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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004579 Composed by Nicola Jane Buttigieg. Contemporary. 4 pages. Nicola Jane Buttigieg #3626381. Published by Nicola Jane Buttigieg (A0.1004579). 'They Glide, Like Phantoms' is a setting from the poem 'The Eve of St Agnes' by English Romantic poet John Keats (1795-1821). With a theatrical flavour, it is the fourth piece to appear in Bright Star: A Song Cycle on Poems by John Keats, a cycle of seven contemporary art songs for soprano voice and piano, capturing the drama of a some of Keats' most famous and alluring poems. Suitable for solo soprano recital or showcase performance, it was first performed at Keats House next to London's Hampstead Heath in 2011. Composed by Nicola Jane Buttigieg www.nicolajanebuttigieg.com.
They Glide, Like Phantoms Voix haute

$1.99 1.72 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment Voix haute
the stream and o'er the mead;
Gave thee clothing of delight, / Softest clothing, woolly, bright;
Gave thee such a tender voice, / Making all the vales rejoice?
Little lamb, who made thee? / Dost thou know who made thee?

Little lamb, I'll tell thee; / Little lamb, I'll tell thee:
He is called by thy name, / For He calls Himself a Lamb
He is meek, and He is mild, / He became a little child
$4.99 4.3 € Voix haute PDF SheetMusicPlus

High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Music - Digital #Q20009. Published by Schott Music - Digital (S9.Q20009). Welsh.According to tradition, the Bard David lived in a house called Y Garreg Wen (The White Rock) in a remote situation in North Wales. He was commonly called by his Christian name followed by the name of his house, a common custom in Wales, and one which survives to the present day.Like many other Welsh Bards, David was also a harpist, and is reputed to have had his harp continually at his side. On his death-bed, he is supposed to have asked that his harp be once more placed in his hands in order that he might play just one more tune.The melody he played was afterwards called by his name Dafydd Y Garreg Wen (David of the White Rock), and this same melody was performed on a single Welsh harp at his funeral, as was his dying wish.The Welsh words were subsequently added by Ceiriog Hughes in the nineteenth century. Words and melody are now inseparably linked, and are together widely known and regarded as one of the most popular of Welsh Traditional Songs.Richard Bowen (1963).
David of the White Rock Voix haute

$4.99 4.3 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key) Voix haute

$6.95 5.99 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key) Voix haute

$6.99 6.03 € Voix haute PDF SheetMusicPlus






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