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High Voice,Vocal Solo - Digital Download

SKU: A0.795774

Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 5 pages. Maxence Lasserre-Engberts #5772147. Published by Maxence Lasserre-Engberts (A0.795774).

Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.

1. To brune Øjne / Zwei braune Augen / Two Brown Eyes
2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart
3. Jeg elsker Dig! / Ich liebe dich / I Love You
4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-Crowned

This is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside.

Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off)

Range: D#4 - G5 (2 tones higher)
Min Tanke er et mægtigt Fjeld [High Voice; Key: Em]
Voix haute

$1.99 1.89 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download

SKU: A0.868773

Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4580883. Published by Really Good Music, LLC. (A0.868773).

Cor amante is an aria from Solo cantata IV Credete voi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the original key of F major (F4 – A5) for high voice.

CAVALLI Francesco: Cor amante, aria from the cantata, arranged for Voice and Piano (F major)
Voix haute

$5.95 5.66 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download

SKU: A0.868785

Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4580913. Published by Really Good Music, LLC. (A0.868785).

Sperar qualche mercè is an aria from Solo cantata VI Tu vaneggi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the original key of G minor (G4 – G5) for high voice.

CAVALLI Francesco: Sperar qualche mercè, aria from the cantata, arranged for Voice and Piano (G min
Voix haute

$5.95 5.66 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download

SKU: A0.868780

Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4580903. Published by Really Good Music, LLC. (A0.868780).

Tiranna mia is an aria from Solo cantata VI Tu vaneggi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the original key of C minor (G4 – G5) for high voice.

CAVALLI Francesco: Tiranna mia, aria from the cantata, arranged for Voice and Piano (C minor)
Voix haute

$5.95 5.66 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download

SKU: A0.868813

Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4596947. Published by Really Good Music, LLC. (A0.868813).

Scompagnata tortorella is an aria from Solo cantata XI Presso un fiume tranquillo, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the original key of A minor (E4 – G5) for high voice.

CAVALLI Francesco: Scompagnata tortorella, aria from the cantata, arranged for Voice and Piano (A mi
Voix haute

$5.95 5.66 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download

SKU: A0.868775

Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580887. Published by Really Good Music, LLC. (A0.868775).

Che pena, che duolo is an aria from Solo cantata V In duri lacci, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the original key of B minor (E4 – G#5) for high voice.

CAVALLI Francesco: Che pena, che duolo, aria from the cantata, arranged for Voice and Piano (B minor
Voix haute

$5.95 5.66 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download

SKU: A0.1141419

Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419).

William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.

The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€

This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.

Little lamb, who made thee? / Dost thou know who made thee,
Gave thee life, and bid thee feed / By the stream and o'er the mead;
Gave thee clothing of delight, / Softest clothing, woolly, bright;
Gave thee such a tender voice, / Making all the vales rejoice?
Little lamb, who made thee? / Dost thou know who made thee?

Little lamb, I'll tell thee; / Little lamb, I'll tell thee:
He is called by thy name, / For He calls Himself a Lamb.
He is meek, and He is mild, / He became a little child.
I a child, and thou a lamb, / We are called by His name.
Little lamb, God bless thee! / Little lamb, God bless thee!

Soprano range C4-G5; Tenor range C3-G4

©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment Voix haute
the stream and o'er the mead;
Gave thee clothing of delight, / Softest clothing, woolly, bright;
Gave thee such a tender voice, / Making all the vales rejoice?
Little lamb, who made thee? / Dost thou know who made thee?

Little lamb, I'll tell thee; / Little lamb, I'll tell thee:
He is called by thy name, / For He calls Himself a Lamb

He is meek, and He is mild, / He became a little child

$4.99 4.75 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download

SKU: A0.868798

Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596601. Published by Really Good Music, LLC. (A0.868798).

Vaga filli questo core is an aria from Solo cantata VIII Ardea di nobil fiamma, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the original key of A major (E4 – G#5) for high voice.

CAVALLI Francesco: Vaga filli questo core, aria from the cantata, arranged for Voice and Piano (A ma
Voix haute

$5.95 5.66 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download

SKU: A0.868818

Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596961. Published by Really Good Music, LLC. (A0.868818).

Sè la barbara mia sorte is an aria from Solo cantata XI Presso un fiume tranquillo, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the original key of A minor (G4 – G5) for high voice.

CAVALLI Francesco: Sè la barbara mia sorte, aria from the cantata, arranged for Voice and Piano (A
Voix haute

$5.95 5.66 € Voix haute PDF SheetMusicPlus


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