Bassoon,Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1150431 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #750608. Published by Woods Only, Arrangements (A0.1150431). This arrangement adapted for clarinet and bassoon duet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.

Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.845046 Composed by Franz Liszt. Arranged by Phil Beaman. Concert,Graduation,Romantic Period,Sacred,Wedding. Score and parts. 7 pages. Phil Beaman #6104011. Published by Phil Beaman (A0.845046). L'Hymne du Pape was written in 1864 by the great Hungarian composer Franz Liszt. It was written in honor of Pope Pius IX who was the Pope at that time. Liszt himself was then living in a monastery outside of Rome and had recently take Orders. For about 10 years he was in the religious phase of his life where he wrote sacred music. This piece was written for piano solo, but Liszt liked it so much that he did a version for pipe organ and soon thereafter a version for piano duet and then for chorus and orchestra.  

Bassoon,Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1042667 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. 6 pages. Woods Only, Arrangements #647444. Published by Woods Only, Arrangements (A0.1042667). This easy arrangement for clarinet and bassoon duet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.

Bassoon,Clarinet,Instrumental Duet - Level 1 - Digital Download SKU: A0.1038535 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Classical,Wedding. 5 pages. Woods Only, Arrangements #643499. Published by Woods Only, Arrangements (A0.1038535). This easy arrangement for clarinet and bassoon duet was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.

Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.845071 Composed by Phil Beaman. 20th Century,Folk,Instructional,Jazz,Multicultural,World. Score and parts. 7 pages. Phil Beaman #6133011. Published by Phil Beaman (A0.845071). Pure fun! I took the stereotypical Russian folk dance theme, and then I jam on it! There are nine 8-bar sections in this theme and variations. I categorize it as Contemporary Classical because it fuses Classical, Baroque, Romantic, chromaticism, and lots of early jazz, all with a strong and vigorous Russian folk dance beat. Practicing your technique has never been so much fun; from mordents to syncopation with lots of varying articulation including staccato, slur, accents, and tenutos.  

Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.981382 Composed by Johann Sebastian Bach. Arranged by Bruno Cavalcante. Baroque,Concert,Instructional,World. Score and parts. 6 pages. Bruno Cavalcante #5749363. Published by Bruno Cavalcante (A0.981382). In Baroque music, the key of B minor had a melancholy quality. Bach reserved it for a few of his most impressive works, such as the Kyrie in the Mass in B minor. Bach composed his ‘French’ suites as a young man of thirty, when he was working at the court of Köthen. However, the suites have nothing to do with the court. Bach wrote them for teaching purposes in his own private circle. The first five appear in their original form in the little music book he compiled in 1722 for his second wife Anna Magdalena, possibly as a wedding present. But Bach continued to rework the pieces. The later versions, with the addition of a sixth suite, have survived thanks to the many copies made by his pupils. They are rewarding practice pieces that despite a certain compositional complexity (it is Bach, after all), do not make extreme demands on the player.