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Choral Choir (SA) - Level 1 - Digital Download

SKU: A0.956045

Composed by Teresa OConnell (BMI). Children,Pop. Octavo. 9 pages. Teresa O'Connell (BMI) #5774105. Published by Teresa O'Connell (BMI) (A0.956045).

No Snow! is a fun, surfer-beat song (with hints of the Beach Boys' sound) for music classes and choirs from warm climates.  I want to build a snowman, but it's way too warm.  There's no chance for us to have a blizzard.  I want to build a snowman, but it's way too warm.  Every kid deserves to have some winter.  The temperature is rising.  I really, really need the snow! Where I live, it never gets very cold. I wear shorts and flip flops all year long!  Easy to learn and fun to sing, No Snow! is perfect for props, simple moves, and optional solos.  The Digital Backing Track is available on sheetmusicplus.com (item #SO.799839). Your students will love this one!  NOTE:  THIS SONG HAS THE SAME MELODY AS THE NO SNOW BLUES BY Teresa OConnell, WHICH IS A BLUES SONG.

No Snow! Two-Part Voices
Chorale 2 parties

$2.75 2.6 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (SA) - Level 2 - Digital Download

SKU: A0.969157

Composed by Martha Hill Duncan. Contemporary. Octavo. 7 pages. Martha Hill Duncan #6132975. Published by Martha Hill Duncan (A0.969157).

Maple Dust

The town is bright, it is the trees

With all the red and yellow leaves.

They swirl around like fairy dust

And top the ground with golden crust.

The wind is cruel, it takes the leaves

To far-off places in their dreams,

But where they go, it’s far from home,

And now the leaves are all alone.

In my mind I wish to keep,

The memory of fall so deep,

The beauty of its golden leaves

That flutter softly to the eaves.

© 2007 Airlie Clarke

My niece wrote this poem as a young girl when inspired by autumn in Ancaster, Ontario. The poetry resurfaced many years later in her late grandmother’s treasured possessions. 2012, Martha Hill Duncan

Solo vocal version was Winner of 2009 CFMTA Vocal Writing Competition

Maple Dust for SA and piano by Martha Hill Duncan, Poetry by Airlie Clarke
Chorale 2 parties

$2.14 2.03 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (SA) - Level 3 - Digital Download

SKU: A0.510158

Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Rock. Octavo. 7 pages. Glyn Lehmann #3507411. Published by Glyn Lehmann (A0.510158).

The final song from SPACE RACE - a song-cycle celebrating the 50th anniversary of the moon landing on 20 July 1969. Other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and The Children of the World (July 1969). More information at songlibrary.net/Space-Race

The Apollo 11 mission was the culmination of years of dedication and experimentation in the attempt to land a man on the moon. This song traces the tense journey back home to Earth made by the Apollo 11 astronauts as they leave the moon's surface - ultimately returning as heroes.

The subdued drama of the verses climaxes with the gospel-influenced triumph of the choruses.

https://youtu.be/oAUjyzccdhM

More SPACE RACE song-cycle songs on SheetMusicPlus

1. Gagarin https://www.sheetmusicplus.com/title/gagarin-beyond-blue-sky-digital-sheet-music/20728438?ac=1

2. Space Race https://www.sheetmusicplus.com/title/space-race-to-every-question-digital-sheet-music/20728434?ac=1

3. The Children of the World https://www.sheetmusicplus.com/title/the-children-of-the-world-july-1969-digital-sheet-music/2072843.......

4. Apollo 11 (Homecoming) https://www.sheetmusicplus.com/title/apollo-11-homecoming-digital-sheet-music/20728440?ac=1

Apollo 11 (Homecoming)
Words by Phil Cummings, Music by Glyn Lehmann

Verse 1
Time to leave Tranquillity Base
For the finish line the end of the race
Moon-dusted suits, deep black skies
On a dark horizon see Earth rise
A cargo of rocks, soil and dust
Strapped in the module, feel the thrust

Chorus 1
After days and days of being alone
The astronauts were coming home
They were coming home
After days and days of being alone
The astronauts were coming home
They were coming home

Verse 2
The module falls, the angle is right
And the heat shield is burning bright

Interlude
Radio silence into the atmosphere
No voice of calm, no voices to hear
Those that wait on the ground
Hold their breath, don’t make a sound
Then from the silence a voice is clear
Calling for the world to hear
Control room erupts with shouts and cheers
High in the sky the module appears

Chorus 2
This is the homecoming, this the homecoming
Those brave men are coming, coming home
After days and days of being alone
The astronauts were coming home
They were coming home
After days and days of being alone
The astronauts were coming home
They were coming home

Coda
Home, they were home
Our home

Lyrics © 2018 Phil Cummings

Apollo 11 (Homecoming) Chorale 2 parties

$2.50 2.37 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir,Choral (TB) - Level 3 - Digital Download

SKU: A0.1346467

Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period. 8 pages. Tully Road Music #931253. Published by Tully Road Music (A0.1346467).

Die Forelle (D. 550, Op. 32) is among Schubert’s early contributions to the genre of the Lied, a 19th-century German art song for solo voice and piano. Schubert composed over 600 Lieder, and although many of them became popular, Die Forelle was – and still is – one of the most widely recognized and performed. Composed in 1817, Die Forelle takes its text from a 1783 poem of the same name by Christian Friedrich Daniel Schubart. In it, a casual observer stands on the banks of a tranquil stream, admiring the movements of a “frisky†fish as it darts below the surface. The tone of the music changes when, to the observer’s horror, a fisherman puts an end to both his and the trout’s merriment by snagging the fish on his hook and reeling him in. In a final stanza which Schubert omits from his setting, we learn that Schubart’s poem is actually a metaphorical story intended to warn young women against the trickery of their young male suitors. As in Gretchen am Spinnrade and many other Lieder, Schubert “characterizes†the piano accompaniment, in this case through both the upward-winding sixteenth-note triplets representing the wriggling movements of a fish, and the abrupt shift towards agitated rhythms in measure 33 when the fish is hooked. The song gained such swift popularity that only two years after its composition in 1817, Schubert was commissioned to write an instrumental chamber work incorporating music from Die Forelle. The result was his Trout Quintet of 1819 (Piano Quintet in A Major, D. 667), the fourth movement of which is a set of variations on the Die Forelle tune.

This arrangement is also available for 3-part treble (SSA) voices published by Hal Leonard Corporation, 10500871.

Die Forelle
Chorale 2 parties

$2.50 2.37 € Chorale 2 parties PDF SheetMusicPlus






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