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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.1079571 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Matt Arnett. Pop. Octavo. 7 pages. Matt Arnett Music #683749. Published by Matt Arnett Music (A0.1079571). Another solid title from Bruno Mars, Middle School students love this piece! If you've worked with them, you know that they love heartache and broken relationships, so this song definitely delivers. I kept this one very simple and it was just fun. Students really like and find accessible the easy alto harmonies throughout. There's definitely more of an opportunity to learn about dynamics and have a powerful moment in this piece than in most pop music, but make sure you have a big drop before the third verse - students love the feeling it gives them. The piece is also notated in cut time with swung eighths, so there are opportunities to teach some more complicated metric principles as well, though you can also easily ignore those details and keep it simple for a young group. The piano part is kept very simple throughout.
When I Was Your Man
Chorale 2 parties
Bruno Mars
$1.99 1.7 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873031 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 7 pages. Sally Whitwell #3869011. Published by Sally Whitwell (A0.873031). Composer’s Note - Treasure ChestI w​as commissioned by the Canberra International Music Festival in 2016 to write a work for children’s chorus. The concert was a Mothers’ Day event, sponsored by a couple of local boutique chocolatiers, so the works on the program were all chocolate and coffee themed, including J S Bach’s Coffee Cantata and a bunch of songs from Charlie and the Chocolate Factory. The festival’s Artistic Director Roland Peelman asked me if I could write a new piece on this theme.So I got thinking about chocolate and about Mothers’ Day and about how when you’re a little kid and have no earnings, you still give your mum a present for her special day (that is, your dad pays for it and you sign the card!). And if it’s chocolate, you might give her ​your​ favourite chocolate instead of ​hers,​ and all you are really waiting for is for her to offer you one. When I was a child, I always used to think of chocolate boxes as treasure chests, full of shining precious things only consumed on very special occasions. Because they were such a rarity, you really had to savour each sweet taste and gooey texture. I​ â€™m sure from this song, you’ll be able to tell that I am a big sweet tooth!-- Sally Whitwell
Treasure Chest (a chocolate song)
Chorale 2 parties

$1.99 1.7 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.903534 By Peter Paul and Mary. By Traditional. Arranged by Kim Kirkman. Folk,Traditional. Octavo. 6 pages. Kim Kirkman #509660. Published by Kim Kirkman (A0.903534). Stewball was a racehorse - really wonderful folk song This arrangement has harmony, key change and a canonic section. Works really well Lyrics: Oh Stewball was a racehorse, and I wish he were mine. He never drank water, he always drank wine. His bridle was silver, his main it was gold. And the worth of his saddle has never been told. Oh the fairgrounds were crowded, and Stewball was there But the betting was heavy on the bay and the mare. And a-way up yonder, ahead of them all, Came a-prancin' and a-dancin' my noble Stewball. I bet on the grey mare, I bet on the bay If I'd have bet on ol' Stewball, I'd be a free man today. Oh the hoot owl, she hollers, and the turtle dove moans. I'm a poor boy in trouble, I'm a long way from home. Oh Stewball was a racehorse, and I wish he were mine. He never drank water, he always drank wine.
Stewball for two-part choir
Chorale 2 parties
Peter Paul and Mary
$1.99 1.7 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (SA) - Digital Download SKU: A0.873032 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 6 pages. Sally Whitwell #3869015. Published by Sally Whitwell (A0.873032). Composer’s Note - DaybreakDuring the Winter of 2016, I journeyed to my hometown Canberra for a job interview and audition. It was for the head of the new Music Academy at Canberra Girls Grammar School, my old school. Which was kind of weird. As part of my specifically designed interview/audition experience, I was required to run a composition workshop, and this song D​aybreak ​is the result of that.It was an odd experience to return to the scenes of my youth, to see how much everything had changed. So many new buildings, so many of the old buildings repurposed, so many more opportunities afforded to the girls at the school now than we could ever have dreamed in the late 80s and early 90s. It was pretty early in the morning when I arrived, the winter mist just beginning to clear to one of those perfect sunny cold Canberra days. The school is directly down the road from Parliament House, and as the mist cleared to reveal that magnificent flagpole above the treetops surrounding the school, I decided that the joy and optimism of a new day would be the perfect subject for our composing collaboration.The girls were very generous with their ideas. The song was finished within a few days and I sent it back to the school. I ​think​ they liked it? It was hard to tell from their response. I didn’t get the job. (No surprise to me, as I have almost never been successful at auditions and job interviews. Fortunately people just know my work, ask me to do stuff, and I just say yes. Haha.) But I’m a big believer in creativity as a way of healing. I still really like our song we wrote, those lovely girls and I, so I am releasing it into the wild.
Daybreak
Chorale 2 parties

$1.99 1.7 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir,Choral,SA Chorus - Level 3 - Digital Download SKU: A0.1450008 Composed by Erik Meyer. 21st Century,Children,Classical. 3 pages. Erik Meyer #942615. Published by Erik Meyer (A0.1450008). James Weldon Johnson's poem, The Gift to Sing, set for SA choir by Erik MeyerThis piece encourages singers (especially young ones) to find their own musical voice! It sets Johnson's introspective text about the quiet healing power of music, interspersed with sections for musical improvisation. Singers are welcome to create their own melody while the piano continues to play harmonically. Every voice's heartfelt contribution is valuable and beautiful.I wrote this piece because throughout my career as a choir director, many of my singers have been told me I can't really sing, or so-and-so told me not to sing loud because I'm not good, or I can't improvise, etc. I want this piece to help bring out everyone's voice - no matter what you have been told in the past, you CAN sing, and more than that, I bet you can improvise! I hope this setting will help singers love their voice.
The Gift to Sing (SA)
Chorale 2 parties

$1.99 1.7 € Chorale 2 parties PDF SheetMusicPlus

Chorus - Digital Download SKU: AX.00-PO-0002259 Let's Call the Whole Thing Off - 2-Part. Composed by George Gershwin and Ira Gershwin. Arranged by Russell L. Robinson. Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0002259. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002259). UPC: 038081294162.Here's a light, swinging arrangement of a cute George and Ira Gershwin song that's ideal for any age choir. High school groups can sink their teeth into it, middle school groups can really make music with it, and elementary groups can just have fun with it. The clever lyrics (you say ee-ther and I say eye-ther) are the focus of this piece. Great for jazz/pop groups, too.Inst. Parts Available (choral); Recorded Acc. Available.
Let's Call the Whole Thing Off
Chorale 2 parties

$2.25 1.92 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.774771 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #6021503. Published by Sandra Milliken (A0.774771). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.
Ebony And Ivory
Chorale 2 parties
Paul Mccartney W/Stevie Wonder
$2.20 1.88 € Chorale 2 parties PDF SheetMusicPlus






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