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Flute,Harp,Instrumental Duet - Level 1 - Digital Download SKU: A0.1123374 Composed by Mykhailo Verbytsky, 1863. Arranged by James M. Guthrie. Chamber,Historic,Multicultural,Patriotic,World. 6 pages. Jmsgu3 #724179. Published by jmsgu3 (A0.1123374). Ukrainian National Anthem for Flute & Harp гімн України!The Ukrainian National Anthem is an anthem that was adopted by the Ukrainian government in 2003. It is based on the song “Shche ne vmerla Ukrayina†which was written by Pavlo Chubynsky in 1862. The song was written as a response to the Russian occupation of Ukraine. The song was very popular in Ukraine and is considered to be one of the most important symbols of Ukrainian identity.The lyrics of the anthem call for Ukraine to remain strong and united. The song speaks of the Ukrainian people's courage, resilience and patriotism. It also speaks of the beauty of the Ukrainian land and its people. The anthem is a call to action and a reminder of the importance of standing together to protect the freedom and independence of Ukraine. The anthem is a symbol of hope and strength for the Ukrainian people.
Ukrainian National Anthem for Flute & Harp
Harpe, Flûte (duo)

$19.95 17.12 € Harpe, Flûte (duo) PDF SheetMusicPlus

Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.924844 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 4 pages. Stanleymhoffman.com #3913599. Published by stanleymhoffman.com (A0.924844). This piece was composed for a call for scores for Vox Novus' 15 Minutes of Fame series. Although duoKYariaI did not choose to perform the piece, a charming miniature remains. The composer chose an Italian title for Tango Semplice, Malinconia, e Trionfante because it sounds better than Simple, Melancholy, and Triumphant Tango. :-) The music conveys these three moods in three ways: motivically, melodically, and harmonically, shifting from A Minor to C Major by way of a minor plagal cadence. A great miniature for recitals or concerts. 
Tango Semplice, Malinconia, e Trionfante
Harpe, Flûte (duo)

$2.00 1.72 € Harpe, Flûte (duo) PDF SheetMusicPlus

Instrumental Duet Bass Flute,Harp,Instrumental Duet - Digital Download SKU: A0.1098499 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702355. Published by jmsgu3 (A0.1098499). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Bass Flute & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
Pachelbel: Canon in D for Bass Flute & Harp
Harpe, Flûte (duo)

$32.95 28.27 € Harpe, Flûte (duo) PDF SheetMusicPlus

Instrumental Duet Alto Flute,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098488 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702344. Published by jmsgu3 (A0.1098488). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Alto Flute & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
Pachelbel: Canon in D for Alto Flute & Harp
Harpe, Flûte (duo)

$34.95 29.99 € Harpe, Flûte (duo) PDF SheetMusicPlus

Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552206 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Concert,Easter,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265633. Published by jmsgu3 (A0.552206). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
BACH: Wachet Auf BWV 140 for Flute & Harp
Harpe, Flûte (duo)

$24.95 21.41 € Harpe, Flûte (duo) PDF SheetMusicPlus

Small Ensemble Flute,Harp - Level 5 - Digital Download SKU: A0.912915 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 16 pages. Brandon Nelson #1998621. Published by Brandon Nelson (A0.912915). A great piece to show off the talents of mature flute and lever harp performers, this colorful character piece is appropriate for any recital or concert setting. Mannanàn mac Lir occupied several roles in the mythological universe of the Celtic peoples. Most notably, he was considered to be the god of the seas. He was also regarded as a psychopomp-that is, a figure associated with the realm of the dead, acting as a sort of veil between the worlds. In this work, I play on his connection to the sea by quoting the traditional Manx folk tune The Storm Is Up (Callin Veg Dhoan). The tune is developed through several permutations, each portraying a role Mannanàn played. Each movement is ushered to us by a psychopomp veil. With the Churl in the Drab Coat refers to Mannanàn’s association with the trickster figure Bodach an Chota Lachtna. The movement is erratic yet impishly playful. Mannanàn was also regarded as a sort of magician king. In that respect, he was given the role of Guardian of Mag Mell, a place that is comparable to the Nordic conception of Valhalla. Mag Mell was a plain of joy, a kingdom under the sea for a select few. Mannanàn protected this realm with the help of Fragarach, a sword which could slice through any armor and could compel anyone to tell the truth. This movement is bold and heavy in spirit, gradually becoming more dissonant as if portraying an ugly battle to defend this beautiful place. The final veil transports us to the end of times, a fading away of the once-great pantheon. That storm, as all must do, comes to a quiet, peaceful end. Learn more about me at bnelsonmusic.wordpress.com.
Mannanan mac Lir
Harpe, Flûte (duo)

$12.99 11.15 € Harpe, Flûte (duo) PDF SheetMusicPlus

Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.772371 Composed by Traditional Greek. Arranged by Amir Awad. Folk,Standards,World. Score and parts. 9 pages. Amir Awad #3395815. Published by Amir Awad (A0.772371). Sirtaki or syrtaki(Greek: συÏτάκι) is a popular dance of Greek originThe name sirtáki comes from the Greek word syrtos - from σÏÏω (τον χοÏÏŒ), which means drag (the dance) -, a common name for a group of traditional Cretan dances of so-called dragging style, as opposed to pidikhtos (πηδηχτός), a hopping or leaping style. Despite that, sirtaki incorporates both syrtos (in its slower part) and pidikhtós (in its faster part) elements.This Dance is arranged for Flute and Harp , it may be performed by Violin , Oboe , Clarinet in C and Piano .
Sirtaki : Traditional Greek Dance for Flute and Harp (or any instrument in C "Violin , Oboe " and "P
Harpe, Flûte (duo)

$2.00 1.72 € Harpe, Flûte (duo) PDF SheetMusicPlus






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