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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868714 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4405110. Published by Really Good Music, LLC. (A0.868714). Pieta, mio caro bene is an aria from serenata L’Euleo festeggiante nel ritorno d’Alessandro Magno dall’Indie (1699), composed by Giovanni BONONCINI (1670 – 1747). It was realized from the manuscript and edited for voice and piano by Sergei Pichugin. Although being intended by composer for a tenor part, the aria is traditionally quite often performed by female voices. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E3 – G#4/E4 – G#5) for high voices. .
BONONCINI Giovanni: Pieta, mio caro bene, aria from the serenata, arranged for Voice and Piano (B mi
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$5.95 5.14 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1171672 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Easter,Praise & Worship,Religious,Sacred. 4 pages. Daniel Carter #771951. Published by Daniel Carter (A0.1171672). With text adapted from Job 19:25-27, “I know that my Redeemer Lives,†Daniel Carter creates a vocal solo for high-range voice and piano that is reverent and memorable. Suitable for worship services and settings that focus on Easter, atonement, communion, sacrament, and other Christ-centered gatherings.  Sheet music for female/male vocal duet (medium-range voices and piano) and also medium-range solo voice and piano are available at www.danielcartermusic.com
When I Have Seen His Face (I Know That My Redeemer Lives)—High-Range Solo Voice and Piano
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Daniel Carter
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.781063 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Contemporary,Jewish,Praise & Worship,Sacred. 12 pages. Cathy Stamegna #6661647. Published by Cathy Stamegna (A0.781063). Based on the Book of Wisdom 3:1-9. Appropriate for funerals, memorial services or as a vocal solo for competition, audition, or recital, this comforting passage from Wisdom stirs the heart:  …the souls of the just are in the hand of God, and no torment shall touch them…Because grace and mercy are with his holy ones, and God's care is with the elect. Graded on a higher level because of the vocal range and some larger vocal intervals.  Treble clef range:  C4-F5, yet accessible for male voices if sung an octave lower. Duration:  3:39.
The Souls of the Just - Vocal Solo (High/Medium Voice), Piano
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1077436 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #681625. Published by Jubal's Lyre Music Publishers (A0.1077436). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for High Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for Medium-High Voice (D major), Medium Voice (C major), Medium-Low Voice (Bb major), and Low Voice (A major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
Bist du bei mir (High Voice and Keyboard with Optional Instruments)
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Jubal's Lyre Music
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868797 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596607. Published by Really Good Music, LLC. (A0.868797). Se già ferma la costanza is an aria from Solo cantata VIII Ardea di nobil fiamma, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – G#5) for high voice.
CAVALLI Francesco: Se già ferma la costanza, aria from the cantata, arranged for Voice and Piano (A
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868800 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4596611. Published by Really Good Music, LLC. (A0.868800). Mi dicesti che disciolta is an aria from Solo cantata IX Dove sono, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (F4 – G5) for high voice.
CAVALLI Francesco: Mi dicesti che disciolta, aria from the cantata, arranged for Voice and Piano (D
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$5.95 5.14 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
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the stream and o'er the mead;
Gave thee clothing of delight, / Softest clothing, woolly, bright;
Gave thee such a tender voice, / Making all the vales rejoice?
Little lamb, who made thee? / Dost thou know who made thee?

Little lamb, I'll tell thee; / Little lamb, I'll tell thee:
He is called by thy name, / For He calls Himself a Lamb

He is meek, and He is mild, / He became a little child

$4.99 4.31 € Voix haute PDF SheetMusicPlus






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