High Voice,Vocal Solo - Digital Download SKU: A0.989237 Composed by Mary Ann Joyce. Concert,Contemporary,Holiday. 6 pages. Mary Ann Joyce-Walter #6209109. Published by Mary Ann Joyce-Walter (A0.989237). The Sweetness, Edward Hirsch, poem.4 minutes.   Premiered at Voices Up: New Poems Sett to Music, Fordham University.2011.  Permission to set to music by poet.  A lover looks back at precious events that he/she and the beloved shared.  The delightful text has several scenes - tender, funny, sentimental - but always filled with The Sweetness..

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell. Christmas,Pop,Sacred,Spiritual. 8 pages. Creative Measures #4992825. Published by Creative Measures (A0.896322). For me-like many of you, I’m sure-this is my very favorite Christmas carol. And under normal circumstances it is probably the one that I’d least want to meddle with, as it is so simply sacred, just as it is. But for me this project began to mean a lot more than just meddling. I lay awake several nights in a row, imagining the holy scene, and myself standing there. What would I have felt, and done? What was my response to the babe in the manger? What could I possibly have to say? What does his birth mean for me?

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wedding. 4 pages. David Neff #801287. Published by David Neff (A0.1202547). This delicate and gentle Shaker tune from 1834 is appropriate for weddings, Maundy Thursday services, and any time we gather to celebrate love. There are several beautiful choral arrangements available, but I was unable to find any setting for solo voice and piano. This arrangement, available in three ranges, gives vocal soloists the opportunity to sing it as well.

High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868968 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5372531. Published by Really Good Music, LLC. (A0.868968). Quel tuo ciglio languidetto is an aria (Minuèt) from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (D4 – G5) for high voice.

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.577338 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Classical. 4 pages. David Warin Solomons #3663247. Published by David Warin Solomons (A0.577338). Words by Colonel Henry Heveningham (1651-1700), using the first few words from Shakespeare's Twelfth Night as a starting point. Henry Purcell made several settings of these words.

High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.989235 Composed by Mary Ann Joyce. 20th Century,Concert. 8 pages. Mary Ann Joyce-Walter #6208519. Published by Mary Ann Joyce-Walter (A0.989235). This poem by Silsbee is found in a book of her poems, Orioling.  The musical setting was first performed in 2006 in a program Women's Work at Weill Recital Hall, NYC where several of Silbee's poems, composed by women members of New York Women Composers were performed.

High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.