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Choral Choir (SA) - Level 2 - Digital Download

SKU: A0.877667

Composed by Samuel Micah Hunter. Christian,Christmas,Sacred. Octavo. 6 pages. Samuel Hunter #3417579. Published by Samuel Hunter (A0.877667).

A simple and beautiful song for your treble or women's choir, Winter Music is largely unison, with simple Soprano-Alto splits at the ends of phrases.  Lovely vocal lines interact with a colorful and varied piano accompaniment as simple visions of winter scenery transform into the biblical message of peace on earth and the message of Jesus' birth.  Text in English and short pieces of familiar Latin texts make this a wonderful teaching piece.  Sure to be a new favorite for your young or beginning choir, you will find much to enjoy in this lovely new piece by Samuel M. Hunter.

Winter Music
Chorale 2 parties

$2.50 2.24 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (SA) - Level 3 - Digital Download

SKU: A0.970729

Composed by Mike Strand. Christian,Spiritual. Octavo. 7 pages. Michael M. Strand #4833643. Published by Michael M. Strand (A0.970729).

by Mike Strand, ASCAP 

I composed this sacred music to honor my first wife, Linda, soon after she died in 2004.  It’s for two singers, soprano and alto -- or a choir of sopranos and altos -- with piano accompaniment.  Appropriate instruments might take the place of soprano and alto – e.g. flute and violin.

 The lyrics are based on this prayer:

Be silent, still, aware.  For there, in our own heart, the Spirit is at prayer.  Listen and learn, open and find, heart wisdom:  Christ!

 In the audio sample, you’ll hear the voices without the words.

 


In Our Own Heart
Chorale 2 parties

$4.00 3.59 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir,Choral (2-Part) - Level 2 - Digital Download

SKU: A0.1360939

Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945424. Published by Vocal Works (A0.1360939).

Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...

Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.

The Passionate Shepherd & The Nymph's Reply for 2-part Choir & Piano (optional Renaissance Guitar) Chorale 2 parties

$2.49 2.23 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir,Choral (2-Part) - Level 2 - Digital Download

SKU: A0.1360949

Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945433. Published by Vocal Works (A0.1360949).

Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...

Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.

The Passionate Shepherd & The Nymph's Reply for SB Choir & Piano (optional Renaissance Guitar) Chorale 2 parties

$2.49 2.23 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (2-Part) - Level 2 - Digital Download

SKU: A0.1271776

Composed by Bebe Rexha, Christopher Tempest, David Saint Fleur, Nick Black, and Samuel James Zammarelli. Arranged by Julian Hay. A Cappella,Children,Contemporary,Pop. Octavo. 5 pages. Julian Hay #864130. Published by Julian Hay (A0.1271776).

This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy, for one of our Kids Ensemble. It is fun and catchy, and an extended arrangement has also been performed by our Adult Classes (SATB). 


VOCAL LAYOUT:

The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. The Vocal Percussion (Beatboxing) should be a feature, and they provide the arrangement with much of the groove and vibe it needs.

The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Mmm's / Dmm's, etc).

RHYTHM & BASS:


This Beatboxing part is suitable for beginners, and is made up of groupings of patterns. Specific Beatboxing notes are included in their own section.

If your ensemble is without a low bass or a beatboxer you could consider the following options.

- Use electric bass guitar playing the bass part

- Use a drum kit or drum box (Cajon)

- Use a piano to provide some simple background accompaniment

If using clicks or claps, do so on the off beats (2 and 4).

PERSONAL ASSISTANCE:

If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:

E.  hello@voicesco.nz

W.  www.voicesco.nz.

Beautiful Life
Chorale 2 parties

$1.99 1.78 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (SA) - Level 3 - Digital Download

SKU: A0.873034

Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034).

Composer’s Note - Happy Place

I’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.

I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.

To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...

I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​

-- Sally Whitwell

Happy Place
Chorale 2 parties

$1.99 1.78 € Chorale 2 parties PDF SheetMusicPlus






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