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Choir - Digital Download SKU: A0.1059474 Composed by Maurice Ravel. Arranged by David Warin Solomons. 20th Century,Romantic Period. Full Performance. Duration 99. David Warin Solomons #3387809. Published by David Warin Solomons (A0.1059474). Sung by the dwsChoraleLes vieilles:                           [English translation below] N'allez pas au bois d'Ormonde, Jeunes filles, n'allez pas au bois: Il y a plein de satyres, de centaures, de malins sorciers, Des farfadets et des incubes, Des ogres, des lutins, Des faunes, des follets, des lamies, Diables, diablots, diablotins, Des chèvre-pieds, des gnomes, des démons, Des loups-garous, des elfes, des myrmidons, Des enchanteurs et des mages, Des stryges, des sylphes, des moines-bourrus, Des cyclopes, des djinns, gobelins, Korrigans, nécromans, kobolds... Les vieux : N'allez pas au bois d'Ormonde, Jeunes garçons, n'allez pas au bois: Il y a plein de faunesses, de bacchantes et de males fées, Des satyresses, des ogresses et des babaïagas, Des centauresses et des diablesses, Goules sortant du sabbat, Des farfadettes et des démones, Des larves, des nymphes, des myrmidones, Hamadryades, dryades, naïades, ménades, thyades, Follettes, lémures, gnomides, succubes, gorgones, gobelines... N'allez pas au bois d'Ormonde. Filles et garçons : N'irons plus au bois d'Ormonde, Hélas! plus jamais n'irons au bois. Il n'y a plus de satyres, plus de nymphes ni de males fées. Plus de farfadets, plus d'incubes, Plus d'ogres, de lutins, De faunes, de follets, de lamies, Diables, diablots, diablotins, De chèvre-pieds, de gnomes, de démons, De loups-garous, ni d'elfes, de myrmidons, Plus d'enchanteurs ni de mages, de stryges, de sylphes, De moines-bourrus, de cyclopes, de djinns, De diabloteaux, d'éfrits, d'aegypans, de sylvains, gobelins, Korrigans, nécromans, kobolds... N'allez pas au bois d'Ormonde, Les malavisées vieilles, les malavisés vieux Les ont effarouchés! [English Translation] Old women : Don't go to Ormond wood, Maidens beware, go not to the woods: They are full of grim satyrs, and of centaurs, of cunning wizards, Of hobgoblins and of incubus, Imps and ogres hide there, Will o'the wisps and fauns, roguish lamia, Flying devils, devilkins, Goat-footed folk and gnomes and demons, Full of werewolves, elves, tiny myrmidons, Of enchanters and of magicians, Strygia and sylphs, full of humpback monks, Of cyclops and of djinns, goblins, Korrigans, necromancers, kobolds... Old men : Don't go to Ormond wood, Young lads beware, go not to the woods: They are hiding host of fauns, and of bacchantes and of fairy folks, Of satyresses and ogresses, and of babaïagas, Of centauresses and of shedevils, Witches out from their sabbath, Of she-hobgoblins, of female demons, Of larves and of nymphs, tiny myrmidons, Of Hamadryads, and dryads, of naiads, menades, thyades, Will o'wisps, of lemures, female gnomes, succubus, of gorgons and she-goblins... Don't go to Ormond wood. Maidens and Young lads : We shall not go to the wood again, Alas, never more shall we go there. There are no more grim satyrs, And no more nymphs, fairy folk have fled. Gone the hobgoblins and incubus, Or ogres, no more imps, Fauns or will o' the wisps, No more furies, flying devil, devilkins, goat-footed folks, No more gnomes or demons, No more werewolves, elves, imps and myrmidons, No enchanters, or magicians, or strygia, No more sylphs or humpba.
N'allez pas au bois d'Ormonde (mp3)

$2.20 1.88 € PDF SheetMusicPlus

Trumpet - Level 3 - Digital Download SKU: A0.1292865 By Adolphe Danhauser. By Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber. 17 pages. Andrew Lamb #883441. Published by Andrew Lamb (A0.1292865). Introducing Salut au Printemps - A Brass Trio Arrangement of Adolphe Danhauser's Hail to SpringTransport your audience to the enchanting world of springtime with this arrangement of Adolphe Danhauser's timeless composition, Salut au Printemps. Originally penned as a Secular Chorus in 1874 by the illustrious French composer, this arrangement for Brass Trio breathes new life into this classical gem.Crafted meticulously for three trumpets, Salut au Printemps captures the essence of the season with its delicate melodies and harmonies. For added versatility, an alternative third trumpet part for French Horn is included, allowing you to tailor the performance to your ensemble's unique instrumentation.Level of Difficulty: MediumThis arrangement strikes the perfect balance between accessibility and musical depth, making it an excellent choice for musicians looking to explore the rich world of classical music or to enhance their repertoire.Potential Uses: Concerts: Elevate your concert program with the refreshing and evocative sounds of spring. Recitals: Showcase the prowess of your brass trio in an intimate and engaging recital setting. Educational Purposes: Use this arrangement to teach students about classical composition and ensemble playing, fostering a deeper appreciation for musical history. Let Salut au Printemps be the centerpiece of your next performance or educational endeavor. Adolphe Danhauser's tribute to spring, brought to life through this arrangement, will undoubtedly captivate audiences and musicians alike, ushering in the season of renewal with grace and artistry.
Hail to Spring [Salut au Printemps] (for Trumpet Trio)
Trompette
Adolphe Danhauser
$4.00 3.41 € Trompette PDF SheetMusicPlus

Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.1456029 Composed by Georges Bizet. Arranged by Alexander Geluk. 19th Century,Classical,Opera,Wedding. Score. 6 pages. Fibonacci Music & Multimedia #1035188. Published by Fibonacci Music & Multimedia (A0.1456029). The duet Au fond du temple saint  The duet Au fond du temple saint from Georges Bizet's operaLes Pêcheurs de Perles has now been beautifully arranged fortwo trumpets. This arrangement is perfect for trumpeters whoare looking to explore and perform classical opera duets, offeringthem an opportunity to experience the richness and depth ofBizet's music.After a self-imposed absence, Nadir returns to Ceylon, wherehis friend Zurga has recently been elected Fisher King by thelocal pearl fishermen. The two friends had previously fallen inlove with the same woman, but they promised each other torenounce their love for her and stay loyal to their friendship.Upon reuniting, they sing a duet, reminiscing about how theyfirst became infatuated with a veiled priestess of Brahma theyhad seen passing through an adoring crowd.Points to consider The parts are arranged for Bb instruments. They will play in Fmajor, sounding in Ebmajor (concert pitch) The measure numbering starts from the “Duo” in Bizet’s originalorchestral score. These parts are used in real live performances with symphonyorchestra's.
Duet "Au fond du temple saint" from Georges Bizet's opera "Les Pêcheurs de Perles"
2 Trompettes (duo)

$7.90 6.74 € 2 Trompettes (duo) PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet

$14.95 12.75 € PDF SheetMusicPlus

Contrabassoon,Instrumental Solo - Digital Download SKU: A0.486136 Composed by Matthew Nunes. Classical,Contemporary. Individual part. 6 pages. Matthew Nunes Music #104577. Published by Matthew Nunes Music (A0.486136). As a composer who plays the euphonium I often find that my peers and I are victims of the misconception that bass instruments are not capable of agility, grace, or, in some cases, musicality. Au contraire! While the standard is to teach bass instruments to support the “more able†ones we are more than capable. I was finally given the exigency to write a work disproving these thoughts when contrabassoon enthusiast Kristen Lichtenthal said I should write a work for her instrument. This work has two basic ideas: the first is to display the virtuosity capable of a contrabassoon, the second is to offer a light-hearted touch to an instrument typically brought in for more serious-natured works. Although this work was originally intended for contrabassoon but I have no qualms about it being performed on bassoon. - Matthew Nunes Orlando, April 2014.
Au Contraire! for Contrabassoon (or Bassoon)

$4.99 4.26 € PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.939131 Composed by Hector Berlioz. Arranged by Nathan Austin. Romantic Period. Score and parts. 40 pages. Nathan Austin #3483569. Published by Nathan Austin (A0.939131). The thrilling penultimate movement to Berlioz 'Symphonie Fantastique': March au supplice arranged for Chamber/String Orchestra. This piece is arranged so that almost all the harmonic and rhythmic parts are covered. The download includes A conductors score, Violin I, Violin II, Viola and Cello/Bass parts. Feel free to reprint practise and performance copies. The IVth movement of the (supposedly) opium fuelled programmatic work depicts the death of the main character in a dream as he cannot be with his beloved. As he is being processed towards the scaffold, hints of his love (the idée fixe) appear through the music. Towards the end of the piece, just before his death on the scaffold, he clearly sees his love (Violin solo with the idée fixe) before his head is sent rolling.2018 Chamber Music Contest Entry
Berlioz Symphonie Fantastique: Marche au supplice for Chamber Orchestra
Orchestre à Cordes

$4.50 3.84 € Orchestre à Cordes PDF SheetMusicPlus






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