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Easy Piano - Level 1 - Digital Download

SKU: A0.1295489

By Taylor Swift. By Annie Clark, Jack Antonoff, and Taylor Swift. Arranged by Matheus Viana. Broadway,Country,Musical/Show,Pop,Singer/Songwriter,Wedding. Score. 4 pages. Matheus Viana #885780. Published by Matheus Viana (A0.1295489).

Dive into the emotional depths of Taylor Swift's hit song Cruel Summer like never before with our exclusive piano arrangement sale!

Are you a piano enthusiast or a Taylor Swift fan looking to add a touch of musical magic to your repertoire? Look no further! Our expertly crafted piano arrangement of Cruel Summer is here to transport you to a world of passion and heartache through the power of music.

What to Expect:
- Professionally arranged sheet music for piano, suitable for pianists of all levels.
- A faithful and captivating interpretation of Taylor Swift's iconic song.

Why Choose Our Arrangement:
- Meticulously transcribed and arranged by seasoned musicians.
- High-quality notation that ensures a smooth learning experience.
- Instant digital download for quick access and convenience.

About Cruel Summer:
Cruel Summer is a chart-topping hit by Taylor Swift, known for its emotional lyrics and catchy melody. Now, you can bring this captivating song to life on your piano and experience its magic in a whole new way.

Let your fingers dance across the keys and immerse yourself in the Cruel Summer atmosphere. Order your piano arrangement today and embark on a musical journey filled with love, longing, and memories.

Don't wait! Grab your copy now and start playing this unforgettable song on your piano. Whether you're a beginner or an experienced pianist, our arrangement will inspire and captivate your heart. Get ready to feel the warmth and chill of the Cruel Summer in your fingertips.

Click Add to Cart and let the music begin!


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Cruel Summer
Piano Facile
Taylor Swift
$4.99 4.63 € Piano Facile PDF SheetMusicPlus

Clarinet Duet Clarinet - Level 1 - Digital Download

SKU: A0.1475541

Composed by Stephen Schwartz. Arranged by Claire Summerbell. 21st Century,Broadway,Instructional,Musical/Show. 2 scores. 2 pages. Claire Summerbell #1053095. Published by Claire Summerbell (A0.1475541).

This easy clarinet duet arrangement of Stephen Schwartz's beautiful song 'For Good' is lots of fun to play. 'For Good' is a musical number from the hit musical Wicked. It is sung as a duet between Elphaba (the Wicked Witch of the West) and Glinda (the Good Witch of the South) as a farewell. This clarinet duet arrangement is written entirely in the lower register, making it much easier for young players to perform. 

Claire Summerbell is a London-based clarinetist, educator, composer and arranger. She specialises in writing intermediate jazz clarinet duets through her website Clarisheets which can be found here: http://clarisheets.com. Her work sells globally. 

#forgood #clarinetsheetmusic #wickedthemusical.

For Good
2 Clarinettes (duo)

$4.99 4.63 € 2 Clarinettes (duo) PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.859686

Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 10 pages. Sydney Stevens, Water Music #3089231. Published by Sydney Stevens, Water Music (A0.859686).

Contact: sydneystevenspianostudio@gmail.com

Dawn: Beautiful, dreamy instrumental that evokes compassion, comfort and warmth. Arranged for solo piano. Includes chord symbols above the staff. Composed by Sydney Stevens (ASCAP).

Sounds like: Paul Cardall, John Fluker, Jennifer Thomas, Jim Brickman, Michele Mclaughlin, Greg Star, Doug Hammer, Steven Cravis, Rachel Currea, Laura Sullivan, A la Windham Hill

From Album: Seasons

Theme: Music that portrays the peaceful hour of dawn.

Mood: Peaceful, romantic, meditative.

Musical Traits: Left hand rhythm is a repeated broken chord pattern throughout the piece. The right hand plays a strong, but simple melody. Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.

Performance Time: 6:42

Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic

More Links:

https://sydneystevenswatermusic.com/

https://www.linkedin.com/in/sydney-stevens-532a113a/

Review of Seasons CD by Kathy Parsons (mainlypiano.com):

Seasons is a beautiful collection of original pieces by pianist/composer Sydney Stevens. Some of the pieces are solo piano and others feature duets with Mitch Iimori on English horn, oboe, and guitar (but not all at the same time!). The two musicians are obviously exceptionally comfortable and in tune with each other, and the results can be stunning. Very classical in scope and structure, the music is reflective of the natural surroundings of Ms Stevens’ home in the Colombia Gorge region of northern Oregon. The first eight of the fourteen tracks make up the Seasons Suite, a group of lyrical compositions inspired by the various times of year in a remote area of eastern Oregon. The other six pieces also have themes of nature and serenity.


The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling in the ceaseless wind of that area. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing!


In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite. On Summit, Iimori trades his woodwinds for guitar in a gentle, sweeping duet with the piano.

Waning Star is a gorgeous piano solo that has a peaceful grace and quiet serenity - a favorite. Reach For the Stars is a piano solo that has an uplifting sense of moving forward and reaching out. Dawn closes the CD with a warm and soothing confection. The piano is accompanied by light percussion, bass, and washes of synth strings. Full of hope and optimism without being sugarcoated, this piece is spellbinding in its gentle way.

Dawn
Piano seul

$4.95 4.6 € Piano seul PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.533501

Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501).

The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.

One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.

While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection
known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.

Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.




Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
Saxophone Soprano et Piano

$19.95 18.52 € Saxophone Soprano et Piano PDF SheetMusicPlus

Choir Sacred - Digital Download

SKU: JX.00-21631

12 Traditional Fun Songs with New Sacred Lyrics & Activities for Young Children (Songbook). Composed by Anna Laura Page and Jean Anne Shafferman. This edition: Songbook. Christian Elementary Collection; Other Church; Performance Music Ensemble; Worship Resources. Children; Sacred. Book. 42 pages. Jubilate Music Group - Digital #00-21631. Published by Jubilate Music Group - Digital (JX.00-21631).

English.

My First Bible Songs features a dozen delightful traditional fun songs arranged with new words, actions and activities for young children, ages 3-8. Here are their favorite traditional songs with sacred lyrics, great for children's choir, Sunday school, Christian school, vacation Bible school or summer camp! Your children will love singing them both as inform fun songs and in worship or chapel! Titles Include: Ezekiel's Wheels (The Wheels on the Bus Go 'Round and 'Round; Ezekiel Saw the Wheel) * Father Noah Had an Ark (Old MacDonald Had a Farm) * David and Goliath (She'll Be Comin' 'Round the Mountain) * Feel the Spirit Movin' (The Hokey-Pokey) * Daniel in the Lion's Den (London Bridge Is Falling Down) * Happy in Your Faith (If You're Happy and You Know It) * Children, Do You Love the Lord? (Head and Shoulders, Knees and Toes) * Christmas Bells (Jingle Bells) * Little Star (Twinkle, Twinkle, Little Star) * King Jesus (John Jacob Jingleheimer Schmidt) * The Poor Ol' Jonah Blues (Heigh, Ho, Nobody Home) * Roll the Stone Away (B-I-N-G-O).

My First Bible Songs

$14.95 13.88 € PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download

SKU: A0.1272799

By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music. Score. 4 pages. Darek #864996. Published by Darek (A0.1272799).

Summer from Concerto No. 2 in G Minor “The Four Seasons†(EASY PIANO) Op. 8, III. Presto (RV 315) [Antonio Vivaldi]

Simplified arrangement for pianists of Summer from Concerto No. 2 in G Minor “The Four Seasons†Op. 8, III. Presto (RV 315) by Antonio Vivaldi. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period | Baroque Music | Arrangement for Beginners | Piano | Keyboard |  For Novice Pianists. Included: Fingering, Dynamics, Articulations and video YouTube tutorial. 

Welcome to the captivating world of classical music! I invite you to explore the enchanting Summer from Antonio Vivaldi's Concerto No. 2 in G Minor - a dazzling gem from the Baroque era, now arranged as easy piano sheet music for budding pianists.

Unleash your musical prowess with my sheet music, meticulously crafted with fingering, articulation, and detailed dynamics markings to ensure a seamless learning experience for beginner pianists. Embrace the fiery and energetic spirit of Summer as you effortlessly master each note.

To elevate your musical journey, I offer a valuable YouTube tutorial video, providing expert guidance and insights to refine your performance and capture the essence of Vivaldi's genius.

Whether you're a novice seeking an exciting challenge or an enthusiast eager to expand your repertoire, this easy-level arrangement is perfect for all piano enthusiasts. Transport yourself to the captivating era of Baroque music with the magical Summer.

Keywords: easy piano sheet music, beginner pianists, Summer, Concerto No. 2 in G Minor, The Four Seasons, Op. 8, Presto, RV 315, Antonio Vivaldi, Baroque era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, fiery, classical music, genius, energetic, repertoire, melodies.

Summer from Concerto No. 2 in G Minor “The Four Seasons” (EASY PIANO) Op. 8, III. Presto (RV 315)
Piano Facile
Antonio Vivaldi
$4.00 3.71 € Piano Facile PDF SheetMusicPlus

Piano Trio - Level 3 - Digital Download

SKU: A0.549883

Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883).

Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself.

Mendelssohn: Wedding March

Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858

Mendelssohn Background

Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. 

Artistic Standing

 Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.

Early Family Life

Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.

Early Adulthood

Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.

Mature Adulthood

Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.

Musical Features

In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.

Mendelssohn: Wedding March for Piano Trio
Piano Trio: piano, violon, violoncelle

$36.95 34.3 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

E-Flat Clarinet,Piano - Level 3 - Digital Download

SKU: A0.549896

Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896).

Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.

Mendelssohn: Wedding March

Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858

Mendelssohn Background

Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. 

Artistic Standing

 Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.

Early Family Life

Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.

Early Adulthood

Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.

Mature Adulthood

Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.

Musical Features

In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.

Mendelssohn: Wedding March for Alto Clarinet & Piano
Clarinette

$24.95 23.16 € Clarinette PDF SheetMusicPlus

Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download

SKU: A0.549891

Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891).

Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.

Mendelssohn: Wedding March

Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858

Mendelssohn Background

Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. 

Artistic Standing

 Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.

Early Family Life

Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.

Early Adulthood

Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.

Mature Adulthood

Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.

Musical Features

In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.

Mendelssohn: Wedding March for Oboe d'Amore & Piano

$24.95 23.16 € PDF SheetMusicPlus

Instrumental Duet,Viola - Level 3 - Digital Download

SKU: A0.549885

Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885).

Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.

Mendelssohn: Wedding March

Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858

Mendelssohn Background

Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. 

Artistic Standing

 Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.

Early Family Life

Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.

Early Adulthood

Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.

Mature Adulthood

Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.

Musical Features

In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.

Mendelssohn: Wedding March for Viola & Piano

$32.95 30.59 € PDF SheetMusicPlus






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