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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishing #3260171. Published by Cartecay River Music Publishing (A0.891175). GOD SO LOVED is a new rendering of John 3:16 from composer Richard Donn.  It features a lovely ascending melody with a descending bass line facilitating the harmonic structure.  The solo is very accessible with homophonic and gentle contrapuntal interplay in the instrumental parts.  An optional flute part adds just the right touch, making this a piece that you will return to time and again.  It is rated medium-easy.  Also available:  SATB (soprano solo, opt. flute, piano), Medium voice solo (opt. flute), and Low voice solo (opt. flute).
GOD SO LOVED (Solo for High Voice, optional flute)
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$4.95 4.23 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1171672 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Easter,Praise & Worship,Religious,Sacred. 4 pages. Daniel Carter #771951. Published by Daniel Carter (A0.1171672). With text adapted from Job 19:25-27, “I know that my Redeemer Lives,†Daniel Carter creates a vocal solo for high-range voice and piano that is reverent and memorable. Suitable for worship services and settings that focus on Easter, atonement, communion, sacrament, and other Christ-centered gatherings.  Sheet music for female/male vocal duet (medium-range voices and piano) and also medium-range solo voice and piano are available at www.danielcartermusic.com
When I Have Seen His Face (I Know That My Redeemer Lives)—High-Range Solo Voice and Piano
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Daniel Carter
$4.99 4.26 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #678546. Published by Daniel Carter (A0.1074256). John Leland’s descriptive and powerful text captivated Joshua Leavitt who composed a plaintive melody about the Savior’s pleading in our behalf on Judgement Day. This Appalachian folk hymn tune titled PLEADING SAVIOR was first published in “Christians Lyre†in 1830 in the Sacred Harp tradition. Arranged with a descriptive, emotive piano accompaniment that underscores the elegance and depth of the lamenting singer, the words conclude with a peaceful return to the Savior’s loving arms. Arranged for medium-range solo voice, high-range solo voice, and SSAA women’s chorus and piano available at danielcartermusic.com.
See How the Savior Stands a Pleading—High-Range Vocal Solo and Piano
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$4.99 4.26 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred,Spiritual. 9 pages. Daniel Carter #678826. Published by Daniel Carter (A0.1074551). John Newton penned the words to “Amazing Grace†around 1764 after he survived a near-death experience on a slave-trading ship that nearly capsized, after which he became a priest. His words were set to music by William Walker who composed the hymn tune NEW BRITAIN, first published in “Southern Harmony in 1847. The hymn is extremely influential in religious and folk music, crossing over successfully into secular music. One of the most recognizable and beloved songs in history, Daniel Carter’s setting has a traditional southern folk song feel. Arranged for solo voice, fiddle obbligato, and piano and is suitable for worship, devotionals, concert settings, and music recitals. The fiddle part is included on the last page of the score. Available for both high-range and medium-range vocal solo, fiddle, and piano at danielcartermusic.com.
Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
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Daniel Carter
$5.99 5.11 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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$7.74 6.61 € Voix haute PDF SheetMusicPlus


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