Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1205036

By Starr Parodi. By Starr Parodi. Classical,Contemporary,New Age. Score. 6 pages. Esque Music #803278. Published by Esque Music (A0.1205036).

Common Places is the title track from Grammy® award winning pianist Starr Parodi's album of the same name. This soulful iconic music with its harmonically rich Copland-esque hymn-like chordal structure evokes images and feelings of americana and the deeply moving american experience. Suitable for intermediate and above levels. #Hymn #Inspirational #chordal #americana #AaronCopland #RalphVaughnWilliams #Arsenio #solopiano #piano #gospel.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download

SKU: A0.878895

Composed by Kathy Bundock Moore. Arranged by Eric Moore. Instructional. Score. 68 pages. Cello Loft #3400213. Published by Cello Loft (A0.878895).

Comprehensive Rhythm Workbook (60+ pages) for any instrument.

A must-have for any private lesson (age 8+) and used by hundreds of students in classrooms (including college).

Perfect to accompany an absolute beginner all the way until they're professional; three unique ways to work through the book dramatically increase its difficulty.


Two activities profoundly shape the way students understand rhythm:
 - Tap a steady beat while saying ta for the rhythms on the page.
 - Tap independent rhythms with both hands.


Starts easily (without barlines), with only Quarter Notes and Half Notes. Then adds:
 - Simple Meters | Compound Meters | Asymmetrical Meters | Changing Meters | Mixed Meters
 - Eighth Notes | Dotted Note Values | Sixteenth Notes | Thirty-Second Notes | Triplets
 - Corresponding Rests
 - Contemporary Trends including Feathered Beams, Uncommon Tuplets, and (somewhat ironically) a return to no barlines.


By Dr. Kathy Bundock Moore

(please note that there are no worksheets, questions for students, etc. - students speak or tap all rhythms.)

By Gary Barlow & The Commonwealth Band. For piano, voice and guitar (chords only). Pop. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1220894

By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #817235. Published by John Fries (A0.1220894).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  If I Were a Rich Man is a show tune from the 1964 musical Fiddler on the Roof.  A Critical and Musical Survey explained that the song contains a greater number of Jewish commonplaces than any other number in the score, and added the song does twofold: it offers such a strong dose of idiom early in the show [which] is good for the overall unity, and the important dramatic function of introducing the central character of Tevye through song.  A repeated phrase throughout the song, all day long I'd bidi-bidi-bum, is often misunderstood to refer to Tevye's desire not to have to work.  However, in an interview with Terry Gross, Sheldon Harnick said he basically made up syllables that he thought would give the effect of Chassidic chanting.

Interactive Download

SKU: HX.401221

By Common, Lin-Manuel Miranda, Tarik Trotter, The Roots, and The Roots, Common, Ingrid Michaelson. This edition: Interactive Download. Broadway,Musical/Show. Piano/Vocal/Guitar. 8 pages. Published by Hal Leonard - Digital (HX.401221).

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1223448

By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by John Fries. 20th Century,Broadway,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #819641. Published by John Fries (A0.1223448).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  The song spent six weeks at number one on the US Billboard Hot 100 pop singles chart in the spring of 1969 and was eventually certified platinum in the US by the RIAA.  Instrumental backing was written by Bill Holman and provided by session musicians commonly known as the Wrecking Crew.  As Holman tells it, the recording can be traced to an incident in which 5th Dimension lead singer Billy Davis Jr. left his wallet in a New York City cab; the man who found the wallet was involved in the production of Hair and invited the group to see the show:  After they'd seen it I received a phone call in which they were all talking over one another, saying 'We've got to cut this song Aquarius.  It's the best thing ever.'.