Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1124693 By Ruth B. By Ruth Berhe. Arranged by Logan Widmor. A Cappella,Pop. Octavo. 14 pages. Logan Widmor #725449. Published by Logan Widmor (A0.1124693). A Cappella arrangement of Dandelions by Ruth B for solo, SATB voices, and Vocal Percussion. If you have any questions, feel free to contact the arranger at lwidmusic@gmail.com.

Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1508471 By Ruth B. By Ruth Berhe. Arranged by Rob Redei. A Cappella. 9 pages. Rob Redei #1083721. Published by Rob Redei (A0.1508471).

Choral Choir (SATB) - Level 2 - Digital Download Composed by Traditional French Folk Song. Arranged by Laurie Betts Hughes. A Cappella, Christmas, Contemporary, Sacred. Octavo. 13 pages. Dandelion Music Press #3104061. Published by Dandelion Music Press

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver.  Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I.  Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrín Buí (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her.  They are offered together as alternate perspectives from potential romantic partners, and  features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II.  I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative:   1. hopes of the parent for the child   2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance   3. uncertainty over who is nurturing who: does the child now sing to comfort the parent?     4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII.  The Drummer- An energetic reel,  a combination of Maidin Fhómhair, nó Cailín Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I.  Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrín Buí (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her.  They are offered together as alternate perspectives from potential romantic partners, and  features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II.  I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative:   1. hopes of the parent for the child   2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance   3. uncertainty over who is nurturing who: does the child now sing to comfort the parent?     4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III.  The Drummer- An energetic reel,  a combination of Maidin Fhómhair, nó Cailín Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I.  Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrín Buí (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her.  They are offered together as alternate perspectives from potential romantic partners, and  features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II.  I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative:   1. hopes of the parent for the child   2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance   3. uncertainty over who is nurturing who: does the child now sing to comfort the parent?     4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III.  The Drummer- An energetic reel,  a combination of Maidin Fhómhair, nó Cailín Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages. Dandelion Music Press #3103589. Published by Dandelion Music Press (A0.891191). An ideal SATB choice for Middle School/early High School changing voice and developing ensembles of all ages, this boy-friendly accompanied concert arrangement explores the cambiata voice, male vocal registers, and encourages enthusiastic use of the falsetto and upper range through the use of an appealing yodel. Ask your choristers to bring their guitars, ukuleles, mandolins, and banjos and strum along!Conceived using the SA(T)B concept (http://www.dandavisonmusic.com/what-is-satb.html) and also available in Two-Part Treble and Unison voicings, Git Along Little Dogies is a traditional American cowboy ballad.  The melody and lyrics were first published in 1910 in John Lomax's Cowboy Songs and Other Frontier Ballads, though the song has existed long before publication in the anonymous aural tradition of folk music. Since selling cattle was quite profitable, a crew of cowboys drove a herd, particularly from Texas, to railheads where they would be loaded into railcars and shipped cross-country to get the best price at market. Cowboys watched the cattle 24 hours a day, herding them in the proper direction in the daytime and watching them at night to prevent stampedes and deter theft.  Around the campfire, cowboys sang of life on the trail with all the challenges, hardships, and dangers encountered along the way.E. C. Teddy Blue Abbott, honored in the Montana Cowboy Hall of Fame, explains The singing was supposed to soothe the cattle and it did... The two men on guard would circle around with their horses on a walk, if it was a clear night and the cattle was bedded down and quiet, and one man would sing a verse of a song, and his partner on the other side of the herd would sing another verse; and you'd go through a whole song that way.Notable performances: 2016 Idaho Middle School All-State Choir, inaugural year | 2016 Northshore 6th Grade Honor Choir, boys2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com 

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891218 Composed by Antonio Vivaldi. Arranged by Laurie Betts Hughes. A Cappella,Baroque,Christmas,Sacred. Octavo. 5 pages. Dandelion Music Press #3362717. Published by Dandelion Music Press (A0.891218). This arrangement of Vivaldi's 'Winter' was written for a cappella small ensemble, in the hope to balance a heavily sacred Baroque concert in December 2017.The text offered is the Kyrie and Gloria from the ordinary mass, which has become a sort of blank canvas for composers to creatively express their individuality, or in this case, to translate instrumental textures in a choral medium. Why should string players have all the Vivaldi Four Seasons fun?Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (SATB) - Digital Download SKU: A0.891208 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Contemporary. Octavo. 18 pages. Dandelion Music Press #3106157. Published by Dandelion Music Press (A0.891208). If you are looking to lighten your concert, to program real music, or a piece with rapid text delivery satisfying to mid-level HS choirs and community choirs with adult choral beginners, bring this hilarious 3 minute piece to your outstanding accompanist-pianist and your developing ensemble.  Debuted for choir during an educational outreach concert for children with families, Mozart's At the Window is also an effective selection or encore for a Mozart concert, or standing on its own.  Piece features lots of vocal doubling and is fully supported by a pianistic reduction-- this piece shines with an amazing accompanist.The choral arranger writes: After getting absolutely sick of the inane music I'd been playing for my young children in the car, I was elated to discover Gunnar Madsen's CD I'm Growing featuring Mozart's At the Window.  The kids were delighted with this funny song about some naughty kid, and my husband and I were delighted with the enormous improvement of musical quality in our vehicle.  It was shortly thereafter that this choral arrangement was born.Gunnar writes: In my first music theory class in college, the teacher and the students were recalling the silly ways they'd been taught to remember classical melodies when they were young.  One of them was for Mozart's 40th symphony (which I'd never heard) which consisted of Now Mozart's at the window - Let him in, Let him in, Let him in.  What an ear-worm!  For 25 years now I've dreamt of expanding that ditty into something more substantial, and now I'm proud to present the finished piece.  I'm really going to get a kick of sending this one to my teacher!Also available in Two-Part Treble voicing.Music abridged from W. A. Mozart's Symphony No.40 in G minor, K.550 IV. Allegro assai2017 Choral Contest EntryText and concept by Gunnar Madsen, ASCAP | http://www.gunnarspot.com/Arranged for choir by Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891214 Composed by Laurie Betts Hughes. Contemporary,Holiday,Wedding. Octavo. 13 pages. Dandelion Music Press #3106857. Published by Dandelion Music Press (A0.891214). A good choice for a pop-fusion harmonic language that will speak to your young adult choir, and possible open some meaningful dialogue about relationships.The composer writes: In the wisdom or fog of High School, I would daydream about what love truly was. I pined away from summer camp for the boy back home, imagining that I had found the Real Thing.  It is now several decades later, and after a few bumps and bruises suffered from trying to figure out just what true love actually is, I have discovered that this text is more about the journey of love and not about the destination.  This poem, like great Art, shifts and changes in meaning as the reader grows in understanding and changes.  I imagine that Love is like Art in this way- shifting in meaning over a lifetime of maturity and growth.Included in Project : Encore, 2017, Quarter 22017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1477296 Composed by Felix Mendelssohn (1809-1847). Arranged by Laurie de Leonne. 19th Century,Classical,Holiday,Romantic Period. 60 pages. Dandelion Music Press #1054717. Published by Dandelion Music Press (A0.1477296). Community, collegiate, and high school choirs alike can perform this previously unsung Romantic-Era piano work by Felix Mendelssohn Songs Without Words Op. 19.  16'30 total performance time.  Moderate/Easy difficulty, Intermediate/Advanced piano part.  Can also be practiced or performed with a recording of the original Mendelssohn work as an accompaniment track.  This new yet historical winter cantata features 6 new secular texts on varying themes of winter: 1.  Winter Comes Again-- the changing of seasons from autumn to winter, evoking themes of Thanksgiving2.  The Wind-- blustery winter storms, vividly described3.  Let's Go Sledding-- lighthearted and enthusiastic zeal for winter play4.  So Long Ago-- hearing family stories by the fireside5.  Your Brother Called-- a frantic family member relays news of a flight delay6.  In Wintertime-- deep and silent winter weather, looking toward springtimeMovements 1-3:  https://youtu.be/ckogojxzsEM?si=lmD7kycUKrvBnQC6Movements 4-6:  https://youtu.be/3QMQrETUg-Q?si=u-d7-iDCyVWIkCNQ.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1039305 By Serrini. By Serrini. Arranged by Alexander Wong. Blues,Hip-Hop,Multicultural,Pop,R & B,Rock,World. Octavo. 18 pages. CU Chorus Association Limited #643541. Published by CU Chorus Association Limited (A0.1039305). 中大�唱團廣�歌系列 CU Chorus Cantopop Series CUCPS0003 創作歌手Serrini第四張專輯《Don’t Text Him》於2017年發行，是她首張於專業錄音室製作的專輯。儘管Serrini早年以玩味�足的趣味作�走紅，收起一貫幽默感的抒情歌曲《Don’t Text Him》也是深�歌迷喜愛的作�，是Serrini從怪誕幽默風格開拓更多元化表�手法的�功嘗試。簡單而窩心的旋律�以鋼�伴�，訴說一個單戀故事。�唱改編完整�留原曲的簡約風格，大致上是旋律�上和�，�爾利用文字著色增添色彩。編曲黃歷�本為資深�唱伴�，在此曲鋼�伴�部份巧妙地�引冉天豪《願》�潘旻紫行《蒲公英》�石�如《世界���來的時》�德布西《月光》�佛瑞《尚．拉辛讚歌》等�作素�呼應歌詞內容，令新編曲多了一��堪玩味的詮釋空間。 Hong Kong Singer-songwriter Serrini released her fourth album Don't Text Him in 2017, which is the first one recorded in a professional studio. Unlike the humorous and playful style in her earlier songs, this lyrical title track Don't Text Him uses a simple melody with a backing piano to tell a story of unrequited love. Her attempt to adapt a more diversified style soon became her fans' favourite. The choral arrangement is made by Alexander Wong, a renowned collaborative pianist in Hong Kong. Through the use of a simple homophonic style with some word-painting, he quoted many pieces in the piano part to reflect on the lyrics, such as Wish by Jan Tien-hao, Dandelion by Pan Xingzimin, When the World Quiets Down by Shih Ching-Ju, Clair de lune by Debussy and Cantique de Jean Racine by Fauré,, giving an insightful interpretation to the song. 本編曲由香港中文大學�唱團（中大�唱團）委約改編。中文歌詞，粵語（廣�話）演唱。 This arrangement is commissioned by The Chinese University of Hong Kong Chorus (CU Chorus)。Lyrics in Chinese, sung in Cantonese .