Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1199079

By Stevie Wonder. By Stevie Wonder. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages. John Fries #798145. Published by John Fries (A0.1199079).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  I Just Called to Say I Love You is a ballad written, produced, and performed by American R&B singer and songwriter Stevie Wonder. It was a major international hit, and remains Wonder's best-selling single to date, having topped a record 19 charts. The song was the lead single from the 1984 soundtrack album The Woman in Red, along with two other songs by Wonder, and scored number one on the Billboard Hot 100 for three weeks from October 13 to October 27, 1984. It also became his tenth number-one on the R&B chart, and his fourth on the adult contemporary chart; it spent three weeks at the top of both charts, and for the same weeks as on the Hot 100.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1369731

By Frank Sinatra. By Fred Ebb and John Kander. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 3 pages. John Fries #954095. Published by John Fries (A0.1369731).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Theme from New York, New York (or New York, New York) is the theme song from the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It was written for and performed in the film by Liza Minnelli. It remains one of the best-known songs about New York City. In 2004 it finished #31 on AFI's 100 Years...100 Songs survey of top tunes in American Cinema.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1198280

By Frank Sinatra. By Fred Ebb and John Kander. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages. John Fries #797467. Published by John Fries (A0.1198280).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Theme from New York, New York (or New York, New York) is the theme song from the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It was written for and performed in the film by Liza Minnelli. It remains one of the best-known songs about New York City. In 2004 it finished #31 on AFI's 100 Years...100 Songs survey of top tunes in American Cinema.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1460746

By Dasha. By Adam Wendler, Cheyenne Rose Arnspiger, Dasha Novotny, and Kenneth Travis Heidelman. Arranged by Barry McCormick. Country,Folk,Pop,Singer/Songwriter. Score. 5 pages. B. McCormick #1039645. Published by B. McCormick (A0.1460746).

“Austin” by Dasha - Digital Sheet Music (Piano/Vocal/Guitar Arrangement)

Dive into the heart of country music with “Austin,” the vibrant hit by Dasha, now available in a Piano/Vocal/Guitar arrangement that perfectly encapsulates the song’s dynamic spirit. This digital sheet music brings to life the boot-stomping rhythm and folksy fiddle of the original, tailored for pianists, vocalists, and guitarists alike.

This arrangement offers a rich, full-bodied musical experience, with the melody set in the treble clef and harmonized with simple yet effective accompaniment. The bass line remains uncomplicated to echo the driving beat of the song, while small noteheads indicate backing vocals, ensuring every element of “Austin” is represented.

Key Features:

• Piano clef notation with melody in treble clef, playable as written or sung an octave lower.
• Vocal range from G3 to A4, accommodating a wide spectrum of voices.
• Syncopated rhythmic descending arpeggios in the intro to mimic guitar fingerpicking.
• Harmonious blend of melody and simple harmony in the right hand.
• Straightforward bass to maintain the song’s rhythmic drive.

Designed for intermediate-level pianists, this arrangement challenges players with its syncopated rhythms and arpeggios while remaining accessible for singers and guitarists. The piano’s versatility shines through as it mimics various elements of the original track, offering a comprehensive solo performance piece.

Target Audience & Uses:

Ideal for musicians who appreciate contemporary country tunes with a honky-tonk flair, this arrangement suits educational purposes, intimate gigs, or personal enjoyment. It’s a splendid addition for those looking to capture the essence of Dasha’s viral sensation on the piano.

Step into Dasha’s “Austin” with this expressive Piano/Vocal/Guitar arrangement – your invitation to explore the song’s infectious energy and rhythmic charm.