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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868714 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4405110. Published by Really Good Music, LLC. (A0.868714). Pieta, mio caro bene is an aria from serenata L’Euleo festeggiante nel ritorno d’Alessandro Magno dall’Indie (1699), composed by Giovanni BONONCINI (1670 – 1747). It was realized from the manuscript and edited for voice and piano by Sergei Pichugin. Although being intended by composer for a tenor part, the aria is traditionally quite often performed by female voices. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E3 – G#4/E4 – G#5) for high voices. .
BONONCINI Giovanni: Pieta, mio caro bene, aria from the serenata, arranged for Voice and Piano (B mi
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$5.95 5.09 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1171672 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Easter,Praise & Worship,Religious,Sacred. 4 pages. Daniel Carter #771951. Published by Daniel Carter (A0.1171672). With text adapted from Job 19:25-27, “I know that my Redeemer Lives,†Daniel Carter creates a vocal solo for high-range voice and piano that is reverent and memorable. Suitable for worship services and settings that focus on Easter, atonement, communion, sacrament, and other Christ-centered gatherings.  Sheet music for female/male vocal duet (medium-range voices and piano) and also medium-range solo voice and piano are available at www.danielcartermusic.com
When I Have Seen His Face (I Know That My Redeemer Lives)—High-Range Solo Voice and Piano
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Daniel Carter
$4.99 4.27 € Voix haute PDF SheetMusicPlus

High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
The Unquiet Grave from American Death Ballads (Downloadable)
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$3.50 2.99 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.925304 Composed by Utopian Dreascape Music (ASCAP). 20th Century,Concert,Contemporary. 5 pages. Utopian Dreascape Music (ASCAP) #4631361. Published by Utopian Dreascape Music (ASCAP) (A0.925304). An exquisitely crafted and achingly beautiful art song, this setting of Al alba venid buen amigo will add both a moment of stirring emotion and musical gravitas to any vocal recital. Suitable for soprano or tenor voices, it offers the opportunity for the singer to explore a wide pitch and dynamic range with room for emotive phrasing. The accompaniment compliments and interweaves with the vocal giving the pianist a welcome exercise without being overbearing or distracting from the lyric line. Music prepared in duplex-ready formatting. Approx. 2'15 minutes in length. Music © 2018 Utopian Dreamscape Music (ASCAP).
Al alba venid, buen amigo
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$2.99 2.56 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.781063 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Contemporary,Jewish,Praise & Worship,Sacred. 12 pages. Cathy Stamegna #6661647. Published by Cathy Stamegna (A0.781063). Based on the Book of Wisdom 3:1-9. Appropriate for funerals, memorial services or as a vocal solo for competition, audition, or recital, this comforting passage from Wisdom stirs the heart:  …the souls of the just are in the hand of God, and no torment shall touch them…Because grace and mercy are with his holy ones, and God's care is with the elect. Graded on a higher level because of the vocal range and some larger vocal intervals.  Treble clef range:  C4-F5, yet accessible for male voices if sung an octave lower. Duration:  3:39.
The Souls of the Just - Vocal Solo (High/Medium Voice), Piano
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$4.99 4.27 € Voix haute PDF SheetMusicPlus






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