Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1365638

By Raluca Bojor. By William Cowper and Raluca Bojor. Christian,Praise & Worship,Sacred. Score. 5 pages. Raluca Bojor #949975. Published by Raluca Bojor (A0.1365638).

A new tune to an old text! In writing this melody, I was captivated by the somber tone of William Cowper’s words and his blunt (but correct) perspective of our reality. Although the text is 250 years old, it remains relevant today. We will never comprehend God’s intentions; his ways are mysterious to the limited human mind. But we remain faithful because “behind a frowning providence He hides a smiling face.�

This new melody is in a natural minor key, reflecting the message of Cowper’s poem. Additionally, I repeated some of the lines from the poem’s original structure in order to allow listeners more time to ponder over the meaning of these words. LISTEN to the full recording below!

CCLI song ID – 7219294

May this new melodic setting of “God Moves In A Mysterious Way� be a blessing to you and to your congregation!

DOWNLOAD the piano, vocal, guitar sheet music today!

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1365636

By Raluca Bojor. By William Cowper and Raluca Bojor. Christian,Praise & Worship,Sacred. Score. 5 pages. Raluca Bojor #949973. Published by Raluca Bojor (A0.1365636).

A new tune to an old text! In writing this melody, I was captivated by the somber tone of William Cowper’s words and his blunt (but correct) perspective of our reality. Although the text is 250 years old, it remains relevant today. We will never comprehend God’s intentions; his ways are mysterious to the limited human mind. But we remain faithful because “behind a frowning providence He hides a smiling face.�

This new melody is in a natural minor key, reflecting the message of Cowper’s poem. Additionally, I repeated some of the lines from the poem’s original structure in order to allow listeners more time to ponder over the meaning of these words. LISTEN to the full recording below!

CCLI song ID – 7219294

May this new melodic setting of “God Moves In A Mysterious Way� be a blessing to you and to your congregation!

DOWNLOAD the piano, vocal, guitar sheet music today!

By New Order. By Stephen Hague, Stephen Morris, Peter Hook, Gillian Gilbert, Bernard Sumner. Rock. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.89068). - Piano/Vocal/Guitar (chords only) - Rock - Hal Leonard - Digital Sheet Music

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1242719

By New Order. By Bernard Sumner, Gillian Gilbert, Peter Hook, and Stephen Morris. Arranged by Douglas Becker. 19th Century,20th Century,Contemporary,Folk,Rock. Score. 4 pages. Douglas Becker #837808. Published by Douglas Becker (A0.1242719).

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.976933

Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. Score. 3 pages. Sabrina Peña Young #3430807. Published by Sabrina Peña Young (A0.976933).

Sweet moving lullaby from groundbreaking animated opera film Libertaria by award-winning composer arranged for Soprano, Cello, and Piano. An simple emotional waltz feel as the singer tells her child that she will never leave her. Simple, short, and quite beautiful. Intermediate/Advanced Student or Music Professional.

Award-winning Cuban-American Composer S. Peña Young

https://sabrinapenayoung.wordpress.com/

Contact Young directly at Facebook

FACEBOOK: https://www.facebook.com/newmusiccomposer

LIBERTARIA: THE VIRTUAL OPERA

https://virtualopera.wordpress.com/ 

ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon.

One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.com

WHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLES

Between the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!

Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1373465

Composed by Traditional. Arranged by Alpin Smart (transcription for voice and guitar). 19th Century,Celtic,Folk,Irish,Romantic Period,Traditional. Score. 3 pages. SmartWorks Publications #957823. Published by SmartWorks Publications (A0.1373465).

The celebrated 19th century Scottish novelist, Sir Walter Scott - like Robert Burns (Scotland) and Thomas Moore (Ireland) - took old ballads and folksong melodies, and wrote new lyrics to these traditional melodies, a common practice from at least the 18th century onwards, and right up to the time of W. B. Yeats' The Salley Gardens. Scott adapted the 'border ballad' (old folksongs and ballads from the southern border of Scotland and the north of England), John of Hazel Green (or 'Hazelgreen'), keeping to the 'gist' of the original story about a young woman forced against her will into an arranged marriage with a young wealthy 'squire'; but, she loves 'Jock' (or 'John', and sometimes, 'Jack'!), and so, on her wedding day, she elopes with 'John'/'Jack'/'Jock', escaping 'over the border' (north or south, take your pick!), thus beyond the reach of powerful 'squires' and family! (the small border town of 'Gretna Green' was traditionally the place to elope to, and be guaranteed a swift union without the usual formalities, like the 'posting of bans').

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1457309

By Nathan Evans. By Alan Jukes, Lewis Gardiner, Nathan Evans, Stephen Jukes, and Stevie Jukes. Arranged by Barry McCormick. Celtic,Folk,Irish,Pop,Singer/Songwriter,Wedding. Score. 10 pages. B. McCormick #1036353. Published by B. McCormick (A0.1457309).

Presenting the Piano/Vocal/Guitar Arrangement of Nathan Evans’ “Highland Girl”

Dive into the captivating world of Nathan Evans’ hit song, “Highland Girl,” with our meticulously crafted Piano/Vocal/Guitar arrangement. This arrangement brings a new depth to the enchanting melodies of the song, allowing you to explore its nuances on a deeper level.

Here are the key features of this arrangement:

1. Piano Staff Notation: The arrangement is written on the piano staff, providing a clear and comprehensive guide for pianists.
2. Bass Part: A bass part is included, to be played with the left hand, adding depth and richness to the music.
3. Melody and Harmony: The melody is in the right hand with additional harmony notes added in a second voicing, offering a fuller sound and a more complex musical experience.
4. Small Noteheads: Small noteheads are used to differentiate where the second verse melody differs from the first verse, making it easy to follow the structure of the song.
5. Two Keys: The arrangement is provided in the original key of Ab, along with another copy in G, making it accessible for a wide range of skills.

Nathan Evans, renowned for his distinct and powerful voice, has crafted a whirlwind romance in his song “Highland Girl”. The lyrics weave a tale of a single enchanting night filled with dancing, falling in love, and the yearning to meet the Highland girl again. Our Piano/Vocal/Guitar arrangement invites you to immerse yourself in this narrative and convey it through your personal rendition.

Whether you’re a beginner looking to expand your repertoire, or an experienced musician seeking to explore new melodies, our Piano/Vocal/Guitar arrangement for “Highland Girl” is a perfect choice. Experience the joy of playing this beautiful song and share the magic of music with others. Order your copy today and embark on your musical journey with Nathan Evans’ “Highland Girl”.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1348528

Composed by Hugues Jocelyn Cano. 20th Century,Broadway,Classical,Contemporary,Film/TV,Musical/Show. Score. 5 pages. Www.westbeingpublishing.com #933309. Published by www.westbeingpublishing.com (A0.1348528).

The villain in LilYpada is Bat Faith, the evil bat who has the Spider Monkeys under her spell. In Bat Faith plan she describes her evil intention for a new world order while ominating the Spider Monkeys. This knight's march is driven and powerful inspired rhythmically by the great marches of Russian composers such as  Prokofiev and Mussorgsky. Audio excerpt featuring Marinda Convis.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.784826

Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 31 pages. DF McCorkle Music and eBook Publications #11743. Published by DF McCorkle Music and eBook Publications (A0.784826).

ACT ONE: Song 12. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 17:45 - Then said David to the Philistine: ‘You come to me with a sword, and with a spear, and with a javelin; but I come to you in the name Yahweh of hosts, the God of the armies of Israel, whom you have taunted.’] [1 Samuel 17:49-50 - And David put his hand in his bag, and took from there a stone, and slung it, and smote the Philistine in his forehead; and the stone sank into his forehead, and he fell upon his face to the earth. 50 So David prevailed over the Philistine with a sling and with a stone, and smote the Philistine, and slew him; but there was no sword in the hand of David.] Arriving at SAUL’S camp, he listens to the soldiers speak about the Philistine giant, GOLIATH. He has taunted the troops for forty days and demands that they select a man to come out and fight him, winner takes all. DAVID upon arriving hears the taunts and accepts the challenge killing GOLIATH with a single, well-placed stone [King of the Mountain – David and Goliath]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge. END ACT 1.