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Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.914176

Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,Christian,Romantic Period,Sacred,Spiritual. Octavo. 11 pages. Music for a While #6416607. Published by Music for a While (A0.914176).

Robert Nathaniel Dett (1882-1943) was born in Canada before moving to the Unites States at the age of 11. He began studying piano at an early age and went on to be the first black American to graduate from Oberlin Conservatory of Music. Throughout his career he worked as a composer, organist, pianist, choral director and music professor; he received many awards for his music and writing and spent a period at the Fontainebleau School of Music south of Paris where he studied with Nadia Boulanger. Dett became well known for incorporating tunes and and elements of African American folk songs and spirituals into classical music.

Listen to the Lambs is scored for mixed unaccompanied chorus with solo soprano part and was originally published by G. Schirmer in 1914. It became one of his most famous choral works and was featured in The Oxford Book of Spirituals and Choral Music: A Norton Historical Anthology. There are modern recordings of the anthem performed by chamber choirs but Dett himself conducted a 900-voice performance of the work at Hampton University, Virginia where he was the director of the music department between 1928 and 1932.

R. Nathaniel Dett - Listen to the Lambs for solo soprano and 8-part chours
Chorale SATB

$1.99 1.83 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 4 - Digital Download

SKU: A0.928983

Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Blues,Concert,Folk. Octavo. 5 pages. Donald A Mills #4853851. Published by Donald A Mills (A0.928983).

With an original introduction by this arranger, this melodic balled is sung here a cappella, unencumbered by instruments. Some of the chord structure is complex, but intuitive. Your audiences will surely love this beautiful song in this new arrangement for SATB.

From Wikepedia:
Historians have not been able to definitively identify The House Of The Rising Sun, but here are the two most popular theories:

1) The song is about a gambling hall in New Orleans. The House Of The Rising Sun was named after Madame Marianne LeSoleil Levant (which means Rising Sun in French) and was open for business from 1862 (occupation by Union troops) until 1874, when it was closed due to complaints by neighbors. It was located at 826-830 St. Louis St.

2) It's about a women's prison in New Orleans called the Orleans Parish women's prison, which had an entrance gate adorned with a rising sun artwork.

The melody is a traditional English ballad, but the song became popular as an African-American folk song. It was recorded by Texas Alexander in the 1920s, then by a number of other artists including Leadbelly, Woody Guthrie, Josh White and later Nina Simone. It was her version The Animals first heard. No one can claim rights to the song, meaning it can be recorded and sold royalty-free. Many bands covered the song after it became a hit for The Animals.

The House of the Rising Sun...SATB
Chorale SATB

$2.99 2.74 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download

SKU: A0.973048

Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048).

The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well.

If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices.

The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah).

The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.

The Gift to Sing - SATB choir
Chorale SATB

$1.99 1.83 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 1 - Digital Download

SKU: A0.1313835

Composed by Traditional West African folk song. Arranged by Kathleen McGuire. A Cappella,Folk,Multicultural,Traditional,World. 2 pages. Kathleen McGuire #902556. Published by Kathleen McGuire (A0.1313835).

This traditional West African folk song (lullaby or processional) is highly versatile. Most likely from Liberia in the Yoruba language, it could be used simply as a melody, as a 2-4 part round, as a simple 2-4 part warm-up exercise, or in multiple parts as a concert piece utilising SATB choir and soloists, or splitting choral voices into multiple parts. The arrangement includes performance suggestions, plus instructions for body percussion or added ad lib African percussion. Arranger KATHLEEN MCGUIRE has incorporated ideas from various traditional sources into one page for ease of learning.

It is suitable for any ages or abilities. The words translate loosely in English to: We are sorry, I am sorry. What's up? What are you dreaming? Come to us.

Listen to a 1955 recording by The Song Swappers and Pete Seeger:
https://folkways.si.edu/the-song-swappers-and-pete-seeger/banuwa-yo/american-folk-world/music/track/smithsonian

BANU WAYO Chorale SATB

$1.99 1.83 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download

SKU: A0.1404441

Composed by Traditional African-American Spiritual folk song. Arranged by Scott S. Stewart. Christian,Easter,Praise & Worship,Religious,Spiritual. 22 pages. Scott S. Stewart #987520. Published by Scott S. Stewart (A0.1404441).

He Never Said a Mumblin' Word (also known as They Hung Him on a Cross, Mumblin' Word, Crucifixion, and Easter) is an African-American Spiritual folk song of unknown origin. It became popular in 1871 with the Fisk Jubilee Singers, and gained a wider audience through noted music educator Nathaniel Clark Smith.  The text narrates the events of the crucifixion.  This arrangement is scored for a 4-part SATB ensemble with an acoustic double bass providing accompaniment.  The double bass part could be played on an electric keyboard capable of achieving that pizz. bass sound. Performance time: 4:42+-.

He Never Said a Mumblin' Word
Chorale SATB

$2.99 2.74 € Chorale SATB PDF SheetMusicPlus






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