Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202167 By The Carpenters. By Bob Morrison and Johnny Wilson. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Score. 2 pages. John Fries #800826. Published by John Fries (A0.1202167). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Make Believe It's Your First Time is a song written by Bob Morrison and Johnny Wilson. Originally recorded by Bobby Vinton, the song was twice recorded by Karen Carpenter, both as a solo act and as a member of the Carpenters. Between 1979 and 1980, Karen Carpenter went to New York to record a solo album with Phil Ramone as producer. Make Believe It's Your First Time was one of twenty songs recorded. This version was ultimately shelved until 1996, with the release of her eponymous album, Karen Carpenter. Karen's solo version is far more subdued with only a piano, bass and drums as her accompaniment. The Carpenters recorded a version of Make Believe It's Your First Time for their 1981 album Made in America. The song, like Karen's solo version, went unreleased in her lifetime and was not included on the album. After Karen's death in 1983, the song was placed on the Carpenters' next album, Voice of the Heart, and was released as a single. Richard Carpenter's arrangement uses far more instrumentation, adds a bridge written specifically for this version, key modulation during the last chorus, and the inclusion of background vocals.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1198455 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 1 pages. John Fries #797597. Published by John Fries (A0.1198455). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  The Night We Called It a Day is a popular song and jazz standard. One early recording of the song was notable in that it was Frank Sinatra's first solo recording (Bluebird 11463 in 1942). A review in Billboard called the recording a sparkling example of song with Sinatra's singing and Axel Stordahl's musical direction. Sinatra also made studio recordings of the song for Columbia records in 1947 and Capitol Records in 1957. On May 19, 2015, Bob Dylan sang it on the second-to-last episode of The Late Show with David Letterman.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1205910 By Danny Zeitlin. By Cole Porter, Dennis Jay Zeitlin, and John Coltrane. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Score. 1 pages. John Fries #804101. Published by John Fries (A0.1205910). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  What Is This Thing Called Love? is a 1929 popular song written by Cole Porter, for the musical Wake Up and Dream. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played songs.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1299891 By Air Supply. By Peter Ham and Thomas Evans. Arranged by Unimusic Academy. Contemporary,Pop,Rock,Singer/Songwriter. Score. 5 pages. Unimusic Academy (Academia Unimusica) #889649. Published by Unimusic Academy (Academia Unimusica) (A0.1299891). Without You is a song written by Pete Ham and Tom Evans of British rock group Badfinger, and first released on their 1970 album No Dice. The power ballad has been recorded by over 180 artists, and versions released as singles by Harry Nilsson (1971), T. G. Sheppard (1983), Air Supply (1991), and Mariah Carey (1994) became international best-sellers. The Nilsson version was included in 2021's Rolling Stone's 500 Greatest Songs of All Time. Paul McCartney once described it as the killer song of all time.In 1972, writers Ham and Evans received the British Academy's Ivor Novello Award for Best Song Musically and Lyrically.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.921765 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6136123. Published by Servant Song Music and Ministry (A0.921765). Light a Candle was written as an Advent Wreath-Lighting Hymn, with five verses for congregational use throughout the Advent season. This hymn is suitable for family worship at home, also, and there is a free series of videos available on YouTube with the composer (Lisa Waites) singing and playing guitar; you are welcome to stream those videos for digital worship throughout the Covid pandemic. Please also purchase a copy of the score to support the work of Servant Song Music & Ministry.                                                                                                                                                                                                                                                                                                                                                                        In December of 2019, our congregation began singing this hymn on the first Sunday of the Advent season with just the first verse as a collective response to the first candle in the Advent wreath being lit; the lyrics of the first verse are all about HOPE. On the second Sunday of Advent, we sang the first and second verses of the hymn (hope and PEACE to correspond with the lighting of two Advent candles); on the third Sunday of Advent, we sang three verses (hope, peace, and JOY), and on the fourth Sunday, we sang four verses (hope, peace, joy, and LOVE). Finally, on Christmas Eve, the congregation sang all five verses of the hymn, corresponding with the lighting of all five candles in the Advent wreath. Since Advent hymns are typically in short supply, an alternative approach for this hymn would be to use the first four verses together during Advent as a congregational hymn, reserving the fifth verse for the Christmas Eve service. Not familiar with Advent Wreath-Lighting liturgies? This hymn is a terrific way to introduce this Ancient-Future Christian tradition to your people!  .

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1518651 By Oasis. By Noel Thomas Gallagher. Arranged by B. McCormick. Pop,Rock. Score. 5 pages. Resourceful Arrangements #1092772. Published by Resourceful Arrangements (A0.1518651). Don’t Look Back in Anger by Oasis - Piano/Guitar/Vocal Arrangement Experience the iconic Britpop anthem “Don’t Look Back in Anger” by Oasis with this comprehensive Piano/Guitar/Vocal arrangement. Released in 1996 as part of their critically acclaimed album “(What’s the Story) Morning Glory?”, this song quickly became a fan favorite and a defining track of the 90s. Written by Noel Gallagher, it was the first Oasis single to feature him on lead vocals, adding a unique touch to the band’s discography1. About the Band: Oasis, formed in Manchester in 1991, is one of the most influential bands of the Britpop era. Led by the charismatic Gallagher brothers, Noel and Liam, the band achieved monumental success with their debut album “Definitely Maybe” and continued their dominance with (What’s the Story) Morning Glory?1. Known for their raw energy, catchy melodies, and memorable lyrics, Oasis has left an indelible mark on the music industry. Arrangement Highlights: Melody Notation: Melody, bass, and harmony parts all on the piano staff. Guitar Riffs/Solos: Notated to be played on the piano, with ornaments mimicking guitar techniques. Lyrics and Chord Symbols: Included for singers and guitarists. Key: C major. Performance Level: Upper intermediate, approximately Grade 6 standard. Technical Details: Octave leaps, stretches, and quick semiquaver passages with ornamentation. Page Layout: Designed to eliminate unnecessary page turnings. Ideal For: Educational Settings: Suitable for both private lessons and classroom use. Versatile Use: Perfect for pianists, guitarists, and vocalists. Bands: Ideal for bands aiming to closely replicate the original recording.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1042119 By OneRepublic. By Bjorn Yttling, Brent Kutzle, John Eriksson, Peter Moren, Ryan Tedder, and Tyler Spry. Arranged by Barry McCormick. Film/TV,Pop. Score. 8 pages. B. McCormick #646917. Published by B. McCormick (A0.1042119). About this Piano/Vocal/Guitar arrangement of “I Ain’t Worried� This One Republic hit from the sound track of “Top Gun:Maverik� is a catchy tune to learn. This piano, guitar and vocal arrangement will help you learn the song “I Aint Worried.� The key is in F major and included is the lead sheet so this can be given to another instrumentalist or singer to perform along. The distinct features in the song, the bass and the hook I have kept close to the recording on the track. I have done some slight adjustments for the piano accompaniment to break up and differentiate the different sections otherwise it would be very repetitive. It is a very simple song in essence, a four chord riff and rhythmic motif that breaks for the bridge section. The rhythm isn’t the simplest for the bass part that permeates the song however it is repetitive which means once that is learned you have practically mastered the whole song. There is a lot of back and forward in the music to the chorus which jumps to different parts. I have tried to simplify this by using boxed text to identify each section clearly and indicate when you should jump to each section. Using first, second and third time bars with D.S and coda markings cluttered the music up and made it seem more complicated. So I hope this editorial decision to use boxed text makes it clearer. If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1344114 Composed by John Joseph Woods. Arranged by Michael Thomas Coull. Contemporary,Patriotic. Score. 8 pages. MTC Publishing #929595. Published by MTC Publishing (A0.1344114). God Defend New Zealand - Arrangement for Voice, Piano and Guitar by Michael Thomas CoullGod Defend New Zealand was first performed in Dunedin's Queen's Theatre on Christmas Day, 1876.  Played by the Royal Artillery Band and sung by the Lydia Howard Burlesque and Opera Burle Troupe, the patriotic song found immediate favour with the Dunedin public.  The words, a poem written by Thomas Bracken in the 1870s, was first published in a competition run by The Saturday Advertiser and New Zealand Literary Miscellany.  The competition was to compose a 'National Air' based on five verses of Bracken's poem, and appeared in the Advertiser on 1 July, 1876 listing a grand prize of 10 guineas.  On 9 September the Advertiser reported that 12 completed entries had been received.  Several weeks later on the 21 October the winning entry by John Joseph Woods, a school teacher from Lawrence, was announced.The popularity of God Defend New Zealand grew throughout the 19th century and entered the 20th century as one of the most popular songs.  In 1935-39 with the help of John McDermott, chief engineer of the NZ Post Office, and others God Defend New Zealand was made New Zealand's national song in time for the 1940 Centennial celebrations.In 1976, almost 100 years after the first public performance, a petition calling for God Defend New Zealand to become the national anthem of New Zealand, organised in Dunedin by Gareth Henry Latta and others, was presented to the Petitions Committee of Parliament with 7750 signatures.  With the permission of Her Majesty Queen Elizabeth II, the Government adopted God Defend New Zealand as the countries national anthem.Traditionally God Defend New Zealand is performed in G major, but as this can often be rather high for amateur voices, the anthem is also presented here in F major.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.969101 Composed by J. Will Callahan, Max Kortlander. Arranged by Dan Gabel. Country,Film/TV,Jazz,Pop. Score. 2 pages. Daniel Clayton Gabel #6256093. Published by Daniel Clayton Gabel (A0.969101). A favorite of bands, jazz musicians, and dancers for one hundred years, Whispering has stood the test of time. It is a great tune, and one of great historic importance that deserves a place in your band's library!This is more than a lead sheet: it is an arrangement in Eb, including the lyrics and the rarely-heard verse. This is ready to pass out to your combo: bass, guitar, drums, piano, voice, and some horns, too. The chart is professionally engraved and formatted for ease of reading.This arrangement is based on the stellar recording by Bing Crosby with Bob Scoby's Frisco Jazz Band on:Bing with a Beat (RCA Victor, 1957) - see history below.Tell Me - a brief history:One of the first recordings made by a jazz ensemble, The Original Dixieland 'Jass' Band in 1919. Also a hit recording for tenor Lamber Murphy on Victor Record #45171 on September 18, 1919 (9/18 is arranger Dan Gabel's birthday!).The song experienced renewed interest in the 1950s thanks to the hit recording and movie by Doris Day On Moonlight Bay in 1951. It was also recorded with success by Burl Ives and gained popularity in the folk/country music scene.Revived once again with the original verse, Bing Crosby recorded it on one of the best jazz vocal albums of the 1950s: Bing with a Beat, with Bob Scoby's Frisco Jazz Band.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1302223 By Barry Manilow. By Richard Kerr and Scott English. Arranged by Unimusic Academy. Contemporary,Pop,Rock,Singer/Songwriter. Score. 5 pages. Unimusic Academy (Academia Unimusica) #891827. Published by Unimusic Academy (Academia Unimusica) (A0.1302223). Mandy is a romantic song that has had several versions. It was recorded for the first time in 1971, with the title Brandy by Scott English, however, it achieved popularity with the version by the American Barry Manilow in 1974, being his first song to reach number one on the Billboard Hot 100 and his first golden song.1​2​In 1992 the Italian music producer Marco Parmigiani produced a Eurodance version on 12-inch vinyl. It was released in Italy on the Disc-O-Very Records label, and a year later it was published in Spain on the legendary Barcelona label Max Music. The version was heard a lot in Valencian clubs in the 90s.It was later re-recorded by the Irish group Westlife in 2003, and this version became number one on the UK chart.3The song also appeared in several films, such as Can't Hardly Wait, being performed by various characters. One theory says that because of Manilow's alcoholism, Brandy became Mandy.It is thought that Scott English wrote Brandy inspired by his favorite dog that he let escape. English claimed (reported in The Billboard Book of Number One Adult Contemporary Hits) that an assistant called him early that morning to ask who Brandy was, and he, irritated, lied that it was a dog so that the conversation will end quickly.When Manilow recorded Mandy he was not happy with the electronic rhythm of English's original version, so he preferred to sing it as a ballad and was much more pleased with the results.The song was parodied on the show Gift Grub under the title Andy on The Drew Carey Show, where the name Mandy is replaced by Kyra. Who also performed a parody of Mandy was the German singer LaFee at the age of 13. Thanks to this imitation, called Handy, a music producer discovered her in a children's singing competition in Germany.Korean actor, singer and model Jang Keun Suk sings this song during the movie You are my petIt also appeared in an episode of CSI: Crime Scene Investigation (originally aired in November 2006), and in an episode of The Simpsons, Homer sings it to Margo as Oh, Margo. Years later, in an episode of Family Guy, Manilow himself sings to Gregg a version of his song, Oh, Quagmire..

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196239 By Pat Thomas. By Antonio Carlos Jobim and Newton Mendonca. Arranged by John Fries. 20th Century,Film/TV,Jazz,Latin,Standards. Score. 2 pages. John Fries #795394. Published by John Fries (A0.1196239). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Samba de uma Nota Só, known in English as One Note Samba, is a bossa nova and jazz standard song composed by Antônio Carlos Jobim. The song title refers to the main melody line, which at first consists of a long series of notes of a single tone (typically D, as played in the key of G) played over a descending chord progression in a bossa nova rhythm. The song was featured in a prominent scene of A Man Without a Skin, a 1963 episode of Naked City.