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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download

SKU: A0.841356

Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356).

Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively.

Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich.

Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.


Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
Violoncelle, Contrebasse (duo)

$24.95 23.78 € Violoncelle, Contrebasse (duo) PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download

SKU: A0.1335323

Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323).

The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.

Variations on a Theme in D Flat
Orchestre d'harmonie

$10.00 9.53 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 1 - Digital Download

SKU: A0.770427

Composed by Friedrich Silcher. Arranged by Ivan Marini. Classical,Instructional. Score and parts. 42 pages. Www.dalsegno.eu #5221643. Published by www.dalsegno.eu (A0.770427).

Finally THE definitive transcription of this beloved round by Friedrich Silcher for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).

Forget about chorales and other warm-ups! Develope stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc.
Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.

Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:
Recorders (Sopranino, Soprano, Alto, Tenor, Bass)
Flutes (Piccolo, C flute, G Alto flute, C Bass flute)
Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)
Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)
Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)
Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C, Bb)
Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)
Low Brass (Trombone, Euphonium TC and BC, Tuba).

Duration ad lib. (about 45'' for the three entrances), 41 pages and foldable cover.

Feel free to contact me at info@dalsegno.eu for any other setting!
Please, check my other works at
www.sheetmusicplus.com/publishers/3025323
or visit
www.dalsegno.eu

WER GUTES TUT (Silcher) - Every combination of Winds Orchestre d'harmonie

$2.49 2.37 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 1 - Digital Download

SKU: A0.770351

Composed by Ivan Marini. Classical,Instructional,Sacred. Score and parts. 42 pages. Www.dalsegno.eu #3580247. Published by www.dalsegno.eu (A0.770351).

Easy round inspired by Wolfgang Amadeus Mozart for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).

Forget about chorales and other warm-ups! Develope stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc.
Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.

Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:
- Recorders (Sopranino, Soprano, Alto, Tenor, Bass)
- Flutes (Piccolo, C flute, G Alto flute, C Bass flute)
- Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)
- Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)
- Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)
- Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C, Bb)
- Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)
- Low Brass (Trombone, Euphonium TC and BC, Tuba).

Duration ad lib. (min. 1 minute for the three entrances), 41 pages and foldable cover.

Feel free to contact me at info@dalsegno.eu for any other setting!
Please, check my other works at
www.sheetmusicplus.com/publishers/3025323
or visit
www.dalsegno.eu

Kind of Mozart - Every combination of Winds Orchestre d'harmonie

$2.49 2.37 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 1 - Digital Download

SKU: A0.770357

Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Instructional. Score and parts. 42 pages. Www.dalsegno.eu #3820009. Published by www.dalsegno.eu (A0.770357).

Finally THE definitive transcription of this beloved round by Wolfgang Amadeus Mozart for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).

Forget about chorales and other warm-ups! You can develop stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc.
Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.

Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:
Recorders (Sopranino, Soprano, Alto, Tenor, Bass)
Flutes (Piccolo, C flute, G Alto flute, C Bass flute)
Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)
Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)
Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)
Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C and Bb)
Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)
Low Brass (Trombone, Baritone/Euphonium TC and BC, Tuba).

Duration ad lib. (min. 1'20'' for the six entrances), 41 pages and foldable cover.

Feel free to contact me at info@dalsegno.eu for any other setting!
Please, check my other works at
www.sheetmusicplus.com/publishers/3025323
or visit
www.dalsegno.eu

Wo der perlende Wein... (Mozart) - Every combination of Winds Orchestre d'harmonie

$2.49 2.37 € Orchestre d'harmonie PDF SheetMusicPlus






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