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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1269767

Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop. Score. 12 pages. MTC Publishing #862275. Published by MTC Publishing (A0.1269767).

Together As One - Song Composition for Voice, Piano and Guitar by Michael Thomas Coull

Together As One is a song about singing in a choir and performing to an audience.  It explores how singing gives us both sides of the emotional coin:  from nervousness and even trepidation on one side, to great joy on the other.   

We all feel nervous before a performance, and even more so when we are actually standing in front of the audience.  But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing.  And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'.

Together As One
Piano, Voix et Guitare

$10.99 10.42 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1126233

Composed by Paul Addison. Arranged by Paul Addison. Broadway,Children,Christian,Musical/Show. Score. 55 pages. Paul Addison #726936. Published by Paul Addison (A0.1126233).

Seeds Along the Way is a musical about the life of the biblical King David, written by Paul Addison. David gets to see the major events of his life with the help of his guardian angel, Gabrielle. This manner of storytelling combines elements of It’s a Wonderful Life, A Christmas Carol, and the old TV show This Is Your Life. Each event in David’s life is told through a song. It was originally written as a VBS (Vacation Bible School) musical. Although everyone in Israel is singing his praises, David questions the purpose of his life. Gabrielle shows him that everyone’s life is important, and that the good things that we do are like seeds planted along the way, which may not sprout and grow until much later. After reviewing his past, David is given a glimpse of the future, and realizes that he is one of many who are preparing for the coming of Jesus Christ. The musical is based on the stories from the Bible, mainly from 1 and 2 Samuel, but also including a Psalm and a geneaology listing from Matthew. David throws in a couple of bad puns as he tries to understand what Gabrielle is trying to tell him. The accompaniment is written for piano, but is appropriate for a praise team or a small dance band. The styles are quite varied, including cha-cha, pop, bossa nova, ballad, dirge, blues, jazz, and waltz. The piano accompaniment could be supplemented by percussion instruments (tambourine, maracas, woodblock, cowbell, etc.), as well as guitar, saxophone, and drums. The songs are at an Easy Intermediate level. The only stage requirements are a small balcony or elevated level with a railing or fence, and a floor area for the chorus. The musical consists of 10 scenes, but the two narrator characters remain on the balcony, and the floor area only needs to be changed in case the chorus members use different costumes and/or props for the different scenes. I hope you enjoy this musical. Address any questions to me at paulhaddison@gmail.com.

Seeds Along the Way (a musical about the life of David)
Piano, Voix et Guitare

$12.99 12.31 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1200032

Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. John Fries #798844. Published by John Fries (A0.1200032).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.

Spring Can Really Hang You Up The Most
Piano, Voix et Guitare

$4.99 4.73 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.817555

Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 7 pages. John Fries #424489. Published by John Fries (A0.817555).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  This is a full arrangement for voice, piano and guitar. Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.

Spring Can Really Hang You Up The Most
Piano, Voix et Guitare

$5.99 5.68 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.859669

Composed by Sydney Stevens. Country,Folk,New Age,Pop. Score. 68 pages. Sydney Stevens, Water Music #2959611. Published by Sydney Stevens, Water Music (A0.859669).

Contact: sydneystevenspianostudio@gmail.com

Cycles of Life Songbook: A collection of 11 original piano/vocals by Sydney Stevens (ASCAP). Book is arranged for piano/vocal with chords and includes one piano solo: Lucy.

From the Album: Cycles of Life


Mood:
Introspective, heartfelt, emotional, comforting, hopeful.

Musical Traits:
Most songs are arranged with left hand broken chords and right hand reflecting vocal part.
 
Songs included in this book:
Cycles of Life, Another Day, Time, Brian's Song, Tumbleweed, Alleys, Herbie, Back to the Heart, Lucy, Dead of Winter, The River
[Note: all songs can be sampled &/or purchased on this website]

More Links:

www.sydneystevenswatermusic.com

http://www.linkedin.com/in/sydney-stevens-532a113a

BIOGRAPHY:

Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.

Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.

Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.

Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.

Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.

In addition.

Cycles of Life Songbook
Piano, Voix et Guitare

$14.95 14.17 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download

SKU: A0.835161

Composed by Cody Weinmann. Christian,Gospel,Praise & Worship,Sacred. Score. 6 pages. Cody Weinmann #6121269. Published by Cody Weinmann (A0.835161).

About Temples of The Lord

The thought behind Temples of the Lord was to

create a song that would ultimately bring people

to the only salvation of Jesus Christ and what he did

on the cross for all of our sins, past, present, and

future.

There is a scripture in the bible talking about how

we are temples of the Lord. The song talks about

how we long to do what is in the mind of Christ, but

our flesh wars against the spirit and what we would,

we do not do (Romans 7)

There is also an aura of how much is it going to take

for us to get on our knees and get back to God. We

are all guilty of making these empty cisterns that

can hold no water, and until we are cleared and

cleaned of all of these so that God is the only being we

have left, it will be a continual fight this side of

heaven.

About the Composer:

Cody Weinmann is a composer and songwriter of many different

genres from writing lead sheets to pieces for band, choir, and 

orchestra. One cannot put him in a box. He continues to

write music especially in the Christian worship music genres to

bring the Gospel to those in the world who need it.


He is a lover of all different types of sound textures and color,

a pianist, and a writer of all things beautiful.


In the midst of the current pandemic, the lead sheet

could be really accessible for those who play piano,

guitar, or different solo instruments and sing. This way,

one could have an intimate time of worship at home.

Temples of The Lord (lead sheet)
Piano, Voix et Guitare

$1.99 1.89 € Piano, Voix et Guitare PDF SheetMusicPlus






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