High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Music - Digital #Q20009. Published by Schott Music - Digital (S9.Q20009). Welsh.According to tradition, the Bard David lived in a house called Y Garreg Wen (The White Rock) in a remote situation in North Wales. He was commonly called by his Christian name followed by the name of his house, a common custom in Wales, and one which survives to the present day.Like many other Welsh Bards, David was also a harpist, and is reputed to have had his harp continually at his side. On his death-bed, he is supposed to have asked that his harp be once more placed in his hands in order that he might play just one more tune.The melody he played was afterwards called by his name Dafydd Y Garreg Wen (David of the White Rock), and this same melody was performed on a single Welsh harp at his funeral, as was his dying wish.The Welsh words were subsequently added by Ceiriog Hughes in the nineteenth century. Words and melody are now inseparably linked, and are together widely known and regarded as one of the most popular of Welsh Traditional Songs.Richard Bowen (1963).

High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364773. Published by Phil Beaman (A0.844444). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more.The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility.The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F.The accompaniment is a circling minimalist 2 chord ostinato for the entire piece.Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it.(4 pages, 3:45 minutes)

High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1247808 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 8 pages. Exultet Music #842363. Published by Exultet Music (A0.1247808). The Doxology or The Common Doxology that begins Praise God, from whom all blessings flow, has now been freshly arranged for a Vocal solo with Organ accompaniment.  Accessible and appropriate for any church setting.

High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1248716 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 9 pages. Exultet Music #843213. Published by Exultet Music (A0.1248716). The Doxology or The Common Doxology that begins Praise God, from whom all blessings flow, has now been freshly arranged for a Vocal solo, Brass Quartet with Organ accompaniment.  Accessible and appropriate for any church setting. Parts are NOT included.  Accompaniment package sold separately.  A Choir/Vocal score is also available.

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1012802 Composed by Gerald W. Gabbard. Contemporary,Sacred,Wedding. 9 pages. Gerald W. Gabbard #5361491. Published by Gerald W. Gabbard (A0.1012802). A song for high voice and piano using text from the Episcopal Book of Common Prayer (1979). Written on the occasion of the composer's brother's wedding in 2001. Alternate text suggested (loving couple), instead of just man and woman for an inclusive setting of this beautiful prayer.