High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,� “meek,� and “mild.� The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!�This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

(High Voice) - Digital Download SKU: HX.470854 By Frank Sinatra. Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470854).

(High Voice) - Interactive Download SKU: HX.457780 This edition: Interactive Download. Broadway,Jazz,Standards. Piano Vocal. 5 pages. Published by Hal Leonard - Digital (HX.457780).

High voice and piano - Medium - Digital Download SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. Published by E. C. Schirmer Music Company - Digital (MQ.8673-E). English.This text has been adapted from Mark Twain's The War Prayer, which he wrote in 1904-5 to protest America’s involvement in the Spanish-American War. His family convinced him to keep if from publication, fearing it was too controversial. Published after his death, Twain makes the case that if God causes all things to happen and blesses select people, then He must also, willingly, deny others his blessing. It is the other side of prayer, the unspoken side, which Twain so brilliantly characterized in The War Prayer. Duration 8:00.

High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.832134 Composed by Simon Walters. Folk,Pop. 9 pages. Simon Walters #5723215. Published by Simon Walters (A0.832134). A flowing pop/folk ballad for most female voices (A below middle C to C above middle C) asking a partner to open up.... if the relationship is to have a future...How many have been lost through lack of communication ?Keep nothing from me: it's no use keeping secrets, can't you see?If we are to continue then we need to talk things through: keep nothing from me...Why can't you set me free....?

High Voice,Vocal Solo - Digital Download SKU: A0.962913 Composed by Sonny Rios. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 6 pages. Sonny Rios #4278099. Published by Sonny Rios (A0.962913). PEACE: A contemporary Christian song written and composed by Sonny Rios. It deals with how one can obtain lasting peace in a troublesome world through Jesus Christ. It’s for solo Medium High Voice and is in English. It has a range of D4-F5. The song may be sung in Christian services and religious concerts. The song has been registered with the US Copyright Office and ASCAP.  An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962900 Composed by Sonny Rios. Broadway,Contemporary,Film/TV,Musical/Show. 5 pages. Sonny Rios #3924885. Published by Sonny Rios (A0.962900). FLOW, RIVERS FLOW: A love-song by Sonny Rios in the classical crossover genre for solo High Voice. It is in English and its range is C#4-A5. This song may be sung in all sorts of venues, as well as UIL competitions. It has been registered with the US Copyright Office and ASCAP. The song may be obtained in a fully orchestrated accompaniment CD with and without English lead vocals by emailing: tenor@sonnyrios.com. And if you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962897 Composed by Sonny Rios. Concert,Contemporary,Holiday,Love,Opera,Wedding. 6 pages. Sonny Rios #3924621. Published by Sonny Rios (A0.962897). ASCOLTAMI: Ascoltami is an exciting love-duet, written and composed by Sonny Rios, in the classical crossover genre for High Voice (soprano and tenor). It’s in Italian and has a range of Eb4 – Bb5. The song has been registered with the US Copyright Office and ASCAP. It may be obtained in a fully orchestrated accompaniment CD with and without Italian lead vocals by emailing tenor@sonnyrios.com. And if you wish to record this song, you may obtain a license by emailing tenor@sonnyrios.com for details.  

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,� from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small� is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding� (erroneously labeled “simplified� on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1077436 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #681625. Published by Jubal's Lyre Music Publishers (A0.1077436). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for High Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for Medium-High Voice (D major), Medium Voice (C major), Medium-Low Voice (Bb major), and Low Voice (A major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.

High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.962905 Composed by R.E. Hudson. Arranged by Sonny Rios. Christian,Gospel,Praise & Worship,Sacred. 6 pages. Sonny Rios #4277077. Published by Sonny Rios (A0.962905). AT THE CROSS: This popular public domain song, composed by R.E. Hudson and written by Isaac Watts, has been masterfully arranged by Sonny Rios for solo High Voice. The lyrics, in this arrangement, are in English, Spanish and Cherokee, and are a testimony of how one came to Christ for salvation. The song is ideal for Christian services, as well as religious and secular concerts. It has a range of Eb4-Bb5. This arrangement has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com.  If you wish to record this arrangement, please obtain a license by emailing: tenor@sonnyrios.com.