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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.587341 Composed by Howard Blake. Arranged by David McKeown. 20th Century,Christmas,Film/TV,Holiday. Score and parts. 4 pages. David McKeown #3133043. Published by David McKeown (A0.587341). Walking in the Air is the flying theme from the animated film, The Snowman. Written by Howard Blake for the film in 1982, a new version sung by Aled Jones, was a top 5 hit in the UK in 1985. It has been a permanent fixture on Christmas playlists ever since. This version is arranged as a duet for one Trumpet and one Trombone. Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. The rhythms are straightforward though there are extended quaver passages at medium tempo. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version while the full length performance on the youtube link is the Clarinet duet. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Walking In The Air
Trompette, Trombone (duo)

$5.99 5.11 € Trompette, Trombone (duo) PDF SheetMusicPlus

Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)

$47.95 40.89 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.594084 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537279. Published by David McKeown (A0.594084). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Trumpet and one Trombone. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Good King Wenceslas, Jazz Style, for Trumpet and Trombone Duet
Trompette, Trombone (duo)

$3.99 3.4 € Trompette, Trombone (duo) PDF SheetMusicPlus

Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)

$47.95 40.89 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.594003 Composed by John Henry Hopkins Jr. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6532213. Published by David McKeown (A0.594003). We Three Kings is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for one Trumpet and one Trombone.  Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.We Three Kings was written in 1857 by a Pennsylvanian rector, John Henry Hopkins Jr. His friends and family encouraged him to publish the carol, and after it first appeared in print in 1863, its popularity spread to an international audience. With a performance time around three minutes, this version of We Three Kings is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Three Kings is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The melody is played three times, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
We Three Kings, Jazz style, for Trumpet and Trombone Duet
Trompette, Trombone (duo)

$3.99 3.4 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.589557 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6078939. Published by David McKeown (A0.589557). Odessa Bulgar is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Trombone.For many traditional Klezmer tunes, the first clues of their existence comes from bands making discs at the dawn of the recording era. In this case, Odessa Bulgar first appeared in a 1919 recording by Abe Schwartz’s Orchestra. Schwartz was born in Romania and emigrated to the USA around 1900, thereafter enjoying a long career in the music industry. Odessa Bulgar is a happy piece designed for dancing at celebrations. Odessa Bulgar is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a coda and with constant variations in the accompaniment. Odessa Bulgar is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Odessa Bulgar is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  
Odessa Bulgar, Klezmer tune for Trumpet and Trombone Duet
Trompette, Trombone (duo)

$3.99 3.4 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.590094 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6141241. Published by David McKeown (A0.590094). Steal Away to Jesus is an American nineteenth century spiritual. This version is arranged as a duet for one Trumpet and one Trombone. The words and music of Steal Away to Jesus are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song and within a few years it became a firm gospel favourite. The words have a meaning beyond the spiritual, with hidden references to the Underground Railway of the time that helped escaped slaves cross to Canada. In more recent times Steal Away to Jesus was arranged by Michael Tippett in 1944 and recorded famously by Mahalia Jackson and Nat King Cole. Steal Away to Jesus is simply arranged in a key and range best suited to the instruments. The song is played several times as a ballad, with ever changing accompaniment. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Steal Away to Jesus is suitable for players at an intermediate level and above. With a performance time of around three and a half minutes, this version of Steal Away to Jesus is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Steal Away to Jesus, Gospel Song for Trumpet and Trombone Duet
Trompette, Trombone (duo)

$3.99 3.4 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1117467 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and parts. 17 pages. David McKeown #719013. Published by David McKeown (A0.1117467). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The duets included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as duets for one Trumpet and one Trombone, and include all sections of the original compositions. The YouTube link showcases the clarinet version of these duets. The duets are suitable for players at an intermediate and and advanced intermediate level. Musicians will find these Ragtime duets ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation.    There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  
Five Ragtime Duets by Scott Joplin for Trumpet and Trombone
Trompette, Trombone (duo)

$9.99 8.52 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.591996 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 2 pages. David McKeown #6317663. Published by David McKeown (A0.591996). Wave-Walking is a beautiful new and original composition by David McKeown arranged for one Trumpet and one Trombone.Wave-Walking is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Trumpet and Trombone. Just copy and paste the title in the search box above to find it.Wave-Walking can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.Wave-Walking  isPerfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination;
Wave-Walking, for Trumpet and Trombone Duet
Trompette, Trombone (duo)

$2.49 2.12 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.587195 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. Score and parts. 18 pages. David McKeown #3106347. Published by David McKeown (A0.587195). 16 Favourite Hymns Vol.2 for Trumpet and Trombone Duet is a beautiful collection of your best-loved traditional hymns. They are arranged simply in the most suitable range and keys for one Trumpet and one Trombone The short audio sample is performed on Clarinet and Alto Saxophone  while the linked youtube performance is from the Clarinet Duet version. The hymns are in alphabetical order and are as follows ·     Hail to the Lord’s Anointed, (Ellacombe) ·     He who would Valiant Be, (Monk’s Gate) ·     Holiness by Faith in Jesus, (Rousseau) ·     How Sweet the Name, (Lloyd) ·     I Vow to Thee My Country, (Thaxted) ·     I Will Sing the Wondrous Story, (Hyfrodol) ·     Just a Closer Walk with Thee, (Closer Walk) ·     The King of Love, (Dominus Regit Me) ·     The Lord’s My Shepherd, (Crimond) ·     Love Divine, (Austrian Hymn, Haydn) ·     Nearer My God to Thee, (Bethany) ·     Oh Love that will not Let Me Go, (St Margaret) ·     Purer Yet Purer, (Lyndhurst) ·     Shall We Gather by the River, ·     There is a Green Hill, (Horsley) ·     When I Survey the Wondrous Cross, (Rockingham) Volume 1 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203    
16 Favourite Hymns Vol.2 for Trumpet and Trombone Duet
Trompette, Trombone (duo)

$8.40 7.16 € Trompette, Trombone (duo) PDF SheetMusicPlus

B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1266572 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #859242. Published by Woods Only, Arrangements (A0.1266572). This Trumpet and Trombone Duet arrangement was created to preserve the characteristics of the original work, inspiring and significant to Beethoven’s well-known choral symphony. It is suitable for young music students and professional musicians, for recitals, repertoire, academic presentations, and didactic material. The transcription is faithful to the structure, with only one key change, maintaining the essence of the striking melody. Beethoven’s Ninth Symphony Op. 125 incorporates part of the poem An die Freude (“To Joyâ€), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as instruments in a symphony, creating a far-reaching work that set the tone for the symphonic form adopted by Romantic composers. This is Ludwig van Beethoven’s last complete symphony. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best-known works in the Western repertoire, considered an icon and predecessor of Romantic music and one of Beethoven’s great masterpieces. It was first performed on May 7, 1824 at the Kärntnertortheater in Vienna, Austria.
Ode to Joy by Beethoven for Trumpet and Trombone Duet
Trompette, Trombone (duo)

$3.99 3.4 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1470802 Composed by Edvard Grieg. Arranged by Rika K. 19th Century,Chamber,Halloween,Romantic Period,Thriller. 4 pages. Rika K. #1048425. Published by Rika K. (A0.1470802). Discover the enchanting world of Edvard Grieg's In the Hall of the Mountain King with our sheet music arrangement adapted for Trumpet and Trombone Duet; made for beginners and intermediate-level musicians. From Grieg's Peer Gynt Suite No. 1, this piece captures the thrilling pursuit of Peer Gynt through the mountain king's domain with dynamic energy and accessible arrangements.Perfect for educators expanding their teaching repertoire, families introducing young listeners to classical music, or musicians looking for an impressive addition to performances, this adaptation offers both approachability and artistic depth. Dive into Grieg's timeless classic and bring its captivating narrative and evocative melodies to life with our meticulously crafted sheet music.Explore the allure of In the Hall of the Mountain King and enrich your musical journey today!
In the Hall of the Mountain King by Grieg
Trompette, Trombone (duo)

$4.99 4.26 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1470800 Composed by Edvard Grieg. Arranged by Rika K. 19th Century,Chamber,Halloween,Romantic Period,Thriller. 4 pages. Rika K. #1048423. Published by Rika K. (A0.1470800). Discover the enchanting world of Edvard Grieg's In the Hall of the Mountain King with our sheet music arrangement adapted for Trumpet and Trombone Duet; made for beginners and intermediate-level musicians. From Grieg's Peer Gynt Suite No. 1, this piece captures the thrilling pursuit of Peer Gynt through the mountain king's domain with dynamic energy and accessible arrangements.Perfect for educators expanding their teaching repertoire, families introducing young listeners to classical music, or musicians looking for an impressive addition to performances, this adaptation offers both approachability and artistic depth. Dive into Grieg's timeless classic and bring its captivating narrative and evocative melodies to life with our meticulously crafted sheet music.Explore the allure of In the Hall of the Mountain King and enrich your musical journey today!
In the Hall of the Mountain King by Grieg
Trompette, Trombone (duo)

$4.99 4.26 € Trompette, Trombone (duo) PDF SheetMusicPlus


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