EUROPE
4407 articles
USA
12 articles
DIGITAL
18 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
18 partitions trouvées


High Voice,Vocal Solo - Level 5 - Digital Download

SKU: A0.730185

Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages. James Nathaniel Holland #370921. Published by James Nathaniel Holland (A0.730185).

Mariana's (Soprano) Aria When there is my mansion by the sea...
from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove
Music, Adaptation and Libretto by James Nathaniel Holland

Composer website:
http://www.lacoronadelossantos.net/jamesnathanielholland.html 
YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic 

A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.

Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.

Duration: 5:15
Range: C4 to C6

Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe Voix haute

$4.95 4.7 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Digital Download

SKU: A0.962917

Composed by J.C. Lowry. Arranged by Sonny Rios. Christian,Contemporary,Jewish,Sacred. 5 pages. Sonny Rios #4278121. Published by Sonny Rios (A0.962917).

WHEN I CAN READ MY TITLE CLEAR: This old public domain Christian song, by Isaac Watts and J.C. Lowry, has been arranged by Sonny Rios for solo High Voice. The song’s range is C4-A5 and is in English. The song speaks about a person’s final journey and arrival in his/her heavenly rest. The song may be used in Jewish or Christian services, concerts, and in funerals. This arrangement has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com.  If you wish to record this arrangement, please obtain a license by emailing: tenor@sonnyrios.com.






WHEN I CAN READ MY TITLE CLEAR
Voix haute

$5.99 5.69 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.790016

Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. 9 pages. Diamond S Music #3534827. Published by Diamond S Music (A0.790016).

JUST LIKE THAT from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal Solo and 8 piece arrangement. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux) - The Drums and Percussion can be played by the same player in this arrangement. Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun. 


https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Just Like That September 2011 Voix haute

$9.99 9.49 € Voix haute PDF SheetMusicPlus

High voice and piano - Moderately Difficult - Digital Download

SKU: MQ.8454-2E

Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E).

English.

American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.


The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.

Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful.

The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave.

The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'

Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.

The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute

$3.50 3.32 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 5 - Digital Download

SKU: A0.1327769

Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769).

The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.

This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.

The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.

While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!

Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
Voix haute

$6.95 6.6 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 5 - Digital Download

SKU: A0.1329064

Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064).

The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.

This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.

The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.

While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!

Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
Voix haute

$6.99 6.64 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download

SKU: A0.915900

Composed by Judy Lane. Christian,Praise & Worship,Sacred. 8 pages. Judy Lane Music #5996469. Published by Judy Lane Music (A0.915900).

Judy Lane's own words are used in this comforting and powerful song with a message. The song is for a solo performance at a praise and worship church service.

The song of the Angel came clear in the night.

Pray cease your worry and calm your fright.

Our Lord left his footprints as clear as the day.

Just follow them, follow them all of the way,

But Lord though I try hard, I stray from your path.

I slip when it's frosty and trip over stones.

The wind blows me sideways, the fog clouds my eyes.

Oh Lord I am lost, Lord I am lost, Lord I am lost.

When I woke the next morning the world seemed more clear.

Gone were my worries, more calm my fear.

Those footprints were shining the way seemed more clear

And the song of the Angel will forever with me stay.

Song Of The Angel
Voix haute

$4.99 4.74 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.784835

Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 30 pages. DF McCorkle Music and eBook Publications #11761. Published by DF McCorkle Music and eBook Publications (A0.784835).

ACT 2: Song 9. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:27… - And when the mourning was past, David sent and took her home to his house, and she became his wife,…] Calling BATHSHEBA to him, DAVID promises to make a change of heart and urges BATHSHEBA to stay [I Never Knew – David and Bathsheba]. They go off to David's bedroom and consummate their promise to make changes in their lives. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.

I Never Knew (King David and Bathsheba) from "The Kings" - ACT 2:Song 9
Voix haute

$2.99 2.84 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.1005648

Composed by Rudy Volkmann. Baroque,Christian,Concert,Instructional,Sacred. 4 pages. Rudy Volkmann #6116387. Published by Rudy Volkmann (A0.1005648).

A study in long notes, this Baroque-style aria study was initially composed for tenor John Miles after he came to Brnau College for a concert in the late 1970's.  Either a tenor or a soprano could use this piece to work on their long notes - it goes to dramatic high Bb, and has a simple piano part.  It's a great recital piece.  The piece eventually became number 5 of my 6 aria studies for trumpet and piano, as well as the basis for a larger work for brass quintet and organ.

When Darkness Fills Your Heart - aria study for Tenor or Soprano
Voix haute

$4.99 4.74 € Voix haute PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale