High Voice,Vocal Solo - Digital Download SKU: A0.1408838 Composed by Antoine Dard. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #991441. Published by Early Music Scores (A0.1408838). Voice and fluteAir léger. Composed by Antoine Dard (1715-1784). From Nouveaux principes de musique, A Paris : chez l'auteur, [s.d.]. Edited by Felipe Dias. 2 pages.

High Voice,Vocal Solo - Digital Download SKU: A0.1388455 Composed by Claudio Saracini. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #971994. Published by Early Music Scores (A0.1388455). Voice and continuoComposed by Claudio Saracini (1586-1630) . From Le Terze Musiche, Venezia, 1620. Edited by Felipe Dias. 1 page.

Composed by Marques L. A. Garrett. Score. 3 pages. Oxford University Press Digital #9780193560512. Published by Oxford University Press Digital

High Voice,Vocal Solo - Digital Download SKU: A0.1092172 Composed by Jean-Baptiste de Bousset. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #696291. Published by Early Music Scores (A0.1092172). Voice and continuo: Parodie spirituelle of Pouquoy doux Rossignols composed by Jean-Baptiste Drouard de Bousset. Music from XIVme Livre d'Airs Sérieux et à Boire, 1698; Text from Nouveau Recueil de Cantiques Spirituels a l'usage des missions et catechismes, Lyon, 1740. 2 pages.

High Voice,Vocal Solo - Digital Download SKU: A0.1408839 Composed by Antoine Dard. Arranged by Early Music Scores. Baroque. 3 pages. Early Music Scores #991442. Published by Early Music Scores (A0.1408839). Voice and fluteMusette. Composed by Antoine Dard (1715-1784). From Nouveaux principes de musique, A Paris : chez l'auteur, [s.d.]. Edited by Felipe Dias. 3 pages.

High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.628690 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred,Standards. 8 pages. Exultet Music #6206997. Published by Exultet Music (A0.628690). (French: Cantique de Noël) One of the most popular and beloved Christmas carols ever written has now been freshly arranged for a Vocal solo with Piano accompaniment. Accessible for all levels of playing and can be easily used in any church or concert setting. An accompaniment track is also available.

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845948 Composed by Maria Thompson Corley. 20th Century,Concert,Contemporary. 20 pages. Maria Thompson Corley #6265255. Published by Maria Thompson Corley (A0.845948). These four songs were commissioned by Louise Toppin. The texts are by and about the composer's late brother, Terry (1963-88). The first, For Terry, has whole tone harmonies. Poem has a gospel/funk feel with a short moment of reggae. L'orangerie is distinctly French in its inspiration. The poignant final song, The Visitor, quotes Mendelssohn's Introduction and Rondo Capriccioso, which was the only piano piece Terry would play on request. He always stopped after the easy part. The text is based on a dream the composer had a few months after her brother's death.

High Voice,Vocal Solo - Digital Download SKU: A0.791574 Composed by Anonymous. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #5298267. Published by Early Music Scores (A0.791574). Voice and continuoComposed by Anonymous. Baroque period. From Brunetes, ou, Petits airs tendres, avec les doubles et la basse-continue : mélées de chansons a danser. Publication: A Paris: chez Christophe Ballard, 1703. Edited by Felipe Dias. 2 pages.

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868714 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4405110. Published by Really Good Music, LLC. (A0.868714). Pieta, mio caro bene is an aria from serenata L’Euleo festeggiante nel ritorno d’Alessandro Magno dall’Indie (1699), composed by Giovanni BONONCINI (1670 – 1747). It was realized from the manuscript and edited for voice and piano by Sergei Pichugin. Although being intended by composer for a tenor part, the aria is traditionally quite often performed by female voices. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E3 – G#4/E4 – G#5) for high voices. .