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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845948 Composed by Maria Thompson Corley. 20th Century,Concert,Contemporary. 20 pages. Maria Thompson Corley #6265255. Published by Maria Thompson Corley (A0.845948). These four songs were commissioned by Louise Toppin. The texts are by and about the composer's late brother, Terry (1963-88). The first, For Terry, has whole tone harmonies. Poem has a gospel/funk feel with a short moment of reggae. L'orangerie is distinctly French in its inspiration. The poignant final song, The Visitor, quotes Mendelssohn's Introduction and Rondo Capriccioso, which was the only piano piece Terry would play on request. He always stopped after the easy part. The text is based on a dream the composer had a few months after her brother's death.
For Terry--Four Songs
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
Does It Matter?
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High Voice,Vocal Solo - Digital Download SKU: A0.795761 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 3 pages. Maxence Lasserre-Engberts #5771955. Published by Maxence Lasserre-Engberts (A0.795761). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: F4 – G5 (1 ½ tones higher)
To brune Øjne [High Voice; Key: Bb]
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High Voice,Vocal Solo - Digital Download SKU: A0.795760 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 3 pages. Maxence Lasserre-Engberts #5771913. Published by Maxence Lasserre-Engberts (A0.795760). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: E4 – F#5 (1 tone higher)
To brune Øjne [High Voice; Key: A]
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High Voice,Vocal Solo - Digital Download SKU: A0.795763 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 5 pages. Maxence Lasserre-Engberts #5772005. Published by Maxence Lasserre-Engberts (A0.795763). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: D#4 - A5 (1 ½ tones higher)
Du fatter ej Bølgernes evige Gang [High Voice; Key: Am]
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High Voice,Vocal Solo - Digital Download SKU: A0.795774 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 5 pages. Maxence Lasserre-Engberts #5772147. Published by Maxence Lasserre-Engberts (A0.795774). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: D#4 - G5 (2 tones higher)
Min Tanke er et mægtigt Fjeld [High Voice; Key: Em]
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998870 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Robert A. Howard #6348473. Published by Robert A. Howard (A0.998870). This short song for soprano and piano sets a poem by Robert Browning. The work principally uses the octatonic scale in a series of scalic semiquaver figurations, mainly in the right hand of the piano part. They seek to depict the sense of panic in the protagonist Eurydice as she seeks to see the face of her beloved, Orpheus. The declamatory vocal line develops a small number of key phrases and motifs. Meanwhile, the left hand of the piano part provides rhythmic interplay and interjects with occasional staccato bare fifths and octaves. The piece is appropriate for most standards of solo female voice whilst the piano accompaniment is best suited to advanced players.
Eurydice to Orpheus
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