages. Roger Wallace #195912. Published by Roger Wallace (A0.586613).

Christmas Duet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody by the second part. The third verse features an antiphonal line by the first part accompanying the melody played by the second part.

Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.

The audio sample represents a Brass Duet (Trumpet, Trombone).

This arrangement is also available for many other ensembles and soloists.

Look for more arrangements by Roger Wallace.

Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.601831

Composed by Traditional. Arranged by Roger Wallace. Christmas,Sacred. 20 pages. Roger Wallace #211040. Published by Roger Wallace (A0.601831).

Christmas Duet with Multiple Part Options. The beautiful melody of this hymn is shared by each part. The development section includes antiphonal lines accompanying the melody.

Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.

The audio sample represents a Brass Duet (Trumpet, Trombone).

This arrangement is also available for many other ensembles and soloists.

Look for more arrangements by Roger Wallace.

Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1220622

Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622).

A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.



Innovations

First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.

Polychoral Works

Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.

Spatial Music

Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.

First Works

Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.

Homophony

Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download

SKU: A0.1224064

Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064).

From Sacrae Symphoniae, Venice, 1597
Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.

Innovations

First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.

Polychoral Works

Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.

Spatial Music

Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.

First Works

Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.

Homophony

Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.590572

Composed by David McKeown. Celtic,Folk,Holiday,Love,Wedding. Score and parts. 4 pages. David McKeown #6212729. Published by David McKeown (A0.590572).

Grá, (Irish for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Trumpet and Trombone.

This duet is inspired by the Irish sean-nós style of singing. Originally sung unaccompanied in the Irish Gaelic language, in more recent times the melodies have been adapted as instrumentals, harmonised and given accompaniment. The songs are most often about love and loss and Grá aims to capture this melancholy mood.

Grá is written for players at an intermediate standard and upwards. Expressive throughout, the first part of the melody is played above a drone. Simple accompaniment then builds towards a climax before the melody slips away like a distant echo. Players can add their own appropriate ornaments and variations to the melody if they wish. Grá has a performance time of a little over three minutes. Click the link above to hear a full performance of the Clarinet version of Grá on Youtube.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet,Trombone,Trumpet - Level 1 - Digital Download

SKU: A0.1430280

By John Newton. By Traditional American Melody. Arranged by L. Müller. Christian,Classical,Multicultural,Sacred,Traditional,World. 4 pages. Müller Publishing company #1010921. Published by Müller Publishing company (A0.1430280).

Amazing Grace - For Trumpet and Trombone:

Embark on a musical journey with Amazing Grace, arranged by L. Müller for beginner instrumentalists. This digital sheet music offers both versions, with and without chord symbols, for maximum versatility. Let the trumpet and trombone blend their voices in this poignant rendition of a timeless classic.

Instrumental Duet,Trombone,Trumpet - Level 1 - Digital Download

SKU: A0.1430911

By John Newton. By Traditional American Melody. Arranged by L. Müller. Christian,Classical,Multicultural,Sacred,Traditional,World. 5 pages. Müller Publishing company #1011416. Published by Müller Publishing company (A0.1430911).

Amazing Grace - For Trumpet and Trombone:

Embark on a musical journey with Amazing Grace, arranged by L. Müller for beginner instrumentalists. This digital sheet music offers both versions, with and without chord symbols, for maximum versatility. Let the trumpet and trombone blend their voices in this poignant rendition of a timeless classic.

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download

SKU: A0.592074

Composed by David McKeown. Concert,Contemporary,Halloween,Rock,Standards. Score and parts. 38 pages. David McKeown #6347929. Published by David McKeown (A0.592074).

10 Spooky Halloween Duets is a fun collection of original compositions by David McKeown for one Trumpet and one Trombone.

Each duet is a light-hearted portrait of a different Halloween character. Witches, ghosts, vampires and other favourites appear, with biographical details on each title page. The duets cover many musical styles, from classical to jazz and beyond.

The ten titles are, Derek the Deskbound Demon, Frankie the Frank Frankenstein, Mimi the Multicoloured Mummy, Phyllis the Photobombing Phantom, Polly the Polyrhythmic Poltergeist, Scott the Scatterbrained Skeleton, Vicky the Vegetarian Vampire, Walter the Weary Werewolf, Wendy the Wonky Witch and Zoe the Zen Zombie.

These duets are ideal for players of an Intermediate to Advanced Intermediatestandard and above. While the keys and range are easily accessible for your instrument, there are plenty of accidentals and challenging rhythms. Click the link above to hear short samples of each duet on YouTube played on clarinet.

10 Spooky Halloween Duets are

• perfect for concert performances large and small; each piece lasts between three and four minutes. 
• spooky pieces to get you and your audience in the mood for Halloween, but playable any time of year. 
• fully articulated to help interpret each style. 
• great for helping with complex rhythms. 
• road tested with scores of students and performed all over the world.
• fun to play. 
• an exciting introduction to different musical styles. 
• 38 pages adding up to more than half an hour of quality music. 

There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203