Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1220622

Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622).

A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.



Innovations

First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.

Polychoral Works

Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.

Spatial Music

Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.

First Works

Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.

Homophony

Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.647735

Composed by Geza Horvath. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 4 pages. Theupperstaff #2864605. Published by theupperstaff (A0.647735).

Thanks for looking.

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.806966

Arranged by Glen Poehlmann. Christian,Easter,Sacred. Score and parts. 10 pages. Arrangements by GPoehlmann #6195365. Published by arrangements by GPoehlmann (A0.806966).

EASTER PRELUDE for 3 TRUMPETS and 3 TROMBONES (unaccompanied)
Were You There? and Low in the Grave He Lay are used in this arrangement for Bb Trumpets & Trombones.  Baritone Treble Clef parts are provided from Trombone 1 & 2. Trombone 3 is Bass Trombone or Tuba.  Perfect way to open an Easter celebration!

51 measures.   Performance Time approx 2:25.  Medium in Difficulty (Grade 3)
Key: F - Ab - Eb.   Meter: 4/4 - 3/4 - 2/4.   Instrument Ranges (C4=middle C):
Trumpet 1 F4 - B5 (written).   Trumpet 2 D4 - G5 (written).   Trumpet 3 D4 - F5 (written).
Trombone 1 Eb3 - Ab4 (or Baritone TC 1).   Trombone 2 Bb2 - Eb4 (or Baritone TC 2).
Trombone 3Eb2 (Bb1) - Bb3 (Bass Trombone or Tuba).

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download

SKU: A0.806964

Composed by Felice Giardini. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 10 pages. Arrangements by GPoehlmann #6190685. Published by arrangements by GPoehlmann (A0.806964).

COME, THOU ALMIGHTY KING for 3 Bb TRUMPETS & 3 TROMBONES (unaccompanied)
60 measures.   Performance Time approx. 2:25.  Medium Difficult (Grade 4-)
Key: Bb - D - A.   Meter: 4/4- 3/4.   Instrument Ranges (C4=middle C): Trumpet 1 C4 - B5 (written)
Trumpet 2 A3 - F#5 (written).   Trumpet 3 B3 - G5 (written).  Trombone 1 Bb2 - F4
Trombone 2 Bb2 - F4.   Trombone 3 E2 - E4 (Bass Trombone or Tuba)

Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.1209018

Composed by Thomas P. Westendorf. Arranged by Cathy Stamegna. Celtic,Film/TV,Folk,Irish,Pop,Standards. 10 pages. Cathy Stamegna #807127. Published by Cathy Stamegna (A0.1209018).

Of the 500 pieces written by Thomas P. Westendorf, this is his most famous ballad, and is often categorized as Irish. It continues to be popular, appearing in films/TV, and has been recorded by many over the years (Bing Crosby, Johnny Cash, Elvis Presley).  It begins in the traditional 4/4 and transitions to 6/8.  Score and Set of Parts.  Performance Time:  approx.  3:20. 

B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download

SKU: A0.550980

Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Classical,Standards. 42 pages. Jmsgu3 #4897111. Published by jmsgu3 (A0.550980).

Score: 14 pages. Duration 7:40
Players read from the score.
1. Angelus Ad Virginum
2. Qui creavit celum
3. Verbum caro factum est
4. Verbum Patris umanatur

Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.1169684

Composed by George Frideric Handel. Arranged by Cathy Stamegna. Christian,Easter,Praise & Worship,Religious,Traditional. 15 pages. Cathy Stamegna #770046. Published by Cathy Stamegna (A0.1169684).

This triumphant Easter hymn (a.k.a. “Thine Be the Glory�) has been newly-arranged for a Brass Trio.  Some phrases are repeated to add a contrapuntal flavor.  Verse two is softer and in rhythmic diminution, creating a lighter sound.  Verse three is similar to Verse one, with a modulation of a Major second.  It enters louder, building toward the glorious ending.  Appropriate as an exalted prelude or postlude, worship, concert, contest/festival, or recital piece.  Adaptable to school or church settings.  Score and Set of Parts.  Performance Time:  4:02.

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download

SKU: A0.750372

Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts. 4 pages. Tiger Music #6624793. Published by Tiger Music (A0.750372).

Stompin’ Jam

Trumpet and Trombone Duet
MTR 0255 4143

By Eddie Lewis

Jazz out with your trumpet or trombone friend playing this cool sounding duet. We’re calling it a jam because both players get to play a solo over the repeated accompaniment line. First the trombone player jams, then the trumpet.

Here is the first of what I hope to be many, many duets made possible by my Just Friends video series. In this series I am inviting one of my musician friends over to make music, do an interview and maybe follow it all up with a Q and A session. I wrote this duet for one of those videos and we had a good time recording it.

I enjoy writing music for the people I work with. Does trumpet and trombone seem like an odd duet to write? Well, you may not believe this, but sometimes trumpet players have trombone player friends. :-) Thus, the purpose of the duet.

Trumpet Pro Skill Level

The highest note in the trumpet part is B natural. The rhythms are also just a little complicated. That’s why we put this at the Trumpet Pro level.

We recorded it the same day when I wrote it, so it’s not like I was working on this for days. But there was a little bit of awkwardness in the trumpet part.

Practice Recommendations

My number one suggestion for practicing this piece is to learn the rhythms first. Notice the anticipation of the third beat. This happens in almost every measure. This rhythm grew on me during my trip to South Africa in 2016 when I performed with the Afrika Mkhize big band. There were lots of songs at the jazz festival in Grahamstown that had that twelve-eight groove with the anticipated third beat.

I am NOT saying that this composition is South African. I would not presume to know how to write that kind of music. What I am saying is that the music in South Africa has influenced my writing. In much the same way as playing in all those salsa bands in the 90’s did.

So, recognize that the rhythms in this composition are very important and learn those first. The rest of it should fall into place after that.

About the Trumpet Pro Skill Level

The Trumpet Pro skill level is the fifth skill level in our system. This skill level has exercises and music up to high C. There are many other considerations in this skill level but that is the most obvious.

To find more music for this specific skill level, search our other publications for the word Trumpet Pro in the title or descriptions. We publish books and compositions for students at the Trumpet Pro level that we believe you or your students will truly enjoy.

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download

SKU: A0.806993

Composed by Robert Williams. Arranged by Glen Poehlmann. Christian,Easter,Sacred. Score and parts. 7 pages. Arrangements by GPoehlmann #6207067. Published by arrangements by GPoehlmann (A0.806993).

TRUMPET & TROMBONE DUET (unaccompanied).
Perfect way to start an Easter service! The 14 measures may be omitted (the Crucifixion and Burial) and you can begin at measures 15, The Resurrection!

74 measures.  Performance Time approx. 3:10.   Medium Difficult (Grade 3+)
Key: Bb - C.   Meter: 4/4 - 3/4.  
Instrument Ranges (C4=middle C): Bb Trumpet C4 - A5 (written).   Trombone Ab2 - G4.