Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.486734 By Dee Dee Jones. By Cathy Harrison. Arranged by N/A. Children,Contest,Festival,Film/TV,Instructional,Patriotic. Score. 2 pages. Cathy Harrison's Music #104838. Published by Cathy Harrison's Music (A0.486734). Corpus Christi, You're Our Gem, written by Corpus Christi resident Cathy Harrison, a music teacher and composer (ASCAP), is a hymn of dedication to this beautiful seacoast city. It's phrases queen of the ocean blue, you're our gem, you're our treasure, our beacon of light, and anchor of hope salute our great city. Ms. Harrison's Windsor Park Choral Group premiered Corpus Christi, You're our Gem on the Domingo Live TV Show in December 2017 and sang this song for Mayor Joe McComb at the Mayor's Program in October 2019. Corpus Christi, You're Our Gem was pitched by Ms. Harrison to Mayor McComb at the Mayor's Program for consideration for adoption as the Official City Song of Corpus Christi, Texas! Please enjoy!

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1198187 By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score. 2 pages. John Fries #797379. Published by John Fries (A0.1198187). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   The tune was composed for a radio broadcast in October 1930 and was originally titled Dreamy Blues. It was the first tune I ever wrote specially for microphone transmission, Ellington recalled. The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it. Renamed Mood Indigo, it became a jazz standard..

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.506422 Composed by Kurt Weill and Maxwell Anderson. Arranged by Alpin Smart (transcription for voice and guitar). 20th Century,Blues,Broadway,Classical,Musical/Show,Standards. Score. 4 pages. SmartWorks Publications #117940. Published by SmartWorks Publications (A0.506422). From Kurt Weill's last Broadway musical, Lost in the Stars, which opened on 30 October 1949, a year before Weill's early death at the age of 50. Based on Cry the Beloved Country, it was adapted by Maxwell Anderson, who worked with Weill on his very first Broadway musical, Knickerbocker Holiday, in 1935, not long after Weill arrived in the USA as a refugee from Nazi Germany. The song makes terrific use of Weill's affinity with the Blues, the harmonies well-suited to the mellow tones of the guitar - a haunting piece!

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1140575 By Elton John. By Bernie Taupin and Elton John. Arranged by Jacob A Smith. 20th Century,Blues,Folk,Rock. Score. 3 pages. Jacob A Smith #740813. Published by Jacob A Smith (A0.1140575). Border Song is a song by Elton John with music by John and lyrics by Bernie Taupin.[2] The song initially appeared on the 1970 album Elton John, and was released in the spring of 1970 as the LP's first single. After failing to chart in the UK, it was released in North America a few months later. It met with more success there, especially in Canada, where it peaked at No. 34.[3] The appearance of Border Song on the Canadian charts was John's first chart appearance in any country. Border Song was also John's first song to chart in the United States, peaking at No. 92 on the Billboard Hot 100 and No. 69 on the Cash Box Top 100[4] in October 1970. A cover by soul icon Aretha Franklin (with Holy Moses following the title in parentheses to reflect the repeated phrase in the song) fared better reaching No. 37 on the Billboard Hot 100 and No. 23 in the Cash Box Top 100 in December 1970.[5] It was included as the closing track of Aretha's 1972 Young, Gifted and Black album as well. The song's melody is similar to that of a spiritual.[7] A choir sings during an instrumental break led by John's piano. John has said that the song is about the alienation Taupin felt in and about London at the time (Brand of people who ain't my kind), and his desire to visit home as often as he could. John himself wrote and added the last verse, which departs from the theme of alienation and speaks against bigotry: Holy Moses, let us live in peace/let us strive to find a way to make all hatred cease/there's a man over there. What's his colour I don't care/he's my brother let us live in peace..