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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.999162 Composed by Sir Rabindranath Tagore. Arranged by Riddhi Sanyal. Contemporary,Country,Pop,World. Score. 4 pages. Riddhi Sanyal #5771073. Published by Riddhi Sanyal (A0.999162). Learn the Tagore Song ‘Mayabono Biharini Horini’ in Sheet Music (Staff Notation) with Lyrics & Chords in Scale C which is ideal for sing or to play at Piano, Guitar, Ukulele, Flute, Harmonica etc (any instruments which can be tuned in Scale C) and even in Orchestra or Duet Chorus. Lyrics (English Transliteration of Original Bengali Lyrics) are Chord Symbols are provided.Instruments in Recorded Music File: Song Played in Flute & Ukulele for the lead song and Piano for Chords. Piano Bass Clef is given with Chord symbol.  About The Song: This is the song to call a deer that comes into dreams. Some of the lines to too touchy like I shall only touch it's soul with the melody of my flute. This is one of the popular songs on Rhythm and Dance. Hope you will enjoy singing & playing at your comfortable instrument. This song is on beating pattern 4/4.Raga: This song follows the Raga Yaman Kalyan for most of the verses.Song Structure: This song has 2 Antara (s). The second Antara starts with the verse called Sanchari. After every Antara, it’s general practice to play the Bandish for 1 or 2 times. Whole song is divided into Bowing (Flute) & Stroke (Ex - Piano, Guitar, Ukulele) instruments, but that verse is played in chorus. Same idea can be applied while singing in male & female voice in Chorus. Chords Used: C, F, G, D, Dm as suitable.
Mayabono Biharini Horini | A Tagore Song | Sheet Music in C
Piano, Voix et Guitare

$5.99 5.13 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1453199 By Olivia Lane. By Olivia Lane. Arranged by Kenneth Martin. 21st Century,Christian,Contemporary,Praise & Worship,Religious. Score. 70 pages. Martin Music Editions #1032426. Published by Martin Music Editions (A0.1453199). # Discover the New Worship Song Arrangement: Who I Thought You Were by Olivia LaneImmerse yourself in the transformative power of music with our latest arrangement of Who I Thought You Were by the acclaimed Christian artist, Olivia Lane. Known for her heartfelt lyrics and inspiring journey, Olivia Lane's music is a testament to her faith and personal transformation.## About Olivia LaneOlivia Lane's journey to faith is as compelling as her music. Once an atheist, Olivia experienced a profound spiritual awakening that she shared openly with the world. Her conversion story is a powerful narrative of finding hope and belief, making her one of the most inspiring figures in contemporary Christian music. Her journey from skepticism to faith resonates deeply with many, and her music reflects this profound change.## The Song: Who I Thought You WereWho I Thought You Were is a beautiful worship song that captures Olivia Lane's embrace of her new faith. The lyrics reflect her spiritual journey and newfound relationship with God, making it a moving and uplifting piece for any worship setting.## Arrangement DetailsOur arrangement of Who I Thought You Were is designed to suit various musical needs and preferences. The song is arranged for voice, piano, guitar, and bass, ensuring a rich and full sound. In addition to the full arrangement, chord charts are included to facilitate easy play and adaptability for different instruments and skill levels.### Key Features:- **Voice, Piano, Guitar, and Bass Arrangement:** Perfect for solo performances, church services, and worship bands.- **Chord Charts Included:** Simplifies playing and allows for flexibility in worship sessions.- **Available in Three Keys:** Bb Major, C Major, and D Major, to accommodate different vocal ranges and musical preferences.## Enhance Your Worship ExperienceWhether you're looking to perform Who I Thought You Were in a church service or include it in your personal worship sessions, our arrangement offers versatility and ease of use. This song not only highlights Olivia Lane's vocal prowess and songwriting talent but also serves as a powerful tool for worship, reflection, and spiritual growth.## Get Your Copy TodayExperience the uplifting message and beautiful melody of Who I Thought You Were by Olivia Lane. Download the sheet music and chord charts now to bring this inspiring worship song to your congregation or personal practice.**Keywords:**  Olivia Lane, Who I Thought You Were, Christian music, worship song, sheet music, chord charts, voice, piano, guitar, bass, Bb Major, C Major, D Major, faith journey, Christian artist, worship arrangement, spiritual transformation.
Who I Thought You Were - Music for Worship (In Bb, C, & D major)
Piano, Voix et Guitare
Olivia Lane
$10.00 8.56 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
We Must Learn to Walk Together
Piano, Voix et Guitare
Lisa Waites
$3.99 3.41 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.965763 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Children,Film/TV,Praise & Worship,Sacred,Spiritual. Score. 1 pages. Servant Song Music and Ministry #571431. Published by Servant Song Music and Ministry (A0.965763). I wrote this contemporary hymn as a musical prayer response to the invasion of Ukraine in 2022. In liturgical churches, it functions beautifully as a congregational sung response following the Prayers of the People (or even replacing the Prayers of the People). In evangelical settings, it can be sung as a stand-alone worship hymn right after the sermon, or as part of a set of worship songs at the beginning or conclusion of the service. I am a prolific songwriter, and I've been writing music for 35+ years now. Through all of those years, there have only been a handful of occasions where I have felt more like a conduit of the Holy Spirit than the composer of the hymn; this was definitely one of those times. This is Our Prayer is written in the key of F Major, making it highly accessible for beginning church accompanists. It has a moderate tempo, set in a 3/4 time signature with a lilting rhythm. The vocal range is designed for robust congregational singing. The melody line is just one octave, ranging from Middle C to the C above it; the Alto line is just a six note range, from Middle C to the A above. This score includes the piano accompaniment in a strophic, hymn style format, two-part vocal harmony, and guitar chords (which can also assist pianists who play by chord + melody line, instead of by reading the score). The simplicity of this hymn does not detract from its' beauty, however. This is a highly singable, memorable tune with some interesting rhythmic patterns. The lyrics of this hymn are loosely based on Romans 12:12-21 (As far as it depends upon you, live at peace with all people). The words of the hymn are truly a prayer, asking God for peace, but they also remind us that as people of faith, we are invited to participate WITH God in the process of making peace on earth, by how we pray, live, give, and place our trust in God. One lyric reads that we dare to pray for peace; this is an intentional choice on my part, flagging the potential costliness of becoming people who prioritize peace. The week this hymn was released to Spotify, iTunes, Amazon Music Unlimited, Reverbnation, and Deezer, it debuted at #30 on the Top 100 Contemporary Christian Music Charts on Spotify. The YouTube video version of the hymn (link attached below) was viewed over 7,000 times in the first ten days, by people in over 40 countries. You are welcome to stream it for worship services, on church websites, and on social media. The more people view it, the more ad revenue it will generate, and all profits from the sale of this hymn in any form (video ad revenue, digital MP3 sales on the sites listed above, and the sale of this musical score) will be donated to the Red Cross and the United Church of Canada's Mission & Service Fund; both of these registered charities have targeted programs running to assist Ukrainians who've been displaced by the war. Once the Ukrainian war ends, I will continue to send all profits from the hymn to those same charities to help refugees in other conflict zones. May this hymn comfort and discomfort you. My prayer is that it will prompt all of us to live more faithfully as people of peace - in our individual lives, but also in our families, in our communities, our nations, and our world. To God be the glory!
This is Our Prayer
Piano, Voix et Guitare
Lisa Waites
$3.99 3.41 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380573 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 6 pages. Anastace #965350. Published by Anastace (A0.1380573). Here is the full piano and vocal version of Were You There When They Crucified My Lord? as heard on my YouTube channel. This version is in G major to match a lower vocal range for a deep and powerful sound. I hope you enjoy this arrangement of such a beautiful Good Friday hymn, a perfect pairing of this classic, contemplative melody with a subdued, richly voiced piano accompaniment to showcase the deep meaning and solemnity of this Holy Week hymn. This arrangement works well as a solo or choral anthem for any Easter service, particularly for Good Friday or Maundy Thursday. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in C major to match the original recording Full piano and vocal arrangement in G Major for a very high vocal rangeFull piano and vocal arrangement in E Flat Major for a classic soprano rangeLead sheet versionSolo piano version for a prelude/postlude, or communion interludeFor other formats including large print, guitar, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
Were You There When They Crucified My Lord? [G Major - Low Voice]
Piano, Voix et Guitare
Stacey Plays Hymns
$5.00 4.28 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. 10 pages. David Warin Solomons #985851. Published by David Warin Solomons (A0.1402627). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi...  Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
Piano, Voix et Guitare
David Warin Solomons
$11.00 9.41 € Piano, Voix et Guitare PDF SheetMusicPlus






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