Two-part chorus - Digital Download SKU: C7.CGE13 Composed by Arr. Greg Gilpin. Arranged by Greg Gilpin. General. Sing! Octavo. 16 pages. Chorister's Guild - Digital #CGE13. Published by Chorister's Guild - Digital (C7.CGE13). UPC: 749193020975.Light and bright, with a creative bouncy accompaniment that adds some rhythmic surprises along the way, this marvelous setting of the traditional spiritual is a welcome addition to the repertoire for young and developing choirs. Full of dynamic contrasts, it also features nice textural contrasts, including unison lines, part-singing and some call and response.

2-part choir - Digital Download SKU: LX.15-1829H Composed by Bill Vollinger. Sing Out Series. Educational, Concert, General, Novelty. Octavo. 12 pages. Heritage Music Press #e15/1829H. Published by Heritage Music Press (LX.15-1829H). UPC: 000308069488.Features sneeze soloist; An amusing musical story of a student whose loud sneeze disrupts chorus class and becomes the soloist in Haydn's Surprise Symphony.

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.781290 Composed by Bill Fredricks and Hal Moore. Arranged by Joanna Mills. Children,Christmas,Contemporary,Holiday,Traditional. Octavo. 18 pages. Joanna Mills Music #3683441. Published by Joanna Mills Music (A0.781290). This 50's style arrangement of the Christmas favourite Must Be Santa by Joanna Mills is perfect for school choirs and women's choirs! Pitched in an accessible key, the two part arrangement is easy to learn, but is full of fun surprises that keep the song interesting! Call and response verses, rhythm and tune changes, and a fun walking bass-line will have your choir smiling and your audience clapping along. Perfect for your holiday concert! Range is A3 - E5. Approximate performance time is 3:20.

Choral 2-Part Chorus,Alto Voice,Choral,Piano,Soprano voice - Level 1 - Interactive Download SKU: A0.1494783 Composed by Traditional. This edition: Interactive Download. Christian,Christmas,Classical,Holiday. 9 pages. Duration 172. K.E.Mannhardt #4eQqbBBWqNobbDRs4Dj7mH. Published by K.E.Mannhardt (A0.1494783). Key: C major.This contemporary mashup of Joy the the World and Angels We Have Heard on High will have your group spreading the hope and joy of Christmas wherever it's sung! Vocally accessible but full of fun details and surprises!

Chorus - Digital Download SKU: AX.00-PO-0002184 Ave Maria - 2-Part. Composed by Giulio Caccini. Arranged by Patrick M. Liebergen. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0002184. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002184). UPC: 038081187082.This haunting melody has been recorded by everyone from Charlotte Church to Andrea Bocelli and no wonder: it's gorgeous. And the harmonies are lush, and unexpected for a 16th century piece. The voice writing is straightforward, with no surprises; Patrick Liebergen lets the beautiful melody and harmonies speak for themselves. The piano accompaniment is supportive and an optional flute part is included. The Ave Maria text makes it appropriate for school or church use, year round.Inst. Parts Available (choral).

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1135241 By Alan Silvestri. By Alan Silvestri and Glen Ballard. Arranged by B. Fleet. Broadway,Children,Christmas,Film/TV,Musical/Show,Pop. Octavo. 8 pages. Barbara Fleet #735285. Published by Barbara Fleet (A0.1135241). A very pretty little two part Christmas arrangement of a song from the Polar Express. This would suit a children's choir or ladies choir, though male voices could also sing this an octave lower. Nothing ridiculously high or low, so not difficult from that point of view, though there are some surprises in the timing at the end.

Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell

Choral Choir (SA) - Digital Download SKU: A0.873032 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 6 pages. Sally Whitwell #3869015. Published by Sally Whitwell (A0.873032). Composer’s Note - DaybreakDuring the Winter of 2016, I journeyed to my hometown Canberra for a job interview and audition. It was for the head of the new Music Academy at Canberra Girls Grammar School, my old school. Which was kind of weird. As part of my specifically designed interview/audition experience, I was required to run a composition workshop, and this song D​aybreak ​is the result of that.It was an odd experience to return to the scenes of my youth, to see how much everything had changed. So many new buildings, so many of the old buildings repurposed, so many more opportunities afforded to the girls at the school now than we could ever have dreamed in the late 80s and early 90s. It was pretty early in the morning when I arrived, the winter mist just beginning to clear to one of those perfect sunny cold Canberra days. The school is directly down the road from Parliament House, and as the mist cleared to reveal that magnificent flagpole above the treetops surrounding the school, I decided that the joy and optimism of a new day would be the perfect subject for our composing collaboration.The girls were very generous with their ideas. The song was finished within a few days and I sent it back to the school. I ​think​ they liked it? It was hard to tell from their response. I didn’t get the job. (No surprise to me, as I have almost never been successful at auditions and job interviews. Fortunately people just know my work, ask me to do stuff, and I just say yes. Haha.) But I’m a big believer in creativity as a way of healing. I still really like our song we wrote, those lovely girls and I, so I am releasing it into the wild.