Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.858672 By Neil Diamond. By Neil Diamond. Arranged by Stephen Bulat. Pop. Score. 6 pages. Stephen Bulat Publishing #5723271. Published by Stephen Bulat Publishing (A0.858672). Lead sheet (melody, lyrics & chords) of Neil Diamond's timeless pop hit and dance floor staple. Includes a condensed 2 page lead sheet and a second more detailed lead sheet with all essential cues (horns and strings) included as well. A classic rock songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (e.g. violin, flute, singer)The perfect addition to the gigging musician's Top 40, pop, wedding and classic rock fake book. Please click on publisher to view this song in other keys as well as to purchase other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1475302 By Shaboozey. By Chibueze Collins Obinna, Collins Obinna Chibueze, Jerrell Jones, Joe Anthony Kent, Mark Allen Williams, Nevin Sastry, and Sean Cook. Arranged by Barry McCormick. Country,Pop,Singer/Songwriter. Score. 7 pages. B. McCormick #1052845. Published by B. McCormick (A0.1475302). “A Bar Song (Tipsy)” Piano/Vocal/Guitar Arrangement About the Song and Artist: “A Bar Song (Tipsy)” is a lively, feel-good track by Shaboozey. With its catchy melody and playful lyrics, it captures the carefree spirit of a night out with friends. Shaboozey’s blend of acoustic guitar, vocals, and infectious rhythm makes this song a crowd favorite. Key Features: Vocal Clarity and Chord Symbols: The vocal line is clearly notated, allowing singers to express the playful lyrics. Above, you’ll find simplified chord symbols for guitarists to strum along. Harmonic Simplicity: The song’s heart lies in its four recurring chords. We’ve captured that simplicity, making it accessible for beginners and seasoned players alike. Rhythmic Feel: The arrangement mirrors the guitar’s rhythmic vibe, emphasizing the left-hand bass part. Harmonic rhythm variations between sections add interest and progression. Violin/Fiddle Melody: The piano part weaves in the captivating violin/fiddle melody from the recording, elevating the overall experience. Difficulty Levels: Guitarists: Beginner-friendly, with the challenge of an F#m barre chord. Simplify further by using a regular E chord or employing a capo (we also have lead sheeat with a Guitar Chord Sheet you can also purchase). Vocalists: The melody’s modest range suits most voices. Transposition may be necessary for specific vocal registers. Pianists: Intermediate level—simple yet engaging accompaniment. Not recommended for absolute beginners. Who is this for? 1. Musicians and Singers: Solo Performers: Singer-songwriters, acoustic guitarists, and pianists looking for an engaging piece to perform. Small Ensembles: Duos or trios (vocals, guitar, and piano) seeking a fun addition to their repertoire. Educators and Students: Music Teachers: Ideal for teaching chord progressions, rhythm, and vocal expression. Classroom Settings: Suitable for music classes, workshops, or school performances. Content Creators: YouTube Channels: Musicians sharing covers or tutorials. Podcasts: Add a musical interlude or theme. Where you can use this: Open Mic Nights at Cafés or Bars: Perform “A Bar Song (Tipsy)” in an intimate setting, capturing the song’s laid-back vibe. Engage with the audience and encourage sing-alongs. Music Schools and Workshops: Use this arrangement as a teaching tool for chord transitions, strumming patterns, and vocal dynamics. Discuss the song’s structure and how it reflects the carefree spirit of a night out. House Concerts and Gatherings: Host a cozy gathering with friends and family. Invite a vocalist, guitarist, and pianist to collaborate on this arrangement. Online Platforms: Share a video performance on YouTube or social media. “Raise your glass to ‘A Bar Song (Tipsy)’! Explore our sheet music and bring this lively tune to life. Cheers!”

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1416208 Composed by Rend Collective. Arranged by B. McCormick. Celtic,Christian,Folk,Irish,Praise & Worship,Sacred. Score. 8 pages. B. McCormick #997891. Published by B. McCormick (A0.1416208). Overview: This comprehensive sheet music arrangement of “Build Your Kingdom Here� by Rend Collective is tailored for piano, vocals, and guitar. Designed to fit neatly on a music stand, it spans four pages, with the first page dedicated to the initial verse (which can be discarded once played). The remaining three pages contain the complete music arrangement. Key Features: Piano Part:The piano part combines the melody and accompaniment.It serves as the foundation, providing harmonic support and rhythmic structure.The piano carries the emotional weight of the song.Vocal Melody:Singers can follow the melody line, ensuring accurate pitch and phrasing.The lyrics are set below the piano part, allowing seamless coordination.Guitar Chords:Guitar chords are indicated above the bars.Guitarists can strum or fingerpick these chords to accompany the piano and vocals.The chord symbols guide harmonic progression throughout the song.Structure and Repeats:Clearly marked sections (verse, chorus, instrumental) facilitate smooth transitions.Pay attention to the 1st, 2nd, or 3rd time through bars for accurate repetition.Transposition and Key:The arrangement is in C major, a tone lower than the original key.This transposition enhances congregational participation and makes the song more accessible. To play in the original key, transpose up a tone (use the transpose function on an electric piano/keyboard or add a capo on the second fret for guitars).Performance Note:Interpret dynamics, tempo, and expression to suit your worship context. Remember that music is not just notes; it’s an invitation to encounter God and declare His kingdom.Where to Use: Church Worship: Ideal for praise and worship bands during services. Youth Events: Energize gatherings with this uplifting anthem. CCLI Reporting: Report usage to CCLI (Christian Copyright Licensing International) when incorporating this song in your church context. About Rend Collective: Rend Collective is a lively Christian folk rock worship band hailing from Bangor, Northern Ireland. The band's lineup features Gareth Gilkeson, Chris Llewellyn, Ali Gilkeson, Patrick Thompson, and Steve Mitchell.Their song Build Your Kingdom Here is a fervent plea for God's presence and power to permeate all facets of our lives and communities. Echoing the Lord's Prayer, the chorus highlights the desire for God's kingdom to manifest on earth just as it is in heaven.Remember, as musicians, you’re not just playing notes; you’re participating in God’s work to establish His kingdom here and now. 

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.896867 Composed by Marcelo Torca. Arranged by Marcelo Torca. Instructional,Jazz,Latin,Rock. Score. 70 pages. Marcelo Torca #2023017. Published by Marcelo Torca (A0.896867). Músicas para Bandolim(Mandoline) e viola Caipira. Com tablatura e o nome das notas no instrumento.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1205919 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by John Fries. 20th Century,Pop,Standards. Score. 1 pages. John Fries #804112. Published by John Fries (A0.1205919). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Strangers in the Night is a song composed by Bert Kaempfert with English lyrics by Charles Singleton and Eddie Snyder.  Kaempfert originally used it under the title Beddy Bye as part of the instrumental score for the movie A Man Could Get Killed.  The song was made famous in 1966 by Frank Sinatra, although it was initially given to Melina Mercouri, who thought that a man's vocals would better suit the melody and therefore declined to sing it.  Reaching #1 on both the Billboard Hot 100 chart and the Easy Listening chart, it was the title song for Sinatra's 1966 album Strangers in the Night, which became his most commercially successful album.  The song also reached No. 1 on the UK Singles Chart.  Sinatra's recording won him the Grammy Award for Best Male Pop Vocal Performance and the Grammy Award for Record of the Year, as well as a Grammy Award for Best Arrangement Accompanying a Vocalist or Instrumentalist for Ernie Freeman at the Grammy Awards of 1967.

Piano/vocal/chords - Digital Download SKU: RX.9783737805056 Composed by Heinz Gietz, Jacqueline Boyer, and Kurt Hertha. Beat-Foxtrot. G Major. Pop. With Language: German. 6 pages. Published by Roba Music Verlag (RX.9783737805056). ISBN 978-3-7378-0505-6. Key: G major.Beat-Foxtrot fur Klavier, Gesang und Akkordinstrumente.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1459183 By Myles Smith. By Jesse Finkelstein, Myles Smith, and Peter Fenn. Arranged by Barry McCormick. Folk,Pop,Singer/Songwriter. Score. 5 pages. B. McCormick #1038156. Published by B. McCormick (A0.1459183). Introducing the Piano Vocal and Guitar arrangment of Stargazing Mood: Warm, fun, and happy About the Song and Songwriter: “Stargazing” is a breakout hit by English singer-songwriter Myles Smith. The song, released in May 2024, is known for its warm, fun, and happy mood. Myles Smith, born in Luton, England, is celebrated for his unique blend of folk, Americana, and pop influences. Arrangement Details: This is a Piano Vocal and Guitar Arrangement. This arrangement includes the melody with lyrics and an accompanying piano part. The melody has the chords above and also contains the strumming pattern at the start of the verse. Keeping the melody on a separate staff means this could be used with any instruments in C and the piano part as an accompaniment. The accompaniment is written to try and capture the main features of the song, helping to give a convincing performance of the song. Difficulty Level: The guitar part is suitable for beginner to easy intermediate level players, with the main challenge being maintaining the strumming pattern consistently. The vocal part is suitable for intermediate to upper intermediate level singers, with a wide vocal range of B4 - G#5. The piano part itself has a difficulty level of easy intermediate to intermediate level. It is very repetitive, with the hardest part being the syncopated inverted pedal E which comes in the intro, chorus, bridge, and outro.Unique Selling Points: This arrangement stands out for several reasons: The strumming pattern is provided at the start of the verse. Small noteheads are used to differentiate between the backing vocal parts and main vocal parts, and also in the verses for parts of the melody that differ between verses. The piano part provides a condensed version of what is going on in the band2. The vocal melody exists only in the vocal line and the piano is designed to accompany the singer2. The ability to read sheet music and understand musical notation on the piano also translates well to guitar, making it easier for you to learn new pieces and write your music. Target Audience: This arrangement is ideal for educators and individuals learning music.Potential Uses: This arrangement of “Stargazing” could be used in a variety of settings, such as: Music education: It’s a great piece for teaching students about chord progressions, strumming patterns, and vocal techniques. Performances: It’s suitable for school concerts, open mic nights, or casual performances among friends and family. Self-study: It’s a wonderful piece for individuals looking to expand their repertoire and improve their guitar, vocal, and piano skills. Reading sheet music is a crucial tool for musicians, providing accuracy, consistency, learning opportunities, communication, and preservation of musical compositions4. This arrangement of “Stargazing” offers all these benefits and more. 

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.859208 By Madeleine Peyroux. By Leonard Cohen. Arranged by Stephen Bulat. Jazz. Score. 3 pages. Stephen Bulat Publishing #6549873. Published by Stephen Bulat Publishing (A0.859208). Lead sheet (melody, lyrics & chords) of Leonard Cohen's masterpiece as recorded by Madeline Peyroux.A pop and jazz songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's jazz, pop, dance, rock & Top 40 fake book. Please click on publisher to purchase other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1273356 By Johnny Flyyn, Laura Marling. By Johnny Flynn. Arranged by SRS Music. Folk,Rock. Score. 8 pages. SRS Music #865508. Published by SRS Music (A0.1273356). From NPR, 11/1/2010: Certain songs sound as if they could have been written 100 or more years ago. In some cases, that's even a good thing. Take British singer-songwriter Johnny Flynn's The Water. Long before Flynn, many Celtic troubadours have strummed uncomplicated chords like these and sung about venturing out onto a body of water as a way of cleansing and rediscovery. Lines like So wide is my river even recall coffee-house standards like The Water Is Wide.The most inventive songwriters take such time-worn tropes and give them mouth-to-mouth resuscitation. Built on a steady, unwavering drone of acoustic and electric guitars, mandolin, cello and light percussion, The Water sounds both ancient and modern. The track glistens without sounding fusty. Singing about how the river runs deep / and the larger fish creep, Flynn channels the stolid, dour delivery of many pub-folkies before him, but could just as easily be fronting an especially austere indie band.This arrangement is written for voice, piano, violin, and acoustic guitar, but can be played in other configurations. A second voice could take the place of violin. The piano part carries the melody so it can be played as an instrumental piece as well.(This title is also available for solo piano from SRS Music).

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.858965 Composed by Irish Folk Song. Arranged by Stephen Bulat. Celtic,Folk,Holiday. Score. 3 pages. Stephen Bulat Publishing #6268789. Published by Stephen Bulat Publishing (A0.858965). This traditional Irish folk song has been performed by many recording artists including The Dubliners, Burl Ives, Susan Reed, Danny Kaye, TJane Morgan, Tony Kenny, Sean Dunphy and Sinead O'Connor. A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1207944 Composed by Bebe Herring and Kenny Dorham. Arranged by Fabio Eduardo de Oliveira. 20th Century,Film/TV,Jazz,Standards. Score. 2 pages. Fabio Eduardo #806067. Published by Fabio Eduardo (A0.1207944). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadBlue Bossa è un brano jazz strumentale di Kenny Dorham. È stato inciso per la prima volta nell'album di Joe Henderson Page One, pubblicato nel 1963.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1433870 By Hozier. By Andrew Hozier-Byrne, Daniel Krieger, Daniel Tannenbaum, George Miller, Peter Gonzales, Sergiu Adrian Gherman, and Tyler Reese Mehlenbacher. Arranged by Barry McCormick. Pop,Singer/Songwriter. Score. 10 pages. B. McCormick #1014077. Published by B. McCormick (A0.1433870). Step into the lush world of ‘Too Sweet’ with our Piano/Vocal/Guitar arrangement. Hozier’s poetic lyrics and soul-stirring melody find their home in this harmonious blend of piano, voice, and guitar. Key Features: Instruments: Piano, voice, and guitar.  Difficulty Level: Intermediate to advanced. Guitar: If playing in original key without Capo, upper intermediate level. If playing capo chords this becomes more accessible for more novice players with some playing experience.  Piano: Playing as written because of the syncopation in the bass line, the changing positions in the right hand (treble line) along with some strectches required for some of the intervals, this piece is easily in the upper intermediate to advanced range. Voice: The technique/vocal range and skill to successfully perform this piece easily makes this an upper intermediate piece at minimum. Unique Aspects: Integrated Melody in one staff: The melody seamlessly intertwines with the piano accompaniment saving page space meaning less page turning. Bass Line: The bass clef carries the full bass line, adding depth and resonance. This could also be used by a bass player to play along with. Harmony: Simple harmonies enhance the vocal part, making it a joy to sing. Guitar Chord Sheet: Two additional Guitar Chord Sheets provided. One in the original key with the related Chord Diagrams and the other in Capo III chords with those Chord Diagrams. Ideal for quick reference while playing for more novice players. Suggested strumming Patterns included. Where can you use this? Performers: Perfect for recitals, intimate gatherings, or heartfelt performances. Music Educators: Teach students about harmony, dynamics, and emotional expression. Download this arrangement and let ‘Too Sweet’ resonate within you. Share your rendition with others and spread the magic of music! Don't forget to tag us!! @resourcefularrangements.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1112760 Composed by Lisa Waites. Christian,Christmas,Holiday,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #714752. Published by Servant Song Music and Ministry (A0.1112760). This simple, singable piece of service music was written with congregational and small choral ensembles in mind. It is designed for use as the final musical Amen that the congregation or choir sings after the minister/pastor/priest gives the words of commissioning and benediction at the close of the service, allowing the people of God to sing words of affirmation, faith, and their collective anticipation of the Saviour's birth. This choral amen is appropriate for the four Sundays before Christmas Eve. The lyrics also include hope, peace, joy, and love - the four major themes of Advent. The music includes both soprano and alto parts in the vocal line. This piece is set in 4/4 time, at a moderate, expectant tempo. The rhythmic patterns are simple, and the piano or guitar accompaniment is suitable for beginner or early intermediate instrumentalists. This seasonal Advent Amen takes roughly 45-50 seconds to perform, including the instrumental outro. It has an upbeat, lilting feel that moves us forward throughout the piece, just like we are drawn forward in our Advent journey, anticipating the birth of the infant Christ at Christmastide.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise & Worship,Religious,Sacred. Score. 7 pages. Martin Music Editions #996658. Published by Martin Music Editions (A0.1414908). In this stripped-down yet deeply emotive arrangement of Nothing But the Blood of Jesus, crafted in the style of Fernando Ortega and Jesus Culture, the focus is on the interplay between violin, voice, and piano. This rendition radiates a sense of intimacy and contemplation, drawing listeners into a sacred space of worship and reflection.The piano introduces the piece with gentle, lingering chords that evoke a sense of reverence. Its melodies are reminiscent of Fernando Ortega's contemplative style, creating a foundation that supports and uplifts the subsequent elements of the arrangement.As the vocalist begins, their voice carries the timeless lyrics with sincerity and warmth. Each word is infused with meaning, resonating against the piano's backdrop. The vocal delivery, reminiscent of Jesus Culture's heartfelt expression, conveys both vulnerability and deep conviction, inviting listeners to engage with the profound message of the hymn.The violin enters delicately, weaving its melodic lines around the vocal phrases. Its tone is expressive and soul-stirring, adding a poignant layer of emotion to the arrangement. The violin's presence evokes Fernando Ortega's introspective sensibility, enhancing the lyrical depth and drawing out the thematic richness of the hymn.As the arrangement progresses, the piano's role evolves, providing rhythmic support and harmonic depth. The vocal and violin melodies intertwine, creating a dialogue that reflects the spiritual journey depicted in the lyrics. The simplicity of the instrumentation allows each element to shine individually while blending harmoniously together.During the chorus, the arrangement swells with emotional intensity. The vocalist's delivery becomes more impassioned, emphasizing the profound truth encapsulated in the refrain. The piano responds with cascading arpeggios, underscoring the soaring declarations of faith and redemption.In the quieter moments, the violin takes center stage, offering introspective solos that invite contemplation. Its melodic lines soar above the piano's accompaniment, articulating the yearning and gratitude expressed in the hymn's verses.As the arrangement reaches its culmination, the trio of voice, violin, and piano unites in a transcendent climax. The vocal harmonies rise in unison, resonating with the instrumentation to create a moment of profound connection and worshipful response.In this arrangement of Nothing But the Blood of Jesus, the collaboration between voice, violin, and piano channels the spirit of Fernando Ortega and Jesus Culture. Rooted in simplicity yet imbued with deep emotion and spiritual depth, this rendition invites listeners to experience the transformative power of grace and redemption through music.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1033131 By Sons Of The East. By Daniel Berriman Wallage, Jack Rollins, and Nicholas William Francis Johnston. Arranged by Benedict Lamprecht. Contemporary. Score. 5 pages. Ben Lamprecht #6129145. Published by Ben Lamprecht (A0.1033131). Sons Of The East, an Australian indie-folk trio, is often known for their song Come Away - likely due to the song's infectious guitar strumming and open, adventure-encouraging tone.This arrangement of this song is written mainly for solo piano, but with fretboard diagrams provided, guitarists can use the rhythms and melodic lines in the arrangement to play the song in a similar fashion.As a bonus, the arrangement features a fun and fast paced solo, which more experienced players are welcome to play as they wish. The arrangement is suited for early-intermediate, intermediate to experienced players, but beginners should skip the solo, and substitute chorus 3 and 4 with chorus 1 and 2, which are less technical.Additionally, the arrangement is alternatively also suited for accompaniment, and can easily be sung whilst played with the provided lyrics.I hope you enjoy this arrangement of this beautiful song and I encourage you to experiment with improvisation and different left hand rhythms - the song is without a doubt very fun to improvise over!