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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868646 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #4366412. Published by Really Good Music, LLC. (A0.868646). Così, Amor, mi fai languir is an aria from the opera La forza dell'amor paterno (1678), composed by Alessandro STRADELLA (1639 – 1682). It has been arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in D minor (F4 – G5) for high voice.
STRADELLA Alessandro: Così, Amor, mi fai languir, aria from the opera "La forza dell'amor paterno",
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868647 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #4366410. Published by Really Good Music, LLC. (A0.868647). Così, Amor, mi fai languir is an aria from the opera La forza dell'amor paterno (1678), composed by Alessandro STRADELLA (1639 – 1682). It has been arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in C minor (Eb4 – F5) for high voice.
STRADELLA Alessandro: Così, Amor, mi fai languir, aria from the opera "La forza dell'amor paterno",
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$5.95 5.22 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868772 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580879. Published by Really Good Music, LLC. (A0.868772). Peno languisco è moro is an aria from Solo cantata IV Credete voi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A minor (G#4 – G5) for high voice.
CAVALLI Francesco: Peno languisco è moro, aria from the cantata, arranged for Voice and Piano (A mi
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868968 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5372531. Published by Really Good Music, LLC. (A0.868968). Quel tuo ciglio languidetto is an aria (Minuèt) from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (D4 – G5) for high voice.
VIVALDI Antonio: Quel tuo ciglio languidetto, an aria from the opera "Il Farnace", arranged for Voic
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
Ice! from Songs from the High Sierra
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