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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King.   Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound   Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes.   Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
The Sense of a Place Will Remain
Chorale SATB

$7.95 6.92 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1472492 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1050138. Published by Kevin G. Pace (A0.1472492). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Like the fog in a storm and the sun who hides its face,Like pure shadows at noon, or a star out of place,Like the moon overhead in a dark and unclear night,I beseech more earnestly, seeking God’s pure light.Like bold sighs braving pain in Gethsemane’s lone space,Like the rock placed therein meant for grief’s leaning place,As blood dripping like rain for the pain is far too great,I beseech more earnestly, seeking God’s own traits.Like a child asking “How?” to his Father up above,Like each step to ascend on his ladder of love,Like each stretch sure to reach far beyond what I now know,I beseech more earnestly, trusting God to show.All at once I see light like a ray in shadowed sky,And it peers through each sphere as God’s voice in reply.Then more light, as if day, sheds its warmth into my soul . . .I still ask more earnestly, trusting to be whole.Perfect light comes from Him as He answers from his sky;From my bowed, lowered head, I can know Him on high.Perfect love shines below, from his ever-holy form,Right into my mended soul . . . his love to adorn.
I Beseech More Earnestly, a sacred hymn
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1046890 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #651386. Published by Kevin G. Pace (A0.1046890). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace is like starlight in the night sky after the clatter of storm. Peace is the melting of snow-capped peaks bringing the whole world it’s warmth. Peace is the blossom in a new Spring bursting its head from the ground. Peace is the falling of autumn leaves, twirling and spinning around. Peace is the music of symphony after much practice and time. Peace is the poet’s stanza and verse, joining each word and each rhyme. Peace is an artist’s palette and shade, covering canvasses well. Peace is a story written of old filled with a dear life to tell. Peace is a baby’s smile once more, after a sickness has passed. Peace is surpassing personal goals, even when coming in last. Peace is like manna feeding a crowd when there is never enough. Peace is accepting those who seem strange, giving them unending love. Peace is our Father’s answer to prayer when trusting faith has been shown. Peace is sure wisdom, finally gained, like a new truth to be known. Peace is our Savior righting each wrong, covering sin through his cross. Peace is our knowing his love will last so we will never be lost.
Peace Is Like Starlight, a sacred hymn
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3799 Composed by Henry Tucker. Comfort, Children, Death, Sleeping. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3799). Call me Not Back From the Echoless Shore. In Reply to Rock Me to Sleep, Mother. Song, With Chorus And Lullaby, Ad. Lib. Words by Charles Carroll Sawyer. Music by Henry Tucker. Published 1862 by Sawyer & Thompson, 59 Fulton Ave. in Brooklyn, N.Y. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Comfort, Children, Death, Sleeping. First line reads Why is your forehead deep furrowed with care?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Call me Not Back From the "Echoless Shore."
Chorale SATB

$5.99 5.22 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1428554 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1009344. Published by Kevin G. Pace (A0.1428554). A monumental, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:May the bright love of God help me seeAll that my Savior has done for me.Lighting my way through a world of confusionTo see my path clearly ahead.Clearing the fog from my spirit and weeds from my way,To see my path clearly before me.May the bright love of God bless my soul,Nourish with waters to make me whole.Planted in places enriched with God's blessing,I rise with each blooming of faith.Fed by the Word of the Lord and His unfailing HandI rise with my faith ever blooming.May the bright love of God fill my heart,Brighter it grows as I do my part,Lending a warmth to the service I offerAs sunshine to flowers in Spring.Melting the frost of indifference through service and loveAs sunshine to flowers in Springtime.May the bright love of God bring me home,Never again in sin's fields to roam,Finally gathered as grain to His garner,A place where perfection is sown.Basking with awe in the glory of God and His Son,A place where perfection is growing.
The Bright Love of God
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages. David Warin Solomons #18013. Published by David Warin Solomons (A0.576366). A vivid and at times raucous celebration of Saturnalia, in Latin, for an ensemble of voices and instruments (including various percussion, woodwind and brass instruments). The sound sample is a sung performance by the composer with an electronic preview of the instruments. Further explanations: Song for Saturnalia - a raucous and fun romp - in whole tones (since there is scant evidence of the types of scales used in those days - whole tones just seem to work in this context). The Latin words make references to relatively modern times but the spirit of Saturnalia is timeless, after all. The pileum (also written pilleum) is the little cap that slave wore during Saturnalia to show they were free men and women on that day - they would point to their cap and say libertus sum (I am a free person) and omnes aequales sumus (we are all equal). The words (and translation - both by me) are as follows: Saturnalia Song Io Saturnalia! Hodie igitur dominus noster non es. [Hooray, it’s Saturnalia, so today you’re not our boss] Hodie omnes aequales sumus. Io! [Today we are all equal, hooray!] [spoof of USA Anthem] Salve O Frutici [Hi there, Bush] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of UK Anthem] Salve O Campestri [Hi there, Blair] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of German Anthem] Salve O Candelari [Hi there Brandt] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] Io Saturnalia, Io! [Hooray, it’s Saturnalia, hooray!] [Note on the invented names (used in the vocative in the song of course): Fruticius is based on the word frutex a bush - it’s also used to mean blockhead in Roman comedies, but I can’t help that!. Campestrius is based on campester - a plain or place of clear ground (Blair is the Celtic equivalent word - a forest clearing!) Candelarius is based on candela - a taper or candle - ie something burning hence Brandt (yes, I know he’s earlier than the other two politicians, but, hey, it’s all a bit of anachronistic fun!)].
Saturnalia Song for voices, wind, brass and percussion
Chorale SATB

$10.00 8.71 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages. Dandelion Music Press #3103589. Published by Dandelion Music Press (A0.891191). An ideal SATB choice for Middle School/early High School changing voice and developing ensembles of all ages, this boy-friendly accompanied concert arrangement explores the cambiata voice, male vocal registers, and encourages enthusiastic use of the falsetto and upper range through the use of an appealing yodel. Ask your choristers to bring their guitars, ukuleles, mandolins, and banjos and strum along!Conceived using the SA(T)B concept (http://www.dandavisonmusic.com/what-is-satb.html) and also available in Two-Part Treble and Unison voicings, Git Along Little Dogies is a traditional American cowboy ballad.  The melody and lyrics were first published in 1910 in John Lomax's Cowboy Songs and Other Frontier Ballads, though the song has existed long before publication in the anonymous aural tradition of folk music. Since selling cattle was quite profitable, a crew of cowboys drove a herd, particularly from Texas, to railheads where they would be loaded into railcars and shipped cross-country to get the best price at market. Cowboys watched the cattle 24 hours a day, herding them in the proper direction in the daytime and watching them at night to prevent stampedes and deter theft.  Around the campfire, cowboys sang of life on the trail with all the challenges, hardships, and dangers encountered along the way.E. C. Teddy Blue Abbott, honored in the Montana Cowboy Hall of Fame, explains The singing was supposed to soothe the cattle and it did... The two men on guard would circle around with their horses on a walk, if it was a clear night and the cattle was bedded down and quiet, and one man would sing a verse of a song, and his partner on the other side of the herd would sing another verse; and you'd go through a whole song that way.Notable performances: 2016 Idaho Middle School All-State Choir, inaugural year | 2016 Northshore 6th Grade Honor Choir, boys2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com 
Git Along Little Dogies [SA(T)B]
Chorale SATB

$2.10 1.83 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.844244 By John Coltrane. By John Coltrane. Arranged by Gerhard Guter. Jazz. 10 pages. Gerhard Guter #4267419. Published by Gerhard Guter (A0.844244). If you’re looking for an up-tempo, minor blues swing with plenty of space for scatting and instrumental improvisation, then dig P.C.! This arrangement of the John Coltrane classic, which pays tribute to legendary jazz bassist and Miles Davis compatriot Paul Chambers, provides an exciting introduction, statement of the theme in varied textures, a challenging (optional) soli, and room for lots of energetic drum solos. Following an introductory figure reminiscent of Miles Davis and Victor Feldman’s well-known Seven Steps to Heaven collaboration, the arrangement features two optional background choruses to keep the blowing fresh and interesting. After the improvisation, the drums and piano drop out, sending off a challenging, optional soli (18 second mark in demo) featuring a doubled, walking vocal and acoustic bassline. As this section concludes, the acoustic bass drops out and the drums re-enter, propelling a fugal statement of the melody (25 second mark in demo). Following a return to the head, the arrangement modulates upward by whole step to its exciting conclusion. Piano, bass, and drums read off the included composite rhythm section part. The arrangement, which makes prominent use of sharp ninth chords during the head, is a great teaching tool for basses and altos in any vocal jazz ensemble! Demo performed by Christine Guter, Gerhard Guter, and Dina Humble Backing tracks available here: http://tiny.cc/mpnsuz  
Mr. P.c.
Chorale SATB
John Coltrane
$3.99 3.47 € Chorale SATB PDF SheetMusicPlus






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