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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1220622

Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622).

A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.



Innovations

First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.

Polychoral Works

Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.

Spatial Music

Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.

First Works

Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.

Homophony

Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)

$47.95 45.02 € Trompette, Trombone (duo) PDF SheetMusicPlus

Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download

SKU: A0.1224064

Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064).

From Sacrae Symphoniae, Venice, 1597
Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.

Innovations

First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.

Polychoral Works

Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.

Spatial Music

Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.

First Works

Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.

Homophony

Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)

$47.95 45.02 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download

SKU: A0.589089

Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 7 pages. David McKeown #5755343. Published by David McKeown (A0.589089).

Joropo de Justina is an exciting original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone.

This duet is based on the traditional Latin style of Joropo which is the national and traditional music of Venezuela. The music and its accompanying dance comes from the central plains area and is also found over the border in parts of Colombia. The basic pulse of the Joropo is 3, but this is overlaid with complex cross-rhythms. The main instrument is the harp, along with cuatro and maracas as the only percussion instrument. In the modern era other instruments may join the ensemble, especially bass. This arrangement represents the song style of Joropo, with the vocal alternating with instrumental breaks.

If you play to an advanced intermediate standard and upwards, then you and your audience will enjoy this piece. The many cross rhythms will provide a rhythmic challenge and there is little time to catch breath; following the articulation in the score will help convey the style. Joropo de Justina has a performance time of around two minutes at full tempo. You can listen to a full performance the Clarinet version of this duet by following the YouTube link above.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

 

Joropo de Justina, for Trumpet and Trombone Duet Trompette, Trombone (duo)

$3.99 3.75 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.594245

Composed by Lowell Mason. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6562133. Published by David McKeown (A0.594245).

Joy to the World is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Trumpet and one Trombone. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.

The lyrics of Joy to the World were composed by Isaac Watts in 1719, while the most popular melody associated with the carol was composed by Lowell Mason in 1843. Mason was an admirer of G.F. Handel and the similarity of the melody to parts of the Messiah have been pointed out by many commentators.

With a performance time of around two and a half minutes, this version of Joy to the World is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz style is a fun, fresh and soulful take on this familiar tune.

Joy to the World is arranged in a key and range best suited to the instruments. There is plenty of articulation detail to help deliver an authentic style. The melody is played two and a half times, with a short chiming intro and outro. This arrangement is suitable for players at an intermediate level.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Joy to the World, Jazz Style, for Trumpet and Trombone Duet
Trompette, Trombone (duo)

$3.99 3.75 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download

SKU: A0.1140324

Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 6 pages. Austin Ralphson #740580. Published by Austin Ralphson (A0.1140324).

Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef and B flat treble clef. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/sC4a7.

Mozart K. 487 No. 7 - trumpet and trombone duet
Trompette, Trombone (duo)

$4.99 4.69 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download

SKU: A0.1140322

Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 4 pages. Austin Ralphson #740578. Published by Austin Ralphson (A0.1140322).

Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef and B flat treble clef. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/sC4a7.

Mozart K. 487 No. 5 - trumpet and trombone duet
Trompette, Trombone (duo)

$4.99 4.69 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download

SKU: A0.1140330

Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 8 pages. Austin Ralphson #740586. Published by Austin Ralphson (A0.1140330).

Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef and B flat treble clef. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/sC4a7.

Mozart K. 487 No. 12 - trumpet and trombone duet
Trompette, Trombone (duo)

$4.99 4.69 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download

SKU: A0.1140328

Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 6 pages. Austin Ralphson #740584. Published by Austin Ralphson (A0.1140328).

Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef and B flat treble clef. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/sC4a7.

Mozart K. 487 No. 11 - trumpet and trombone duet
Trompette, Trombone (duo)

$4.99 4.69 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download

SKU: A0.1140327

Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 6 pages. Austin Ralphson #740583. Published by Austin Ralphson (A0.1140327).

Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef and B flat treble clef. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/sC4a7.

Mozart K. 487 No. 10 - trumpet and trombone duet
Trompette, Trombone (duo)

$4.99 4.69 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download

SKU: A0.1140326

Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 8 pages. Austin Ralphson #740582. Published by Austin Ralphson (A0.1140326).

Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef and B flat treble clef. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/sC4a7.

Mozart K. 487 No. 9 - trumpet and trombone duet
Trompette, Trombone (duo)

$4.99 4.69 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download

SKU: A0.1140321

Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 6 pages. Austin Ralphson #740577. Published by Austin Ralphson (A0.1140321).

Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef and B flat treble clef. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/sC4a7.

Mozart K. 487 No. 4 - trumpet and trombone duet
Trompette, Trombone (duo)

$4.99 4.69 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download

SKU: A0.1140325

Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 6 pages. Austin Ralphson #740581. Published by Austin Ralphson (A0.1140325).

Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef and B flat treble clef. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/sC4a7.

Mozart K. 487 No. 8 - trumpet and trombone duet
Trompette, Trombone (duo)

$4.99 4.69 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download

SKU: A0.1140323

Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 10 pages. Austin Ralphson #740579. Published by Austin Ralphson (A0.1140323).

Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef and B flat treble clef. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/sC4a7.

Mozart K. 487 No. 6 - trumpet and trombone duet
Trompette, Trombone (duo)

$4.99 4.69 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download

SKU: A0.1140319

Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 8 pages. Austin Ralphson #740575. Published by Austin Ralphson (A0.1140319).

Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef and B flat treble clef. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/sC4a7.

Mozart K. 487 No. 3 - trumpet and trombone duet
Trompette, Trombone (duo)

$4.99 4.69 € Trompette, Trombone (duo) PDF SheetMusicPlus


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